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Full-Text Articles in Art Practice
Paradise Maintenance Department, Dan Taulapapa Mcmullin
Paradise Maintenance Department, Dan Taulapapa Mcmullin
CGU MFA Theses
Based on personal and artistic research in Samoa, Polynesia, Oceania, and the South Pacific Islands, "Paradise Maintenance Department" investigates the contemporary colonial relationship between the U.S. Territory of American Samoa and the United States, while engaging in a poetic expression of f'a'afafine queer Samoan life.
Kind Of Blue Artist's Statement, Leslie Love Stone
Kind Of Blue Artist's Statement, Leslie Love Stone
CGU MFA Theses
Leslie Love Stone is a conceptual painter whose work often focuses on the models we build to make sense of the world and ourselves. The beauty of order is exemplified through the geometric abstraction of statistical information; complicated content is eloquently transparent with her use of negative space, repeating patterns, and color.
Verdurous, Adrian R. Culverson
Verdurous, Adrian R. Culverson
CGU MFA Theses
Adrian Culverson is a painter and sculptor who uses mixed media to create installations that focus on splices of real and imagined worlds.
Bringing Back Color, Bringing Back Emotion: Exploring Phenomenological Empathy In The Reclamation Of The Female Nude In Painting, Sophia R. Forman
Bringing Back Color, Bringing Back Emotion: Exploring Phenomenological Empathy In The Reclamation Of The Female Nude In Painting, Sophia R. Forman
Scripps Senior Theses
At the nexus of the seemingly disparate art-theoretical topics of color and the female nude is a critical consideration of phenomenology in both one of its most basic senses—as the first-person experience of perceived phenomena—and as a larger philosophical position which, through its abstraction of perception to subject-object relationships, implicates the painted figure. Specifically, this paper conflates the phenomenology of color with the transcendental phenomenology of Edmund Husserl and Maurice Merleau-Ponty in investigating empathy. Structured as a dialectic, it establishes the most prominent views of both color and the female nude—the nude as a symbolic figure, color as perceptual experience—before …