Art Practice Commons^™

El Vínculo Entre El Arte, La Política Y El Espacio Público: Una Investigación De Colectivo El Muro Cusco Y Su Resistencia Contra Poder Estatal Y La Censura Del Espacio, Stella Gould

Independent Study Project (ISP) Collection

El Colectivo El Muro Cusco es un colectivo libertario y autogestionado dedicado al apoyo a las luchas sociales y al intercambio de información alternativa. Activo durante los últimos 20 años, El Muro,1 como se le conoce coloquialmente, ha sido un proveedor de la verdad en Cusco, utilizando el arte y la protesta para expresar descontento con las injusticias perpetuadas por el gobierno peruano. Utilizando el muro del Paraninfo Universitario de la UNSAAC ubicado en la Plaza de Armas de Cusco como su centro focal, el Colectivo utiliza el espacio como galería de arte y lugar de exposición, pero también como …

Políticas Visuales Y Acción Colectiva: Un Investigación Sobre Las Articulaciones Estético-Políticas En Manifestaciones De Arte Público En Ushuaia Y El Bolsón / Visual Politics And Collective Action: An Investigation Of Aesthetic-Political Articulations In Manifestations Of Public Art In Ushuaia And El Bolsón, Laura Woodhouse

Independent Study Project (ISP) Collection

Art in the public sphere is an integral tool of communication that transcends the vertical hierarchies of social organization by infiltrating the popular consciousness with disruptive mediums and reclamations of visual space. Because of the specific accessibility of a variety of forms of public art, for both creators and observers, manifestations of public art have become a popular method through which counter-hegemonic social narratives can be constructed and mediated; in Argentina, a profound history of disruptive art has has been intricately intertwined with an equally rich history of popular activism. With a focus in El Bolsón and Ushuaia, two localities …

Socio-Political Criticism In Contemporary Indonesian Art, Isabel Betsill

Independent Study Project (ISP) Collection

The objective of this paper is to understand the connections between contemporary art and politics in Indonesia both in terms of how politics has shaped art practices, and in terms of how art influences politics. Questions I was interested in exploring include how contemporary art practices have changed considering the political changes over the past 30 years; if and how contemporary art is being used to facilitate political dialogues in the country; if and how contemporary art is being used to criticize and invoke change regarding social issues; and what the role of art spaces, collectives and foundations is in …

Z4, A Slow Puncture: An Autoethnographic Exploration Of Language, Embodiment, And Meaning-Making, Charlotte Rose Samuels

Independent Study Project (ISP) Collection

In my ISP, I explored language as it relates to the ways in which people living in Cato Manor make sense of HIV/AIDS in their community. With 7.1-7.2 million people living with HIV (PLWHIV) in South Africa, individuals across the country are either infected or affected by illness. KwaZulu-Natal (KZN), the province with the highest rate of HIV, is also the province that was surveyed with the disproportionately highest internal stigma rates for PLWHIV. High prevalence of HIV, particularly in KZN, calls for a constant contextualization of life in the presence of illness.

Throughout the world, metaphor and symbolism is …

He Creators A Look At The Changing Work Of Potters And The Future Of Their Craft In Thimi, Nepal, Natalie Silver

Independent Study Project (ISP) Collection

The Newari sur-name Prajapati has been associated with those who are of the potter caste in the Kathmandu valley. In the past 30 years ceramics in the historic pottery town of Thimi has changed drastically from being an essential and necessary craft and the only occupation for Prajapatis, to a struggling population of visually aging potters. This paper examines the workshop Everest Pottery in Thimi nepal as a case study for the state of ceramics in Thimi today. The author traces the origins of the workshop's founder Shiva Prajapati and examines the shift that Shiva made from traditional Newari pottery …

La Brigada Ramona Parra; Muralismo Y Cambio Social En Chile / La Brigada Ramona Parra ; Muralismo And Social Change In Chile, Sarah Baumann

