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Articles 1 - 30 of 62
Full-Text Articles in Art Practice
Specimen X1-2020 Behind The Cover, Clayton Ehman
Specimen X1-2020 Behind The Cover, Clayton Ehman
The STEAM Journal
No abstract provided.
Evolution Of Island, Dominique Kongsli
Evolution Of Island, Dominique Kongsli
The STEAM Journal
Evolution of Island emerged from the depths of an ocean of blue paint. My process involves observation of nature: I remember scuba diving in Thailand in the Andaman Sea and having a spiritual experience underwater while observing Christmas-tree worms pop in and out of the coral.
Animal-Human Art, Trace Johansson
Animal-Human Art, Trace Johansson
The STEAM Journal
Art work that shows the bond between animal and human
The Marriage Of Art And Science, Mike Doyle
The Marriage Of Art And Science, Mike Doyle
The STEAM Journal
Art work that shows how the viewer translates visual cues into meaning
Drawing Parallels In Art Science For Collaborative Learning: A Case Study, Karen Westland
Drawing Parallels In Art Science For Collaborative Learning: A Case Study, Karen Westland
The STEAM Journal
This research paper explores drawing as a tool to facilitate interdisciplinary practice. Outlined is the personal experience of PhD researcher [name removed] in their physics/craft research project, combined with thoughts and opinions from collaborators gathered through group discursive interviews. Interdisciplinary projects face interpersonal and conceptually ambiguous challenges which can be addressed through adopting drawing techniques for educational purposes. Findings highlight that drawing can assist across a breadth of applications as a learning tool for everyone, regardless of drawing ability, to improve the functionality of collaborative projects. Specifically, drawing combined with other communication techniques develops a performative communicative approach that enriches …
Lightwave: Visualizing The Wind, Jacqueline M. Bell Johnson
Lightwave: Visualizing The Wind, Jacqueline M. Bell Johnson
The STEAM Journal
No abstract provided.
Visual Arts Enhance Instruction In Observation And Analysis Of Microscopic Forms In Developmental And Cell Biology, Max Ezin, Christina Noravian, Amira Mahomed, Adam Lyle, Aveleen Gill, Tamira Elul
Visual Arts Enhance Instruction In Observation And Analysis Of Microscopic Forms In Developmental And Cell Biology, Max Ezin, Christina Noravian, Amira Mahomed, Adam Lyle, Aveleen Gill, Tamira Elul
The STEAM Journal
Two important skills for scientists in developmental and cell biology, as well as in fields such as neurobiology, histology and pathology, are: 1) observation of features and details in microscopic images of cells, and 2) quantification of cellular features observed in microscopic images. However, current training in developmental and cell biology does not emphasize observation and quantitative analysis of microscopic images, and it is unclear how best to teach students these skills. Here, we describe our experiences applying visual artistic approaches to instruct undergraduate and graduate students in how to observe and analyze cellular forms in microscopic images. At Loyola …
Animals In Drama And Theatrical Performance: Anthropocentric Emotionalism, Peta Tait
Animals In Drama And Theatrical Performance: Anthropocentric Emotionalism, Peta Tait
Animal Studies Journal
This article outlines how nonhuman animals are framed by the emotions of drama, theatre and contemporary performance and considers a distinctive tradition in western culture of enacting animal characters who function as surrogate humans. It argues that, contradictorily, while animal characters confirm anthropocentric emotionalism, drama also contains pro-animal values and concern for animal welfare. Animals embodying emotions in theatrical languages are part of the way animals are used in the traditions of western culture and to think and philosophize with, but they also indicate thinking about the emotions in theatrical performance. The article considers if, however, staging living animals can …
De La Nature Au Processus D’Artification. Matière [Forme/Objet] Sens, Alexandre Melay
De La Nature Au Processus D’Artification. Matière [Forme/Objet] Sens, Alexandre Melay
The Goose
Les progrès technologiques modifient radicalement ce qui nous était autrefois familier. Ce sentiment troublant venu de l’ère Anthropocène met en lumière l’impact humain sur la nature. Mais la perte d’un monde naturel nous oblige à gérer notre environnement en tant qu’environnement artificiel. Face à cette mutation profonde du concept même de nature, l’art opère un processus d’artification, renouvelant la nature dans de nouvelles formes néoarchéologiques et de nouvelles esthétiques, par le « passage du non-art en art ».
