Art Practice Commons^™

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Impact16 Transdisciplinary Symposium, Pact Zollverein, Essen Germany, Conor Mcgarrigle

Other resources

IMPACT16 is an encounter with HOOD, RYBN.ORG und FORMATIONS, three expert collectives whose diversified forms of cooperation and flexible working practices transcend disciplinary boundaries.

How and where do alternative realities come about both in and between different fields of knowledge? How can we productively uncover contradictory ›rift zones‹ in today’s world? What kind of frameworks for action can we cultivate?

Informed by multiple perspectives and practices in the arts, politics, technology, sociology, economics and science, the contributing collectives’ inquiries and strategies circumvent disciplinary limits and constraints and open up new spaces for thought and action.

The transdisciplinary symposium offers 30 …

A Site Of Change: The Masterplan, Brian Fay

Exhibition Catalogues

Essay on the community based art project The Master Plan curated by Jennie Guy with artists Ella de Burca and John Beattie.

Symposium Program Outline For Crosscurrents: Land, Labor, And The Port. Textile Society Of America’S 15th Biennial Symposium. Savannah, Ga, October 19-23, 2016.

Textile Society of America Symposium Proceedings

Conference program: times, locations, speakers, events.

Wednesday, October 19th 2016, through Sunday, October 23rd 2016.

10 pages

The Intercontinental Reflections Of An Eighteenth-Century Mexican Rebozo, Eleanor A. Laughlin

Textile Society of America Symposium Proceedings

The eighteenth-century Mexican rebozo (scarf) is an excellent example of a garment type that crossed not only ocean currents, but also boundaries of race and class. Initially, the rebozo was associated with indigenous culture in Mexico. Evidence suggests that the rebozo existed during the pre-Columbian period,1 but it has been most commonly remembered as an article of clothing used by the Spaniards to cover the exposed bodies of indigenous women in the church setting. Aspects of the scarf’s decorative elements, such as fringe and dying methods, are thought to have been inspired by Asian styles that arrived in Mexico via …

[Tsa Web Pages For] Symposium 2016 -- Crosscurrents: Land, Labor, And The Port Textile Society Of America’S 15th Biennial Symposium

Textile Society of America Symposium Proceedings

The web pages for the 2016 Savannah Symposium (archived in pdf).

The 2016 Textile Society of America Symposium will take place in Savannah, Georgia on the campus of the Savannah College of Art and Design (SCAD) and at the Hyatt Regency Hotel. To maximize scholarly interchange, the Symposium will consist of multiple, concurrent sessions, plenary and keynote speakers, a poster session and curated exhibitions that will intersect with the scholarly program. In addition to the symposium sessions and exhibitions, there will be a series of dynamic pre- and post-conference workshops and study tours to local and regional art institutions and …

The Role Of Design Thinking In Scientific Research & Communication, Colleen Syron

SciComm 2016 - Lincoln, Nebraska, September 23-24, 2016

Design thnking: Research: • Interviews with designers • Observations and case studies • Experimental studies • Simulation • Reflection and theorizing

Designing is not a search for the optimum solution to the given problem, but that it is an exploratory process. The creative designer interprets the design brief not as a specification for a solution, but as a starting point for a journey of exploration,…

“Deduction proves that something must be; Induction shows that something actually is operative; Abduction suggests that something may be.” Charles Pierce

The main point of difference is that of timing. Both artists and scientists operate …

Esprit De Corps, Shalbey L. Workman

School of Art, Art History, and Design: Theses and Student Creative Work

UCARE Funding Application

Studio Assistant

Shalbey Workman

As a transfer student with an Associate’s Degree in photography from Metropolitan Community College, I am continuing my education at the University of Nebraska-Lincoln by emphasizing in Photography while earning my BFA in Studio Arts.

I am currently taking a lighting class with Photography Professor Walker Pickering, whose enthusiasm and strict guidelines are beneficial to my artistic career. Professor Pickering knows the ins and outs of being a professional photographer from a business standpoint, as well as the conceptual side of fine art. He has solo exhibitions in New York, Texas, Ohio, and …

'Stillwater' : An Exhibition That Explores Touch And The Everyday Through Ceramic Objects And Photography, Lily Fein

Art - All Scholarship

The exhibition, stillwater, is a Capstone Project that showcases ceramic-based installations in addition to photographs by Ian Sherlock. Both Ian and myself use material and process in its raw form. The work that Sherlock exhibits in stillwater is a series of pinhole camera exposures of the sun passing. He sees this simple yet profound passing of time as an opportunity to gain tacit knowledge of the sun. In my work, I gain parallel knowledge in the medium of clay, as I am physically invested in every mark that I make. There is no smoothing over or correcting; every moment is …