Independent Study Project (ISP) Collection

Mi motivación para esta proyecto era mi interés en el poder de murales en Chile, y los cambias sociales que arte callejero pueden iniciar. Arte callejero he tenido un efecto muy grande en la historia y políticos de Chile. Yo quería descubrir más sobre esta historia, y también cómo los organizaciones que hacen murales, cómo la Brigada de Ramona Parra, funciona hoy. Para mi proyecto, yo usé entrevista, guías de arte callejero, observaciones en escuelas de Bellas Artes, y un exposición de murales. En mis resultas, yo encontré que la Brigada de Ramona Parra ha cambiado la escena política en …

For The Love Of Music: A Story Of Organizational Culture And Change, Malii Brown

Capstone Collection

For the Love of Music: A Story of Organizational Culture and Change is an examination of culture and possibilities for change at an organization that manages one top-tier, U.S. classical music orchestra. The research was carried out for the purpose of making and refining meaning from collective employee experiences at a canon cultural organization whose practices reflect and influence our society beyond the context of music. The inquiry at the heart of the work is, ‘How does the organizational culture of the subject organization, Orchestra, Inc.[1], affect its readiness for organizational change?’ The research methodology consisted of organizational culture assessments …

Trafačka: Young Artists In An Alternative Space (Life Of D.I.Y.), Dora Novey-Buttfield

Independent Study Project (ISP) Collection

This paper documents the functions and internal structure of Trafačka, an experimental arts space located in the Prague 9 district. There is very little research on the presence and significance of alternative culture in Prague today, and the term itself is difficult to define. Using personal interviews conducted by the author and some background research on Czech alternative culture and spaces, the study highlights the stories of the residents and artists of Trafačka in light of the debate on alternative culture.

The author explains how Trafačka is an example alternative space and describes the complexities of being separated from other …

Freedom In Creation: Global Village Education Program, Daniel C. Maxwell

Capstone Collection

This capstone paper introduces the Freedom in Creation: Global Village Education Program, an international education program with a focus in service-learning for undergraduate students designed for the organization, Freedom in Creation (FIC). Global Village Education (GVE) will pilot the five-week intensive program in various locations throughout Uganda. As a short-term, service-learning program focusing on experiential education, social identity development, critical thinking, and reciprocity; the goal is to instill conceptual clarity and intellectual growth by introducing participants to new knowledge, concepts and experiences through cross-cultural interaction. The main purpose of the program seeks to build intercultural communication skills as well as …

New Lines Of Inquiry: Arts-Based Research For Bridging Cultures, Sarah Brock Ma, Academic Director

Fostering Multicultural Competence and Global Justice: an SIT Symposium

This paper explores the implications for arts-based research (ABR) methods in fostering cross-cultural dialogue in international study. It reviews the academic arguments for and against the use of arts-based methodologies in qualitative research where more traditional, methodologies in the social sciences are combined with creative inquiry – narrative, poetic, dance, and visual forms of inquiry, for example – as well as the technical challenges and benefits associated with drawing on the humanities and arts as primary modes of inquiry; it explores the relevance and potential for ABR within the broader context of the study and use of the arts and …

El Muralismo: El Papel De Los Murales En La Lucha De Los Organismos Sociales En La Ciudad De Buenos Aires = Muralism: The Role Of Murals In Social Organizations, Loren Crosier

Independent Study Project (ISP) Collection

There are an ever-growing number of social movements in the city of Buenos Aires, and a number of these groups are using art in the streets in an attempt to “recuperate” urban neighborhoods. Muralism is an art form and a concept that has a long legacy of militancy and vanguardism. This paper will address the breach between art as a product and a social reality by analyzing the meaning of muralism. What is the role of the muralist and what is the social function of the mural? Or more importantly, what is the social function a social organization or movement …

Graffiti En Managua: Una Expresión Democrática De La Juventud Nicaragüense, Katie Laroque

Independent Study Project (ISP) Collection

Semiotics, or the philosophical study of signs and symbols, makes us rethink the familiar and the things we take for granted. If someone walks to work everyday on the same street, after time he will probably stop thinking about the graffiti on the corner. Graffiti is probably something that most of us take for granted, or hardly see anymore, but I argue that its role in society must be rethought. What does graffiti on the wall represent? It is a manifestation of the ideas and beliefs of the artist, as well as a reflection of his artistic talent. When several …

