Art Practice Commons^™

Princípios-Tópicos De Hermenêutica Constitucional, Paulo Ferreira Da Cunha

Paulo Ferreira da Cunha

Houve tempo em que a Constituição servia para poisar ou charuto ou tirar um argumento político, como ironicamente afirmaria o grande escritor oitocentista Eça de Queiroz. Hoje a Constituição é a norma das normas. Daí há consequências hermenêuticas. Ao contrário das teorias que importam interpretação tradicional e, por vezes, em grande medida ultrapassada, para o Direito Constitucional, a tendência actual é a inversa: dada a supremacia da Constituição, deve ser a metodologia constitucional a exportar hermenêutica para o todo do Direito. Para isso, começamos neste artigo com grandes princípios de hermenêutica intra-constitucional. Depois se passará à exportação.

Member Profiles: Karen Hanmer And Peter Verheyen, Peter D. Verheyen, Karen A. Hanmer

Peter D Verheyen

This is the second in a continuing series of interviews of Guild members. Current and former Exhibitions Chairs Karen Hanmer and Peter Verheyen met at Standards in Chicago in 1999. She never dreamed his subliminal messages would entice her from making “freaky-foldies” to become a binder. He never suspected she would attempt to seduce him to the other side with odd examples of vaguely book-like ephemera. They share an appreciation of fine craft, spare design, and excessively robust (read Teutonic) endsheets.

Where I Am, There (Sh)It Will Be, Melanie Mcdougald

Melanie E McDougald

No abstract provided.

Frontera Land Alliance, Anne Giangiulio

Anne M. Giangiulio

Logo and website designed for a land trust. Among other things, The Frontera Land Alliance helps save local arroyos (dry creek beds or gulches that temporarily fill with water seasonally after heavy rains) from development. Arroyos are not only important for holding run-off, they are also habitats to diverse animal and plant life. Their web address is: http://www.fronteralandalliance.org/

"Mixed Heritage Art", Laura Kina

Laura Kina

"Mixed Heritage Art."Mixed Heritage Center. December 2007 . (essay) An introductory overview essay for the Mixed Heritage Center Arts section.

Art Series - Aloha Dreams, Laura Kina

Laura Kina

Aloha Dreams (2007) In this mixed media painting series and installation, Kina examines her Orientalist impulse for heritage tourism. Looking nostalgically at her family’s history as Okinawan sugar cane plantation workers on the Big Island of Hawaii, she ultimately finds herself through mediated pop images of paradise and in the very real space of a Midwestern Vietnamese nail salon. View the series: http://www.laurakina.com/aloha.html

Elsewhere, Kate Walker

Kate Walker

Hotspot, Kate Walker

Kate Walker

Hotspot, Kate Walker, Cliff Fell, Jennifer Guerin

Kate Walker

'El Maestro Francisco Toledo: Art From Oaxaca' Exhibition Catalog, Anne M. Giangiulio

Anne M. Giangiulio

'El Maestro Francisco Toledo: Art from Oaxaca, 1959–2006'. catalog designed for the exhibit at the Stanlee and Gerald Rubin Center for the Visual Arts. This catalog won a 2008 Gold ADDY Award from the Advertising Federation of El Paso. Please be patient when downloading as file is 67.1 MB.

Frippery: Peculiar Bijouterie Or Curiously Adorned, Anne M. Giangiulio

Anne M. Giangiulio

I designed this trifold brochure for 'Frippery: Peculiar Bijouterie or Curiously Adorned', a metals/jewelery exhibition held at New Mexico State University which later traveled to Cardinal Stritch University in Milwaukee, WI.

'Julia Barello: Swirl' Exhibition Catalog, Anne M. Giangiulio

Anne M. Giangiulio

'Julia Barello: Swirl' catalog designed for the exhibit at the Stanlee and Gerald Rubin Center for the Visual Arts. Please be patient when downloading as file is 19.1 MB.

El Paso Magazine Illustrations, Anne M. Giangiulio

Anne M. Giangiulio

I became the first-ever paid contributing illustrator to El Paso Magazine. Their January, February, March, June, and July 2007 issues feature my illustrations. Please be patient when downloading as file is 4.8 MB.

Graphic Content: Art Of The New Music Poster, Anne M. Giangiulio

Anne M. Giangiulio

The poster downloadable here is one of many I designed in different colors for 'Graphic Content: Art of the New Music Poster'. The poster was hand stenciled and spray painted for an exhibit at the Stanlee and Gerald Rubin Center for the Visual Arts. The traveling exhibition was curated by Dirk Fowler, Assistant Professor of Graphic Design at Texas Tech University School of Art and contained more than 100 posters by 25 different artists highlighting the growing importance of the rock poster in contemporary art.

El Paso Museum Of Art Bifold, Anne M. Giangiulio

Anne M. Giangiulio

I designed a bifold mailer for the El Paso Museum of Art’s two exhibits 'Picasso’s Women: Prints from the Permanent Collection' and 'The Sacred and the Secular: Women in Renaissance, Baroque and Rococo Prints'.

Direito À Informação Ou Deveres De Protecção Informativa Do Estado?,, Paulo Ferreira Da Cunha

Paulo Ferreira da Cunha

A Liberdade de Informação poderá ser simultaneamente defendida pelo dever de abstenção do Estado na esfera de exercício privado (não perigoso) de cada cidadão ou grupo “ordeiro” de cidadãos, e pelo dever de protecção dos cidadãos e das suas pessoas morais (incluindo obviamente associações e empresas) nos casos em que a ordem natural da rede social equitativa seja rompida, designadamente por fenómenos de massificação arregimentadora, trusts anti-concorrência, violação de direitos fundamentais, etc., e, no limite, crime. Mas o discernimento e ponderação terão que ser muito grandes.

Les Limites Du Pouvoir De Révision Constitutionnelle Entre Le Pouvoir Constituant Et La Constitution Matérielle. Une Illustration Dans Le Contexte Lusophone, Paulo Ferreira Da Cunha

Paulo Ferreira da Cunha

May we relate with intellectual profit some 'abstract' constitutional concepts such as "pouvoir constituant", "constitution matérielle" and "limites matériels de révision constitutionnelle"?

Do Constitucionalismo Brasileiro: Uma Introdução Histórica (1824-1988), Paulo Ferreira Da Cunha

Paulo Ferreira da Cunha

It is not usual to write a constitutional history from the view point of a foreigner. This is a essai of a glimpse of Brazilian constitutional history from the perspective of a Portuguese, descending from Bazilians, descending from Portuguese. In spite of those circunstances, of course the aim was always the possible objectivity in History and in Constitutional Law History.