Soleil D'Azur, Camille Sova
Soleil D'Azur, Camille Sova
The Goose
Ôde à la liberté et à l’espace, « Soleil d’azur » est une invitation à une contemplation profondément active : des haies clôturées jusqu’aux dunes infinies tant désirées, nous suivons le parcours d’un regard poétique qui transforme le paysage au fil de son chemin. Progressivement, l’exploitation humaine de l’espace cède sa place à une nature sauvage : le pin se redresse, l’horizon se dégage et la vérité, lentement, se dévoile. Enfin, le soleil n’est plus brulure mais lumière.
The Universe's Greatest Disappointment, Mix Hart
The Universe's Greatest Disappointment, Mix Hart
The Goose
"The Universe's Greatest Disappointment" encourages literary discourse on the ecological catastrophe that is currently happening on Earth today. Specifically, the role humanity plays in the Earth's destruction. The poem is playful, yet poignant, and is an example of regenerative-culture, eco-narrative. It challenges the anthropocentric philosophy that has dictated industrialized human societies since the Anthropocene.
Book Review - Alternative Education Tutors: A Poetic Inquiry, Nicole Rallis
Book Review - Alternative Education Tutors: A Poetic Inquiry, Nicole Rallis
Artizein: Arts and Teaching Journal
A book review of Adrian Schoone's "Constellations of Alternative Education Tutors" published in 2020 as part of the Springer Briefs in Arts-Based Educational Research book series.
Art: The Language We Use When There Is Nothing We Can Say, Peter London
Art: The Language We Use When There Is Nothing We Can Say, Peter London
Artizein: Arts and Teaching Journal
When matters of ultimate concern are upon us, the language with which we ordinarily negotiate life reveals its limitations. At these pivotal moments of life, we spontaneously yield to tears or laughter or song or silence. At these high moments reason no longer feels sufficient, is too slow, too pedantic. In these moments we shift inexorably from walking to dancing, from speaking to singing. We rely upon song to console us, we believe in song to hold us steady, to carry us past or closer. We rely on art, these seemingly flimsy things to save us.
Co-Creation With Youth: Teaching Artistry And Art Outreach Programs, Hallie Morrison
Co-Creation With Youth: Teaching Artistry And Art Outreach Programs, Hallie Morrison
Artizein: Arts and Teaching Journal
This article shares my process and reflection as a teaching artist on a specific project with the Chicago Opera Theater (COT). An extension of my personal and professional practices that aims to provide larger painting experiences for students than they are normally provided, this project takes place in Chicago public schools through a model of Arts Partnership in which COT brings in multidisciplinary arts education. Beyond being an educational program, this school-based artistic co-creation resulted in opportunities for professional learning, intracultural bonding, and empowering moments for youth. This article includes images of the art teaching process, arts integration program tools, …
Editing My Own Drum, Adrienne Adams
Editing My Own Drum, Adrienne Adams
Artizein: Arts and Teaching Journal
The author examines her art and poetry practice exploring how the "Badlands" of Alberta, Canada in particular Áísínai'pi (Writing-on-Stone Provincial Park), are "the bones of the earth". She looks at the visual and linguistic poetry within them and examines her wording to decolonize her practice and learning/unlearning from the land and the cultures; Blackfoot and Settler, and peoples that inhabit it. She highlights how her process of editing a specific poem “My Own Drum” prompted and echoes an examination of her practice that leads to the writing of a new poem written during this process, revealing some of her findings. …
Conversations With Each Other: Love Songs To The Earth, Adrian M. Downey, Gonen Sagy
Conversations With Each Other: Love Songs To The Earth, Adrian M. Downey, Gonen Sagy
Artizein: Arts and Teaching Journal
Conversation is a complicated, ever-changing, and dynamic space—a space which is foundational to both education and curriculum, broadly conceived. In this article, we continue our ongoing conversion through the notion of writing love songs to the Earth and to each other. Within the conversation, Gonen shares original poetry emergent from his lived experiences, while Adrian attends to Gonen’s poetry in prosaic response. In this, the socio-political moment of the Canadian movement toward reconciliation between Indigenous and non-Indigenous peoples, we view our relationship and our conversations as speaking back to the competitive languages of diasporic space and Indigenous place through an …
Fragments Of Armenian Identity, Celeste Snowber, Marsha Nouritza Odabashian
Fragments Of Armenian Identity, Celeste Snowber, Marsha Nouritza Odabashian
Artizein: Arts and Teaching Journal
We come as two artists, one a poet and dancer, Celeste Nazeli Snowber, and the other a visual artist, Marsha Nouritza Odabashian to excavate, reclaim and celebrate our Armenian identities. This offering is a collaboration of poems and visual images which sing a song deep in our bones and cells. Through colors, words, hues, and textures we hearken back to what has been in us all along. We offer it to you as a place to know that cultural identities live within the skin in all their paradox, glory and mystery.
