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Articles 1 - 8 of 8
Full-Text Articles in Art Practice
Contact Sheet, Jiwoong Jang
Contact Sheet, Jiwoong Jang
Theses and Dissertations
Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.
Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi
Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi
Theses and Dissertations
In this text, I consider my identity as a Japanese immigrant in the United States during a global pandemic and its impact on my understanding of home as a liminal space. In particular, I discuss notions of home in relation to my work as an artist including two works that utilize the home-sharing platform Airbnb and three works that deal with the dichotomy of inside and outside.
Traditions And Transformations In The Work Of Adál: Surrealism, El Sainete, And Spanglish, Margarita J. Aguilar
Traditions And Transformations In The Work Of Adál: Surrealism, El Sainete, And Spanglish, Margarita J. Aguilar
Dissertations, Theses, and Capstone Projects
The Nuyorican movement was a cultural and intellectual movement beginning in the late 1960s through the 1970s that coincided with the era of civil rights struggle in the United States. The artists, writers, poets, and others in the movement were of Puerto Rican descent and resided in New York neighborhoods such as El barrio or Spanish Harlem, Loisaida or the Lower East Side and the South Bronx. The term “Nuyorican” was embraced as a badge of honor and pride by New York’s Puerto Rican community. It was during this time that cultural-specific institutions such El Museo del Barrio, Taller Boricua, …
The Relationship To Architecture Is Not Insignificant, Rachel Hillery
The Relationship To Architecture Is Not Insignificant, Rachel Hillery
Theses and Dissertations
Working with writing, psychology, photography, and architecture, I develop texts that are performed with custom-built furniture and objects in unexpected spatial conditions. The paper traces the development of my writing and performance and my explorations of power and gender dynamics.
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
Theses and Dissertations
After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.
Digital Photography As Experience Artifact, Ryan V. Brennan
Digital Photography As Experience Artifact, Ryan V. Brennan
Theses and Dissertations
Through the screen interface, the boundary between personal and collective experience is being redefined both spatially and temporally. Here, memories are given independent mediated existence, taking form in digital photographic artifacts that can be communally shared and manipulated into a synthetic continuum.
Departing From Photography. Place, Space, Non-Place, And The Quotidian: Painting From Pictures Of The Everyday, Mathew A. Tucker
Departing From Photography. Place, Space, Non-Place, And The Quotidian: Painting From Pictures Of The Everyday, Mathew A. Tucker
Theses and Dissertations
This paper investigates the relationship between photography and painting. It explores the way in which Mathew Tucker's paintings have been informed by his photographs of everyday places and the ways that they depart from those images and express new and different meanings.
Transitors, Sarah B. Crofts
Transitors, Sarah B. Crofts
Theses and Dissertations
As an expression of integrated languages and an extension of my art practice, Transitors operates at the intersection of data, photography and language to explore the fragmentation and disintegration of the human psyche and bodily awareness through the effects of digital technology and contemporary social dissociation. Elements of the text simultaneously function as formulas, facts, and data interspersed with expository and narrative writing, all relating mimetically to various registers of this dissociation. The text moves amongst these levels, shifting from the personal to hints of a technological sublime to exemplify the predicament of the individual in relation to systems of …