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Full-Text Articles in Art Practice

We Came From The Sea, L. Alexis St. John May 2024

We Came From The Sea, L. Alexis St. John

CGU MFA Theses

This paper contains a summary of the thesis exhibition, including an artist statement, exhibition flyer, images of the artwork with descriptions, and images of the gallery. The descriptions of the images are excerpted from the exhibition program, and include artwork titles in a constructed language called Ponder.


Aaron D. Baldon Mfa Thesis Artist Statement, Aaron Baldon May 2024

Aaron D. Baldon Mfa Thesis Artist Statement, Aaron Baldon

CGU MFA Theses

What I create comes from without and from within. It can be intellectual and/or experiential. It is informed by research and interpretation, yet it is raw and unaltered. In most cases, the experience flows through my natural synesthesia, wherein I literally see the unseen sensations such as auditory and physical stimuli. I don’t try to create palatable images, because the world is a dark and brutal place, and I have been there. Working with ink or high-flow acrylic on raw canvas is similar to a tattoo artist working with needle and ink on human skin - no mistakes can be …


Primordial, Fel Nikoli Mccoy Mar 2024

Primordial, Fel Nikoli Mccoy

CGU MFA Theses

The culmination of my desire to reconcile with my existence through art is to create myths. Mythology, however fantastical it may be, was once how people conveyed their deepest experiences to one another. I became a mythmaker because I needed to communicate my experience: my efforts to reclaim my indigenous Mexican heritage, my anxieties about surveillance and judgment, and my belief in preserving the lands I live on. The myths I create are mashups of the cultural influences in my life with the intent of understanding my identity and positionality in contemporary society. PRIMORDIAL is a collection of my work …


As I Wander, Michelle Lum Mar 2024

As I Wander, Michelle Lum

CGU MFA Theses

My work highlights moments of wonder from my everyday life to give a more holistic view of reality. To me, experiences of wonder are spaces where a person feels God’s presence, where the spiritual reality of our world becomes visible. Sacraments in the Christian tradition are visible signs of a divine reality. I think of my work as sacramental: heightening moments where the visible gives way to the invisible—not by denying their physical characteristics but through them. The heart of my work is in the intersection between that which is deeply ordinary and that which is deeply extraordinary.