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Articles 1 - 8 of 8
Full-Text Articles in Art Practice
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
Dissertations, Theses, and Capstone Projects
With this project, I am arguing for a particularly American visual poetics that dwells in the state of suspension implied by attention, quivering between wonder and contemplation, immobility and unfixity as it seeks to reveal, as Maurice Merleau-Ponty writes in his 1945 The Phenomenology of Perception, the world which is “always ‘already there’ before reflection begins — as an inalienable presence.”[1] Grounded in visual theory, the project pairs poets and artists, searching not for similitude, but rather examining resemblance, difference, and most important, relation. Susan Howe, one of my guides for this project, writes that, “immense perspectives …
All The Small Things, Talia E. Levitt
All The Small Things, Talia E. Levitt
Theses and Dissertations
My paintings engage with the history of the still life as a marginalized and antiacademic genre. Rather than fool viewers into believing that there are real objects in front of them, as is the historical intention of trompe l’oeil, I use realistic rendering to emphasize the painting and painter.
Monsters And Mayhem And Laughter, Staver Klitgaard
Monsters And Mayhem And Laughter, Staver Klitgaard
Theses and Dissertations
Being an image-maker was always going to be a part of my life. As a child, I had a speech impediment and in order to communicate with my parents, I would use drawings I created to let them know what I was feeling or trying to say. Image making saved me again when I grew older; I was not a star student. But, when I was in art class, I felt like I suddenly could breathe. The minute I realized there was something I could master and have a handle on—a place of creating, learning the history of other artists—I …
The Dream Of Being Totally Open, Frederick Greis
The Dream Of Being Totally Open, Frederick Greis
Theses and Dissertations
This essay details four major themes in the paintings of Frederick Greis: spiritual experience, nature, pleasure, and humor. These themes are described within the context of the artist's main goal, which is to create an experience of profound unburdening.
Into The Glitch, Natalie Birinyi
Into The Glitch, Natalie Birinyi
Theses and Dissertations
My work uses Google Earth to generate imagery which is then faithfully observed and reproduced in oil paint. I sneak inside skyscrapers, paragons of capitalistic power, and trick Google Earth into showing me the unrendered innards. Buildings break down into glorious shards of abstract shapes and lines that gesture toward structure, turning a tower into a portal. In this paper I discuss surveillance, the cultural meaning of skyscrapers, cyborgs, drone perspective, painting from observation, science fiction, and the future.
Constraint And Control, Patricia Ayres
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
My Painting, Brian Byun
My Painting, Brian Byun
Theses and Dissertations
When the painting is done, it begins to ask me “Who are you?” and “What am I?” This ongoing conversation has fascinated me in making these paintings over the last several months and I’m hoping the viewer will have a similar experience.
Archaeology Of Social Patterning, Chase Bray
Archaeology Of Social Patterning, Chase Bray
Theses and Dissertations
The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.