Open Access. Powered by Scholars. Published by Universities.®

Art Practice Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 4 of 4

Full-Text Articles in Art Practice

A Step Of Two Or The Pas De Deux, Molly A. Hoisington Jul 2015

A Step Of Two Or The Pas De Deux, Molly A. Hoisington

Masters Theses

The second part of a two-part MFA Thesis presentation, this paper distills the content from the preceding exhibition A Step of Two or The Pas de Deux: an installation of paintings, drawings and projected video. It touches on various themes that surround [well researched] ideas about perception, dissociation, the gaze, and relationships. Most of all, this paper and the body of work it describes is about the visual representation of a sensual understanding of the world.


Walks To Nowhere, Lauren Pleveich Jan 2013

Walks To Nowhere, Lauren Pleveich

Masters Theses 1911 - February 2014

This essay is an academic justification for a means of producing images explained mainly through ideas of experiential memory.


Letters To Anyone, Michelle L. Dickson Jan 2011

Letters To Anyone, Michelle L. Dickson

Masters Theses 1911 - February 2014

Letters to Anyone is written as a parallel text to the body of work I’ve created during my time in graduate school, culminating in the installation almost‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐release.

This thesis deals with my personal narrative as a way to understand the ideas and concepts that my work is derived from. Specific topics include memory, the body, time, process, space, and change.


Run Stitch Remembrance, Lyndsey N. Baldwin Jan 2009

Run Stitch Remembrance, Lyndsey N. Baldwin

Masters Theses 1911 - February 2014

In an effort to process my grief associated with the death of my grandmother, I created a series of drawings, documenting my daily life in Massachusetts. This body of work constitutes my thesis. In total, I made one thousand and sixty one drawings, each undergoing a series of identical, repeated processes, which represent the number of days lived there. The simplicity, detail and sheer volume of drawings in the installation chronicles a relatable story through complex means. Creating the drawings was a methodical act of remembrance, the practice allowing quiet reflection on each day and its respective history. This body …