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Articles 1 - 9 of 9
Full-Text Articles in Art Practice
Passing, Paul Kelley
Passing, Paul Kelley
The STEAM Journal
Passing is a Site-specific public installation assembled with plastic and an iPad. At its center, the iPad displays a video loop of a human image repeatedly walking in and out of the frame. The work maintains my foundational interest in having the viewer slow down to have a more thoughtful and absorptive experience with the work and surrounding space – continuing my practice of challenging viewer’s expectations and putting them in a position to stop and question.
Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg
Combining An Intuitive Art Workshop And Neuroscience Rituals To Make Us Happy, Audrey Gran Weinberg
The STEAM Journal
One might wonder how intuitive art can connect to neuroscience and how this could be accomplished. In this descriptive article, research connecting art therapy and neuroscience has been collected and a workshop on Intuitive Painting has been described in detail. The connection was made by the author based on an article by Barker (2017), ‘4 Rituals to be more Happy,’ who writes a popular science blog. The rituals: gratefulness, expressing negative emotions, decision making and human touch were combined with Dr. Pinkie Feinstein’s method of Intuitive Painting in a small group setting. Although subjective, it would seem that at least …
Wonder, Walking, And Water, Rachel Mayeri
Wonder, Walking, And Water, Rachel Mayeri
The STEAM Journal
Art and Science is a seminar and studio course on science-inspired art practices. We will survey and discuss cutting-edge art-science theory, practice, and institutions in seminar. In studio, we examine art-science topics in hands-on experiments, and guided activities leading to art projects.
A New Generation For Art And Science, Alice Marie Perreault
A New Generation For Art And Science, Alice Marie Perreault
The STEAM Journal
My interest in this cross-over between art and science, specifically, the body and supportive technologies, has lead me to mixed media and installations where I can examine degeneration and a “new” generation using a combination of conventional and unconventional materials. Unlike re-generation, which is a return to an original state, “new” generation gives way to new arrangements.
Blowouts, Bricks, And Lines, Kenneth Fandell
Blowouts, Bricks, And Lines, Kenneth Fandell
The STEAM Journal
This essay shares the interdisciplinary insights from three projects
Discovering And Demonstrating Patterns, Maria Klawe
Discovering And Demonstrating Patterns, Maria Klawe
The STEAM Journal
Harvey Mudd College's President Maria Klawe shares her personal journey in combining a love of mathematics and art.
All Glory Is Fleeting, Steven Beswick
All Glory Is Fleeting, Steven Beswick
CGU MFA Theses
The statement is specifically linked to my MFA thesis exhibition.
Artist Statement, Chaoyi Wu
Artist Statement, Chaoyi Wu
CGU MFA Theses
I make my work to create an experience for the viewer, so that they can have their own experience of their world. Their bodies interact with my pieces to re-recognize themselves and their lives. In this experience their body is independent of everything else but their awareness. Their sense of movement, their vision and their tactile sensations come together into my artwork for them to have their own experience. This is what I call self-body awareness.
Trauma And Recovery: A Confessional Process, Mia Siracusa
Trauma And Recovery: A Confessional Process, Mia Siracusa
Scripps Senior Theses
This paper is about a confessional painting series, which appropriates Abstract Expressionist techniques, and is on geometric canvas reliefs. The main focus through out the series is the process of my recovery from a traumatic event and the process of the creation of a language through abstraction.