Alejandro Acierto Interview, Madeline Bolton

Asian American Art Oral History Project

Artist Bio: Alejandro T. Acierto is an artist and musician working in time-based media. He has exhibited his work at the Film Society of Lincoln Center, Issue Project Room, Museum of Contemporary Art Chicago, Art Institute of Chicago, Salisbury University, SOMArts and presented performance works at the Brooklyn International Performance Art Festival, Center for Performance Research, and Center for New Music and Technology. Acierto has held residencies at Skowhegan School of Painting and Sculpture, Virginia Center for the Creative Arts, Banff Centre, High Concept Laboratories, and Chicago Artists' Coalition. He is currently a FT/FN/FG Consortium Fellow, a Center Program Artist …

James Kao Interview, Alice Haller

Asian American Art Oral History Project

Artist Bio: James Kao was born and raised in Houston, Texas. After studying philosophy and focusing on the texts of Ludwig Wittgenstein at the University of Chicago, he worked as a bakery buyer for a specialty foods retail chain in Southern California. In 2001, James forwent his corporate career and returned to Chicago to take classes at the School of the Art Institute of Chicago where he received an MFA from the Painting and Drawing Department. He is Assistant Professor of Art at Aurora University in Aurora, IL, and is co-founder and co-director of 4^th Ward Project Space in …

Lens On Habitat Destruction: A Photo Essay In Double Exposure, Bethany Holtz

Student Publications

Human greed and ignorance bulldoze through nature, leaving behind scarred landscapes and broken ecosystems. Within the world’s aquatic environments, human actions have irreversibly fragmented and shattered habitats of countless animals. Voiceless, these displaced animals suffer largely in silence—their stories untold and invisible. Using my lens to expose their cries, my photography uncovers the narrative of habitat destruction.

In this photo essay, I juxtapose the pristine and degraded habitats of five threatened aquatic species using double exposure techniques, a method where two disconnected images are merged to create one unified work. By balancing light, opacity, color, and transparency, I focus attention …

The Art Of Exile: A Narrative For Social Justice In A Modern World, Dakota D. Homsey

Student Publications

In this paper I will illustrate what exile art is, how it is influenced on a global platform, and the change it engenders. My research reveals a central theme of globalization in the exchange, mix, and clash of cultures and political views that accompany it as well as the spread of art and ideas. In my research I illustrate how political circumstance, and sense of responsibility to share a political narrative, propelled exile art from a personal to a political narrative. My research illustrates how, as displaced people stripped of a homeland, exiled artists have surfaced as a voice of …

Capstone 2016 Art And Art History Senior Projects, Art And Art History Department

Student Publications

This booklet profiles Art Senior Projects by Maura B. Conley, Caroline G. Cress, Carolyn E. McBrady, Alesha R. Miller, Emma S. Shaw, Eleanor E. Soule, Katherine G. Warwick, and Rebecca T. Wiest.

This booklet profiles Art History Senior Projects by Deirdre E. D'Amico, Rebecca S. Duffy, Megan R. Haugh, Molly R. Lindberg, Kelly A.B. Maguire, and Lucy K. Riley.

Don't Worry, Patricia L. Davis

School of Art, Art History, and Design: Theses and Student Creative Work

When I was really young something at the core of my being whispered to me, “she won’t live very long.” At the time I didn’t know where that voice was coming from, but I knew it was true. It was unsettling. Over the years I realized that I was being prepared for the eventuality of my mother’s death and that I wouldn’t know when or how it would happen. When it did occur, suddenly I knew there was nothing between death and me but time. This thought has haunted me to the point that I have developed a fear of …

Friends Of Musselman Library Newsletter Spring 2016, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library Receives 9/11 Commission Papers (Fred Fielding '16)

Library News

Digital Scholarship Fellows

From Paupers to Presidents

Fair Use Week

Reading About Race

Student Workers Save the Day (Nadia Romero Nardelli '19)

Life in the Fishbowl (Brittany Barry '17)

In Memory of Douglas R. Price; Former Aide to Eisenhower

Special Purchases

From the Piano Bench (Jay P. Brown ’51, Doug Brouder ’83, Julie Caterson ’84 and Mr. & Mrs. Michael Fiery)

Research Reflections: The Spirit of Gettysburg (Timothy Sestrick)

