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Articles 1 - 5 of 5

Full-Text Articles in Art Practice

The Dream Of Being Totally Open, Frederick Greis May 2019

The Dream Of Being Totally Open, Frederick Greis

Theses and Dissertations

This essay details four major themes in the paintings of Frederick Greis: spiritual experience, nature, pleasure, and humor. These themes are described within the context of the artist's main goal, which is to create an experience of profound unburdening.


Xu Zhen & Madein Company: The Phenomenon Of Artist-Company, Qianfan Gu Jan 2018

Xu Zhen & Madein Company: The Phenomenon Of Artist-Company, Qianfan Gu

Theses and Dissertations

The thesis is about the phenomenon of "artist-company" -- commercial methodologies employed by contemporary artists are determining their artworks. Taking XuZhen as a case study, it attempts to understand the phenomenon through aspects including art autonomy and institutional theories. It argues that "artist-company" is a continuation of institutional critique.


Invisible Invisibility, Eugina Song Dec 2017

Invisible Invisibility, Eugina Song

Theses and Dissertations

White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.


Summer Light, Sara Dolatabadi May 2017

Summer Light, Sara Dolatabadi

Theses and Dissertations

"Summer Light" is a film about family dynamics. Using light as a defining factor, it looks at the relationship between the director’s parents and her daughter. It is the her response to a desire to record and safeguard intimate moments of an ordinary day before they disappear.


Viewer-, Author-, And Ownership In The Work Of Andrea Zittel, Amanda M. York Jan 2016

Viewer-, Author-, And Ownership In The Work Of Andrea Zittel, Amanda M. York

Theses and Dissertations

Andrea Zittel invites others to collapse the distinctions between artist, viewer, and collaborator by interacting with her usable works. This thesis explores the process of interacting with Zittel's works, and how it affects viewer-, author- and ownership.