Who’S Curating?: Situating Autohistorias-Teorías In The Archives, Leslie C. Sotomayor, Julie M. Porterfield
Who’S Curating?: Situating Autohistorias-Teorías In The Archives, Leslie C. Sotomayor, Julie M. Porterfield
Artizein: Arts and Teaching Journal
During the 2018-2019 academic year, we collaborated to facilitate a workshop for students in an Art Education course, using archival material from the Eberly Family Special Collections Library at Penn State. The course centered on diversity, pedagogy, and visual culture. Using our respective expertise in Art Education and primary source literacy, we chose the design and scope of the two-day workshop and subsequent assignment as a reflection for our passion for feminist theorizing and reimagining the academic White patriarchal canon in a predominantly White institution. As critical, feminist pedagogues, and in an effort to match the course theme, we chose …
The Verge: Networks Of Intersubjective Responding For Just Sustainability Arts Educational Research, Marna Hauk, Amanda Rachel Kippen
The Verge: Networks Of Intersubjective Responding For Just Sustainability Arts Educational Research, Marna Hauk, Amanda Rachel Kippen
Artizein: Arts and Teaching Journal
Two sustainability arts scholars describe a method of data interpretation they developed for making sense of complex environmental and sustainability education research data. They “played” images and recorded a conversation in a form of arts-based intersubjective knowing. The card game process was named the Verge because of how the process promises to surface unheard voices and re-center nondominant insights and ways of knowing. It leverages Casey’s glance method with systems networks to complicate sense making in arts-based educational research. The arts scholars intermixed research data from two just sustainability education research case studies: collages from participants of a climate justice …
An Unlikely Correspondence: Gps And Body In Place, Patti Pente
An Unlikely Correspondence: Gps And Body In Place, Patti Pente
Artizein: Arts and Teaching Journal
This visual essay investigates the significance of GPS technology and the human body in relation to a sense of place. Framed by posthumanism, the poetic images offer an approach to transformative education through a local site. Agency of place is key to this exploration of dynamic relationships with technology, body and the earth. As a creative performance, I executed a series of movements in a place of personal significance, and then further developed the essay through visual poetry. The research is informed by an underlying assumption that creative understanding and artistic analysis can foster deeper environmental care, and although this …
Eco-Pedagogical Wandering And Pondering In Pacific Spirit Park, Nicole Rallis
Eco-Pedagogical Wandering And Pondering In Pacific Spirit Park, Nicole Rallis
Artizein: Arts and Teaching Journal
This poetry emerges from my ongoing Ph.D. research and coursework at the University of British Columbia, where I am engaging in an a/r/tographic-walking inquiry on environmental sustainability and climate change. After moving to the unceded and ancestral lands of the Coast Salish peoples, now known as Vancouver, I began walking the forest trails of Pacific Spirit Park. Inspired by Robin Wall Kimmerer’s (2013) pedagogical discussions about the grammar of animacy, two-eyed ways of seeing, and childlike ways of seeing, my poems pay tribute to the plant elders and more-than-human beings guiding my learning journey. My ecopedagogical wandering and pondering align …
A Contemplative And Artful Métissage Of Inquiry And Response, Jackie Mitchell, Nicholas Phillips, Robyn Trail, Susan C. Walsh, Barbara Bickel, Wendalyn Bartley, Medwyn Mcconachy
A Contemplative And Artful Métissage Of Inquiry And Response, Jackie Mitchell, Nicholas Phillips, Robyn Trail, Susan C. Walsh, Barbara Bickel, Wendalyn Bartley, Medwyn Mcconachy
Artizein: Arts and Teaching Journal
In this mixed media métissage, we offer an exploration of artful and contemplative inquiry and response. We are a group of seven artist-researchers who engage with contemplative practices associated with various spiritual traditions, including spiritual feminist, Wiccan, Mi’kmaw, and Tibetan Buddhist, integral to all of which are beliefs about human interconnectedness with the energies of all sentient beings, the Earth, and beings in the spirit worlds. As artist-researchers, we engage with a range of arts disciplines including poetry, creative non-fiction, storytelling, sounding, visual art, filmmaking, and photography. Together, we invite the reader/listener/viewer--as co-creator—into the potentialities of our métissage: the narratives, …
Walking And Dwelling: Creating An Atelier In Nature, Kwang Dae (Mitsy) Chung
Walking And Dwelling: Creating An Atelier In Nature, Kwang Dae (Mitsy) Chung
Artizein: Arts and Teaching Journal
This paper comprises a description of an exploration of how the author’s daily walking reflected the emergence of an a/r/tographical living inquiry that engendered a profound sense of dwelling and lingering, and a deeper understanding of the nature of artistic invitation through a pedagogical aesthetic provocation.
