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Articles 1 - 8 of 8
Full-Text Articles in Art Practice
Rustic Roots And Fiddle Hell: An Ethnography Of Fiddle Camps In The Northeastern United States, Flannery Blanchard Brown
Rustic Roots And Fiddle Hell: An Ethnography Of Fiddle Camps In The Northeastern United States, Flannery Blanchard Brown
Senior Projects Spring 2017
Senior Project submitted to The Division of Arts of Bard College.
Abra: The Canvas, And The Evil That Men Do., Daniel Louis Nielsen
Abra: The Canvas, And The Evil That Men Do., Daniel Louis Nielsen
Senior Projects Spring 2017
“Transparence means experiencing the luminousness of the thing in itself, of things being what they are.” — Susan Sontag
I used this idea as a way to highlight the symbolic value of the traditional European canvas by separating each material of its composition with a sheet of plexiglass. A canvas, of any style, is a platform for creation. it servers as a foundation for perspective, and is thus symbolic of the foundation of a given cultures perspective.
Similarly to the “White Cube” discourse that is in reaction to the popular style of many museums and galleries which dominate in any …
The Polyrhythms Of The Ear Canal: Investigating The Human Body As An Instrument And Listening Machine Inspired By Hearing, Attention, And Alvin Lucier, Philippa Ruthe Kelmenson
The Polyrhythms Of The Ear Canal: Investigating The Human Body As An Instrument And Listening Machine Inspired By Hearing, Attention, And Alvin Lucier, Philippa Ruthe Kelmenson
Senior Projects Spring 2017
Halfway into my college career, I was asked if my attention and hearing impairments had ever benefitted me in any way. Although I refused to see it at the time, it is this exact dichotomy between hearing as passive reception and listening as active concentration that informs my musical work. From otoacoustic emissions to tinnitus frequencies, the ear is an active amplifier of its own sounds, acting as an instrument responding to sound information. To distinguish acoustic elements generated outside of the ear from those taking shape within it, we are required to internally perceive all acoustic information. But is …
It Takes A Long Time To Move, Issy Marie Cassou
It Takes A Long Time To Move, Issy Marie Cassou
Senior Projects Spring 2017
A doorway.
A grave.
A body.
A scar.
The hole was dug in my studio a month after I had moved in and the day after I burned my foot in the metal shop. A new navel sits on the top of my left foot and a raised scar marks an accidental grave in the ground of studio ten in Red Hook, New York. It came from water. A leaking pipe. Blueprints of the building did not point here as the source of the water main because there are no blueprints. Instead, a pipe in the corner and a shot …
Without Engines, Lizzy Chemel
Without Engines, Lizzy Chemel
Senior Projects Spring 2017
Senior Project submitted to The Division of Arts of Bard College.
Relics, Secular, Kaitlyn Sue Kester
Relics, Secular, Kaitlyn Sue Kester
Senior Projects Spring 2017
Senior Project submitted to The Division of Arts of Bard College.
Failed Starts, Anna Maria Peneva
Failed Starts, Anna Maria Peneva
Senior Projects Spring 2017
Artist Statement
This piece is an animation that looks at the struggles of a young girl attempting to make her way in the art world while battling against the pressures of self doubt and her own ability to be distracted.
As a student artist, I am currently bound to the institutional framework of Bard College’s Senior Project program. In order to graduate each student must produce a cohesive body of work throughout the year -because the four years of classes and the ten of thousands dollars in loans isn’t enough already. However, because of the fact that I …
Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams
Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams
Senior Projects Spring 2017
My subjects do not know I exist. They do not know who I am, and they do not know their lives are the center of my painting series. But I know them - at least, I think I do. My acrylic paintings depict people in domestic spaces in specific moments in time. The relationships of person-to-person, person to space, paint to canvas and voyeur to subject drives my obsession to watch and to paint what I see. What I am seeing are a collection of pixels that make up human forms, living rooms, and kitchens. These digital bodies move through …