Gift of Art

Old Gettysburg Back to Thee (Jenna Fleming '16, Avery Fox '16, Melanie Fernandes …

Shaurya Kumar Interview, Tejas Patel

Asian American Art Oral History Project

Bio: A native of Delhi, India where he studied printmaking and painting at the College of Art; Shaurya Kumar graduated with his MFA from the University of Tennessee, Knoxville in 2007. Since 2001, Kumar has been involved in numerous prestigious research projects, like “The Paintings of India” (a series of 26 documentary films on the painting tradition of India); "Handmade in India" (an encyclopedia on the handicraft traditions of India); and digital restorations of 6th century Buddhist mural paintings from the caves of Ajanta. Kumar’s research is focused on creating works which appreciate and appropriate new media while highlighting the …

Snow Yunxue Fu Interview, Noah Fornear

Asian American Art Oral History Project

Bio: Snow Yunxue Fu (b. 1987) is an artist who lives and works in Chicago. Her work approaches the subject of the Sublime using topographical computer rendered animation installation. She exams and interprets the world around her through virtual reality, where she draws a parallel to the realms of multi-dimensionality, the physical, the virtual, and the metaphysical. Fu has exhibited her work nationally and internationally including Hong Kong Arts Center, Yellow Peril Gallery, Expo Chicago, Digital Culture Center in Mexico City, Zhou B Art Center in Chicago, Chicago Artist Coalition, Chicago Filmmakers, Kunsthalle Detroit Museum of Contemporary Art, MoMA …

Osamu James Nakagawa Interview, Myumi Ware

Asian American Art Oral History Project

Bio: Osamu James Nakagawa was born in New York City; raised in Tokyo, Japan and returned to Houston, Texas at the age of 15. He received a Master of Fine Arts from the University of Houston in 1993 He is the Ruth N. Halls Professor of Art at Indiana University and a recipient of the 2009 Guggenheim Fellowship and 2010 Higashikawa Award: New Photographer of the Year, and 2015 Sagamihara Photographer of the Year in Japan. Nakagawa's work is shown internationally and his monograph GAMA Caves was published by Aka Aka Art Publishing in January 2014.

His recent work, BANTA …

Jave Yoshimoto Interview, Serina Mancha

Asian American Art Oral History Project

Artist Bio:
Jave Yoshimoto is an artist and educator of multicultural background. He was born in Japan to Chinese parents and immigrated to United States at a young age. He has since traveled and lived in various parts of the country, which influenced his artistic practice. Yoshimoto received his Bachelors from University of California Santa Barbara in Studio Art, his Post-Baccalaureate Certificate in Painting and Drawing and Masters of Art in Art Therapy at the School of the Art Institute of Chicago, and his Masters of Fine Arts in Painting at Syracuse University. He has worked as an art therapist/mental …

Cesar Conde Interview, Ramona-Sky Rosenthal

Asian American Art Oral History Project

Artist Bio: A post-contemporary painter, Conde uses old world technique using modern materials to paint his realistic portraits. Conde is a Filipino-American Chicago based artist who was primarily self-taught until he hit a wall with his technical skills. Upon realizing his artistic limitations, Conde decided to study at Angel Academy of Art in Florence, Italy with John Michael Angel, who apprenticed for Pietro Annigoni. He also studied with Master Painter of Technique Mixte, Patrick Betaudier in his atelier in Monflanquin, France. Conde’s influences are Carravaggio, Rehmbrant, and Goya. Conde continues to learn and explore the infinite possibilities of painting.

Conde’s …

Akemi Nakano Cohn Interview, Allisan Tate

Asian American Art Oral History Project

Artist Bio:

Akemi Nakano Cohn studied traditional Japanese dyeing/printing techniques for ten years under the master Haru Izumi in Yokohama, Japan. She received an MFA in Fiber Arts from Cranbrook Academy of Art (Bloomfield, MI) and a BFA from Tama Art University, Tokyo, Japan. Cohn has taught at the School of the Art Institute of Chicago, the Int'l Surface Design Conference, Haystack, and others. She was visiting artist at the Museum of the Art Institute of Chicago, University of Nebraska, Zijdelings (Netherlands), and artist-in-residence at Anderson Ranch and Ragdale Foundation. She has been in many exhibits, including solo exhibits; Urban …

Aram Han-Sifuentes Interview, Yanessa Rodriguez

Asian American Art Oral History Project

Artist Bio:
Aram Han Sifuentes learned how to sew when she was 6 years old from her seamstress mother. Han Sifuentes was born in Seoul, South Korea and immigrated to Modesto, California as a child. She mines from her family’s immigration experience to address issues of labor and explores identity as a first generation immigrant.

