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Full-Text Articles in Art Practice

Staging Through Rituals: Directorial Exploration Of The Imaginary Invalid, Dora A. Arreola Jan 2009

Staging Through Rituals: Directorial Exploration Of The Imaginary Invalid, Dora A. Arreola

Masters Theses 1911 - February 2014

This thesis describes how the experimental process of exploring ritual as a foundation for creating contemporary theater can be applied to staging a classical European play, in this case, Molière’s The Imaginary Invalid, adapted by Constance Congdon. Based on research into the influences of Commedia Dell’ Arte in Molière’s plays, the directorial concept of “Mask and Duplicity” influenced all the artistic areas of the production and design (costume, sound, lighting and set). The process described includes the development of a physical vocabulary with the actors, exploring animal movements based on “The Dance of the Deer” (a hunting ritual from the …


Run Stitch Remembrance, Lyndsey N. Baldwin Jan 2009

Run Stitch Remembrance, Lyndsey N. Baldwin

Masters Theses 1911 - February 2014

In an effort to process my grief associated with the death of my grandmother, I created a series of drawings, documenting my daily life in Massachusetts. This body of work constitutes my thesis. In total, I made one thousand and sixty one drawings, each undergoing a series of identical, repeated processes, which represent the number of days lived there. The simplicity, detail and sheer volume of drawings in the installation chronicles a relatable story through complex means. Creating the drawings was a methodical act of remembrance, the practice allowing quiet reflection on each day and its respective history. This body …


Regalia And Repetition, Deborah I. Karpman Jan 2009

Regalia And Repetition, Deborah I. Karpman

Masters Theses 1911 - February 2014

My thesis investigates some of the conceptual ideas related to my studio work, both in terms of theory and contemporary practice. This thesis focuses how the visual images formally operate, as well as the larger framework of discourse that surrounds my practice. In my work, the habitual, incessant process of cutting and extraction and the subsequent meticulous reconfiguring use the strategies of repetition and labor. These sustained, ongoing acts have the possibility to be generative or transformative rather than simply repetitive. This thesis also explores the found object, complicating the classification and knowledge systems of the source image with odd …


Hey, Whats Up?, Justin Kemp Jan 2009

Hey, Whats Up?, Justin Kemp

Masters Theses 1911 - February 2014

My work does not aim to answer a question or solve any problems; it tries to activate a conversation around the content. I intend to keep things playful and entertaining because not only is that how I relate best to the subject, but I find it helps animate aspects of culture that people enjoy responding to and thinking about. Like “The Real World,” or Facebook, my work entertains me, but it has a way of slowing down certain aspects of life, letting someone take a breath, have a conversation and maybe LOL.


Vision And Contemplation: An Exploration Within The Medium, Mica Y. Pillemer Jan 2009

Vision And Contemplation: An Exploration Within The Medium, Mica Y. Pillemer

Masters Theses 1911 - February 2014

This thesis is an exploration of various issues concerning composition in painting. In it I take a step by step approach to advancing the compositional thought process. Within that exploration the central issues of painting are confronted and expanded upon.


Bang!, Kimberly C. Hennessy Jan 2009

Bang!, Kimberly C. Hennessy

Masters Theses 1911 - February 2014

BANG! is a thesis paper presented in conjunction with a visual art show that is made up of paintings, sculptures, and site specific installations. Primary ideas explored with the body of work are those of growth and expansion, energy, contradiction, excess, collection, play, drama, and nostalgia, specifically relating to color relationships and physical material.