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Full-Text Articles in Art Practice
La Feminidad Como Objeto Artístico. Un Apunte Sobre Clayton Cubitt Y Su “Hysterical Literature”, Mariado Hinojosa
La Feminidad Como Objeto Artístico. Un Apunte Sobre Clayton Cubitt Y Su “Hysterical Literature”, Mariado Hinojosa
Mariado Hinojosa
No abstract provided.
Territorializing Indigeneity And Powwow Markets, Blaire Gagnon
Territorializing Indigeneity And Powwow Markets, Blaire Gagnon
Blaire Gagnon
North American powwows are presented by organizers and presumed by society at large to be Native events. Research has rarely considered the processes by which powwows become places or the role of territorialization in that process. This article examines the socio-spatial practices powwow organizing committees employ to construct powwows and their arts and crafts markets as places from undifferentiated space and the responses to these practices. I suggest that powwow committees construct powwow space as a form of sovereign political space from which they can manage relations with multiple constituencies and in which contemporary conceptions of Nativeness are negotiated.
Heather Saunders: The "Freaky Friday" Series, Matthew Ryan Smith, Ph.D.
Heather Saunders: The "Freaky Friday" Series, Matthew Ryan Smith, Ph.D.
Matthew Ryan Smith, Ph.D.
Desire and sex and lust. The conflation of signifiers of sensuality and femininity in female clothing points to a rigorous sexualization of the body beginning in girlhood, through their dress and the way it’s worn. Lace, fishnet, silk, leather, satin, chiffon and latex are shown in their various iterations in children’s fashion. The same materials, fabrics and the words used to describe them host different meanings and associations in adulthood. Yet, somewhere in this liminal divide, childhood and adulthood speak to each other, and the conversation is uncomfortable, like the first time you heard about the birds and the bees.
Engendering S2013tatus And Value In The Powwow Art Market, Blaire Gagnon
Engendering S2013tatus And Value In The Powwow Art Market, Blaire Gagnon
Blaire Gagnon
This article examines the relationship between people and objects in the powwow arts and crafts market. Over the past century, the field of Indian art developed a system of valuation that employs the "negative relationship" to create a hierarchy of people, objects, and markets. Central to this system are regimes of value associated with art and commodity. I argue that the presence of the mass-produced makes it possible for artisan-vendors to employ the negative relationship to define, value, and make sustainable the artistic in the powwow market context. Ultimately, this marks artisan-vendors and mass-produced vendors as position-takers with the Indian …