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Full-Text Articles in Art Practice

Daughter, Wife, Mother: Women As Emblems Of Indian Authenticity Throughout The Diaspora, Saloni Kaur Kalkat Jan 2017

Daughter, Wife, Mother: Women As Emblems Of Indian Authenticity Throughout The Diaspora, Saloni Kaur Kalkat

Scripps Senior Theses

It has been over a century since the maternal side of my family has resided in the natal land of our cultural heritage and religious proclivities – Punjab, India, where Sikhism was established. As an American I continue this extension of our roots from their source. Through the process of shifting location, cultural confluence, and passing time the experiences of the women in each successive generation of my family have altered significantly through our diasporic existence. However, even in the aftermath of colonization and immigration, the enduring responsibility of women is reliant upon their relation to family.

This ideology is …


Trauma And Recovery: A Confessional Process, Mia Siracusa Jan 2017

Trauma And Recovery: A Confessional Process, Mia Siracusa

Scripps Senior Theses

This paper is about a confessional painting series, which appropriates Abstract Expressionist techniques, and is on geometric canvas reliefs. The main focus through out the series is the process of my recovery from a traumatic event and the process of the creation of a language through abstraction.


Bringing Back Color, Bringing Back Emotion: Exploring Phenomenological Empathy In The Reclamation Of The Female Nude In Painting, Sophia R. Forman Apr 2013

Bringing Back Color, Bringing Back Emotion: Exploring Phenomenological Empathy In The Reclamation Of The Female Nude In Painting, Sophia R. Forman

Scripps Senior Theses

At the nexus of the seemingly disparate art-theoretical topics of color and the female nude is a critical consideration of phenomenology in both one of its most basic senses—as the first-person experience of perceived phenomena—and as a larger philosophical position which, through its abstraction of perception to subject-object relationships, implicates the painted figure. Specifically, this paper conflates the phenomenology of color with the transcendental phenomenology of Edmund Husserl and Maurice Merleau-Ponty in investigating empathy. Structured as a dialectic, it establishes the most prominent views of both color and the female nude—the nude as a symbolic figure, color as perceptual experience—before …