Redrawing The Walls: Street Art In Belgrade, Emily Levitt

Independent Study Project (ISP) Collection

This research examines street art in Belgrade as a means of changing the political, social, and cultural atmosphere of Belgrade, Serbia. Street art is examined as a means of breaking down consumer/producer binaries, an alternative to dominant culture, as part of the contemporary city, and as a transformative use of and re-appropriation of imagery. The research data was collected through semi-structured interviews in the Spring of 2009. Students, artists, and former artists were interviewed in order to collect data. In addition, participant observation and visual analysis contributed to and gave context to the interview based data. Ultimately, it was discovered …

Kilombo Do Kioiô: The Use Of An Artesanato Program As A Program Of Social Justice, Anna Losacano

Independent Study Project (ISP) Collection

The women’s artisan group, Kilombo do Kioiô, part of the Ação Social da Paróquia Sao Bras (Sao Bras Parochial Social Action Group) in the neighborhood of Plataforma, Salvador, Bahia, works to insert poor Afro-Brazilian women into the economic market and wider society. This community of women is struggling to survive in a society in which they are marginalized by their gender, race and socio-economic position. They are also struggling to survive two types of violence that are pervasive in Plataforma: domestic violence and violence related to drug trafficking.

This research project studies how working as artisans affects the participants’ social …

A Portrait Of Perseverance: A Glimpse Into The Life Of One Family In Edehara, Tunisia, Kathryn Graves Tindell

Independent Study Project (ISP) Collection

Excerpt from Introduction:

What follows is a short story providing a glimpse into the life of Naïma and her family. The entire story is based on fact, each person is real in every detail and each event described occurred; however, the sequence of events is fictionalized. For example, I did not see the pottery made from beginning to end, but rather saw different steps of the process throughout the course of my seven days. In total, I did view every step except for retrieving the clay from the mountains, but as they told many stories about this, I have a …

“Art As Direct Political Action:” An Investigation Through Case Studies And Interviews, Emily Meinhardt

Independent Study Project (ISP) Collection

In 1970, Artforum, an international magazine of contemporary art, conducted a survey of various important artists asking the following question: what is your position regarding the kinds of direct political action that should be taken by artists? The question was asked in relation to the “deepening political crisis in America,” the Vietnam War. The development of television brought images of war into American homes more dramatically and immediately than any previous conflict. Though the war was taking place abroad, the violence was made real to audiences, including artists, many of whom felt pressure to respond to the political situation. Around …

Contemporary Art In Samoa: The Role Of Personal Expression, Christina Cioffari

Independent Study Project (ISP) Collection

Contemporary art is a means of creating and recreating the self, a means of self reflection and defining ones identity. Conceptual art that expresses personal ideas and emotions plays a small role in the arts of Samoa, however it does exist in the minds and galleries of a few individuals. The intention of this study is to examine the role that personal expression plays in Samoan society and the artwork created here. The attitudes and approaches to contemporary art was explored, in addition to the underlying causes of those perceptions.

The foundation of this paper evolved out of statements from …

Arte En Las Calles, Graffiti En Granada: Un Movimiento En Cambio, Alyson Virginia Visser

Independent Study Project (ISP) Collection

¿Qué significa arte? Esta es la pregunta más popular en todas las clases básicas de historia del arte del mundo. ¿Cómo podemos definir el fenómeno de arte? Hay miles de argumentos de lo que puede ser arte, de lo que deberían enseñar en los museos de bellas artes. A lo largo de historia, ha habido artistas de todas las formas cambiando las “reglas” de lo que es aceptado como arte en la sociedad. Ahora mismo, en el siglo XXI, la mayoría de la sociedad puede comprender el arte como una expresión con un mensaje del artista, hecho sobre algún material …

Arte Y Pobreza: Integración Social A Través De Movimientos Culturales, Betsy Mccormick

Independent Study Project (ISP) Collection

This aim of this paper is to explore the relationship between artistic and cultural movements as a means of integration for socially excluded populations in Buenos Aires following the economic crisis of 2001. Art in a traditional sense, that is, art found in museums, is most frequently an expression of the dominant classes and is an object of contemplation rather than a form of intervention with the social reality of the masses. Two prominent and “opposing” theories are presented as a possible framework for understanding the relation between art and the societies that produce it: Liberalism and Marxism. The specific …