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Full-Text Articles in Art Practice

Conscience And Context In Eastman Johnson's The Lord Is My Shepherd, Amanda Melanie Slater Dec 2014

Conscience And Context In Eastman Johnson's The Lord Is My Shepherd, Amanda Melanie Slater

Theses and Dissertations

This thesis considers the experiences that motivated the creation of an 1863 painting by American artist Eastman Johnson entitled The Lord is My Shepherd. An examination of the painting—which depicts a black man reading a Bible—reveals multiple artistic, social, political, and spiritual influences. Created in the midst of the American Civil War, the painting's inspiration derived from Johnson's New England childhood, training in Europe, encounters with the Transcendentalist movement, and his abolitionist views. As a result, The Lord is My Shepherd is a culminating work in Johnson's oeuvre that was prompted by years of experience and observations in an age …


Caroline Murat: Powerful Patron Of Napoleonic France And Italy, Brittany Dahlin Jul 2014

Caroline Murat: Powerful Patron Of Napoleonic France And Italy, Brittany Dahlin

Theses and Dissertations

Caroline Bonaparte Murat created an identity for herself through the art that she collected during the time of her reign as queen of Naples as directed by her brother, Napoleon, from 1808-1814. Through the art that she both commissioned and purchased, she developed an identity as powerful politically, nurturing, educated, fashionable, and Italianate. Through this patronage, Caroline became influential on stylish, female patronage in both Italy and France. Caroline purchased and commissioned works from artists such as Jean-August-Domonique Ingres, François Gérard, Elizabeth Vigée LeBrun, Antonio Canova and other lesser-known artists of the nineteenth century. Many of these works varied in …


Parallel And Allegory, Kody Keller Jul 2014

Parallel And Allegory, Kody Keller

Theses and Dissertations

Parallel and Allegory is a series of four pieces that look deeper into specific Christian beliefs. Most directly addressed those that dealt with specific parallels and allegorical relationships. Specific symbols such as nails, hammers, wood, trees, people, fruit, a cup, knife a rope and a stone were the focus of the pieces in the exhibition. Four combinations of these symbols were created to create dialogue and introspection.


Fallen Womanhood And Modernity In Ivan Kramskoi's Unknown Woman (1883), Trenton B. Olsen Jul 2014

Fallen Womanhood And Modernity In Ivan Kramskoi's Unknown Woman (1883), Trenton B. Olsen

Theses and Dissertations

My thesis investigates Ivan Kramskoi's well-known work Unknown Woman (1883). In reviewing the criticism concerning Unknown Woman written in the wake of the eleventh peredvizhniki exhibition in which it was first shown, Kramskoi's painting attracted praise, perplexity, and condemnation. One of the major interpretations (though not commonly discussed) was that this work was meant to allude to female sexuality or prostitution in Russian society. The purpose of my thesis is to reinstate the pertinence of this reading, one which has been obfuscated or ignored in the majority of ensuing twentieth and twenty-first century scholarship. The second purpose of this work …


The War That Does Not Leave Us: Memory Of The American Civil War And The Photographs Of Alexander Gardner, Katie Janae White Jun 2014

The War That Does Not Leave Us: Memory Of The American Civil War And The Photographs Of Alexander Gardner, Katie Janae White

Theses and Dissertations

In July of 1863 the photographs A Harvest of Death, Field Where General Reynolds Fell, A Sharpshooter's Last Sleep, and The Home of a Rebel Sharpshooter were taken after the battle at Gettysburg by a team of photographers led by Alexander Gardner. In the decades that followed these images of the dead of the battlefield became some of the most iconic representations of the American Civil War. Today, Gardner's Gettysburg photographs can be found in almost every contemporary history text, documentary, or collection of images from the war, yet their journey to this iconic status has been little discussed. The …


Mariko Mori's Sartorial Transcendence: Fashioned Identities, Denied Bodies, And Healing, 1993-2001, Jacqueline Rose Hibner Jun 2014

Mariko Mori's Sartorial Transcendence: Fashioned Identities, Denied Bodies, And Healing, 1993-2001, Jacqueline Rose Hibner

Theses and Dissertations

This thesis is an examination of contemporary artist Mariko Mori's use of fashion in her work from 1993 to 2001. Contained within her sartorial phrasing is an involved relationship with the body, female and Japanese, as it exists within technological modernity. Tumult characterizes Mori's body as she images it early on in her career. This highly alienating space in which she positions herself gradually transitions to a space of respite for the performative body of another actor by 2001's Wave UFO. Wave UFO creates a mediated space for healing the modern body plagued with isolation through transcendence provided by technological …


A Maoli-Based Art Education: Ku'u Mau Kuamo'o 'Ōlelo, Raquel Malia Andrus Mar 2014

A Maoli-Based Art Education: Ku'u Mau Kuamo'o 'Ōlelo, Raquel Malia Andrus

Theses and Dissertations

Leaders in K-12 education in Hawai'i are increasingly advocating for and utilizing the culture and knowledge of the kānaka Maoli, the native people of these islands, as a context for learning in a variety of curricular disciplines and approaches (Benham & Heck, 1998; Kani'iaupuni, Ledward & Jensen, 2010; Kana'iaupuni & Malone, 2006; Kahakalau, 2004; Meyer, 2004). To expand upon this trend, this thesis uses a combination of autoethnographic and critical indigenous methodologies to present a personal narrative that looks specifically at approaching art education from a Maoli perspective. Through extensive participant/observer reflections, two place-based and culture-based art education experiences are …


.(In|Out)Sider$, Jarel M. Harwood Mar 2014

.(In|Out)Sider$, Jarel M. Harwood

Theses and Dissertations

This thesis explores the insider/outsider dynamic experienced by individuals as they enter diverse social situations. The shift from insider to outsider is evoked through an art installation of 18 sculptures drawing influence from "goth" subculture, as the viewer enters and interacts with the art space. The subjects of culture and identity are discussed as they pertain to insider/outsider status.


Accumulation Of Divine Service, Blaine Lee Atwood Mar 2014

Accumulation Of Divine Service, Blaine Lee Atwood

Theses and Dissertations

Accumulation of Divine Service is a ceramic installation referencing the sublime attribute of service, and how it relates to our temporal existence. Many aspects of the sublime are implemented into the contemporary art world today. The sublime can refer to ideas from terror to joy, and all across the spectrum of human emotions. The unifying element that seems to tie them together is a quality of awe-inspiring greatness, or the metaphysically divine. These attributescan inspire the mind and often lead one to dwell on the existence of a Supreme Being or Deity,what His purposes are, and how we as mortals …