Han Sifuentes’s work has been shown in national and international exhibitions. Her work has been included in exhibitions at the Chung Young Yang Embroidery Museum in Seoul, South Korea; Wing Luke Museum of Asian Pacific American Experience in Seattle, WA; Center for Craft, Creativity and …

Ouachita To Host Keathley In Senior Art Exhibit March 7-16, Rachel Gaddis, Ouachita News Bureau

Press Releases

No abstract provided.

Sacred Currency: The Value Of Textile In Colonial Andean Painting, Gaby Greenlee

Textile Society of America Symposium Proceedings

In this 18th century colonial Andean image painted in the former Inka capital of Cuzco, Peru, a wreath of flowers encircles a small female figure sitting upon a richly textured seat (Figure 1). She wears clothing that connotes distinction; her features and gestures are as delicate as her garments yet her eyes are fixed and discerning. Our eyes are drawn to her eyes. What does she see? What is her role? We also turn these questions on ourselves: what do we know about this figure that gives the painting meaning? We tend to interpret the work through her identity.

However, …

Aesthetics, Economics And The Enchantment Of Cloth, Janis Jefferies, Barbara Layne

Textile Society of America Symposium Proceedings

In a changing world everyone crafts, designs and engages in making: each individual person and each collective subject, from communities to cities and regions, can define and enhance a life project. We are witnessing an unprecedented wave of social innovations, sometimes using technology and sometimes not. As these changes unfold, an expansive open set of process and practices in which new solutions are suggested and new meanings are created. Most revolutions are about energetic movement and upheavals; even if ideas take a while to become ideologies, we don’t think of them as slow events. But the phrase also makes us …

The Legacy Of Yarn Dyed Cotton Lungis Of Cuddalore, Tamil Nadu: A Case Study, Vasantha M. Dr.

Textile Society of America Symposium Proceedings

Woven cotton textiles of India are ancient, diverse, and steeped in tradition, an amalgam of different ethnic influences, much like reflection of the country itself. Having had the advantage of possessing a unique raw material for more than 5000 years of recorded history, she has been a benefactress of her rich cotton textile heritage to the entire world. In a world where the trends are dictated by the mass producers and the consumers no longer make out the difference between the hand crafted and the machine made, it is a miracle that these textile traditions have been persistently passed on …

From Function To Fashion To A Contemporary Art Process, Journey’S Within A Fisherman’S Rib Jumper, Christine Wiltshier

Textile Society of America Symposium Proceedings

This paper investigates a number of journeys discovered within a fisherman’s rib jumper. The thread of each journey was unravelled whilst considering the notion, Could a process of unmaking become a form of making. This question framed a process lead studio research that centred on haptic experimentation. The vehicle chosen to investigate this question was that of the unravelling of a knitted garment. Along side a studio investigation, a number of threads were followed that connect a 1980’s fashion garment with historic coastal fishing economies in the United Kingdom. Connections were also unravelled between the machine construction of the garment …

Sumptuary Synergy: British Imperialism Through The Tartan And Slave Trades, David Loranger, Eulanda A. Sanders

Textile Society of America Symposium Proceedings

Sumptuary laws have been a useful tool for various national powers in regulating subjects and to promote class differentiation and business interests. The genesis of this study was one such law, entitled the South Carolina Negro Act of 1735, stipulating that slave garments could only be made of low-quality textiles. These fabrics were reflective of slaves living in chattel environments, thus also representing a slave’s status in society. This law forbade slaves from wearing “any sort of garment or apparel whatsoever, finer, other or of greater value than Negro cloth, duffels, coarse kerseys, osnabrigs, blue linen, check linen, or coarse …

Veiled In Ignorance And Clothed In Reason: Jimmie Durham’S 2014 Exhibition Traces And Shiny Evidence, Andrea Feeser

Textile Society of America Symposium Proceedings

In the 2014 London exhibition “Traces and Shiny Evidence,” Jimmie Durham showed on one floor brightly colored oil barrels, car parts, pcv pipes, and reproduction animal skeletons covered with or leaking ooze that shimmered with rainbow hues. On a floor one level up, Durham exhibited wall size drawing-prints he made by throwing stuffed animals coated with charcoal at very large pieces of paper. In the video that recorded Durham making the drawing-prints, the artist wears a workman’s vest labeled “Steiner. Maison de la Paix.” A video that is featured in the exhibition itself shows Durham in a business suit seated …