Paying It Forward: A Gift Economy Of Poetry And Visual Art Images, Susan Gerofsky, Daniel Barney, Mira Gerard
Paying It Forward: A Gift Economy Of Poetry And Visual Art Images, Susan Gerofsky, Daniel Barney, Mira Gerard
Artizein: Arts and Teaching Journal
As our world has changed rapidly and ineluctably with the COVID-19 pandemic, many are advocating an ethos of generosity and a gift economy, based on generative, creative offerings, as an alternative or balance to the excesses of a mainstream neoliberal exchange economy. What is the gift economy, and how does it entangle us in a fabric of mutual responsibility, obligation, creative practices and love, within the human and greater-than-human world? A Pay-It-Forward New Year's gift game amongst a group of artist/ educators, ongoing since 2014, gives rise to this meditation on the gift economy, based on Mauss, Hyde, Kimmerer, Vaughan …
Begin With Letting Go: A Found Poem In Honour Of Carl Leggo, Contemplative Arts Collective
Begin With Letting Go: A Found Poem In Honour Of Carl Leggo, Contemplative Arts Collective
Artizein: Arts and Teaching Journal
As a group of nineteen, we are pleased to offer a found poem that we co-created with lines from our contributions to a two-part special issue of Artizein: Arts and Teaching Journal (2018, 2019). We wove our words together with those of our dear friend, colleague, and mentor, Carl Leggo, who was integral to the emergence and energy of the special issue and to the work of this group. Further, we performed the found poem at an event in honour of Carl’s life and work (Canadian Association for Curriculum Studies Preconference Event—The Many Faces of Love: Celebrating the Lifework of …
Introduction: Curating As Compassion, Barbara Bickel, Darlene St.Georges
Introduction: Curating As Compassion, Barbara Bickel, Darlene St.Georges
Artizein: Arts and Teaching Journal
This issue’s open call brought forth a diversity of submissions that reflect the culture of uncertainty and possibilities for the arts and inquiry, teaching and learning in the Twenty-first Century. We offer this issue as a gift during a time of pandemic, ecological crisis, and racial and gender divides, with a desire to contribute to unmaking and making meaning through the arts; “it is how we develop our agency and exercise our voice.
Front Matter Artizein October 2020, Barbara Bickel, Darlene St.Georges
Front Matter Artizein October 2020, Barbara Bickel, Darlene St.Georges
Artizein: Arts and Teaching Journal
Front Matter for Artizein 2020. Includes Cover and Table of Contents.
Full Issue Artizein October 2020, Barbara Bickel, Darlene St.Georges
Full Issue Artizein October 2020, Barbara Bickel, Darlene St.Georges
Artizein: Arts and Teaching Journal
Full PDF of the 2020 issue edited by Barbara Bickel with Guest Assistant Editor & Design by Darlene St. Georges
Index Of Dirt: Composing And Composting In Art And Education, Circa 2020, Carol N. Padberg
Index Of Dirt: Composing And Composting In Art And Education, Circa 2020, Carol N. Padberg
Journal of Social Theory in Art Education
This photo essay presents an abridged version of a performative lecture addressing strategies for regenerative art education and arts-based research. Using an alphabetized compilation of stories, texts, objects and lessons, the index provides examples of how embodied, field-based art education can provide appropriate learning methods for art students of the Anthropocene who bear the burden of the economic, environmental, and emotional precarities of our times.