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Portland State University

Theses/Dissertations

Painting

Publication Year

Articles 1 - 6 of 6

Full-Text Articles in Art Practice

An Exploration Of Some Aspects Of Mystery, Terry Foster Thompson May 1990

An Exploration Of Some Aspects Of Mystery, Terry Foster Thompson

Dissertations and Theses

This thesis project consists of twenty-four paintings, drawings and lithographs dealing with three sub-themes of the larger subject of mystery: the mystery of existence; the mystery of religion; the mystery of the unknown. These themes are explored through manipulations of light, color, compositional arrangement and painting and drawing techniques.


Snake River : A Personal Search, Eva Havas Slinker Jan 1990

Snake River : A Personal Search, Eva Havas Slinker

Dissertations and Theses

This thesis includes twenty landscape paintings, primarily oil on canvas, inspired by a trip to the Hell's Canyon Country of the Snake River.

The search for a personal idiom necessitated introspection, and the visual interpretation of the recalled experience required that formal issues of painting be synthesized to communicate the essential response to the landscape. The images progress from the depiction of deep space to compositions of the component parts of the landscape: trees, water, and rock.


Enhanced Realism In The Development Of My Painting, Zifen Qian Jun 1989

Enhanced Realism In The Development Of My Painting, Zifen Qian

Dissertations and Theses

It is a basic truth that the artist must have independent experience and personality in order to create art from life. Combining a traditional realistic style with some elements of abstract composition fits my personality. My paintings represent a pursuit of this idea that is the enhanced realism in the development of my painting.


Things Seen And Remembered, Charlien Dee Fitzpatrick Jan 1989

Things Seen And Remembered, Charlien Dee Fitzpatrick

Dissertations and Theses

This thesis project consists of twenty oil paintings and watercolors. It is a series of visual problems based on work from direct observation as opposed to work from imagination. The concern is to show how the works from observed nature affect the imaginary pieces and how the imaginary works lend unexpected elements to the observed works. With a particular interest in color, visual energy, and painterly form, the project shows how these two avenues of exploration start out separately and eventually blend.


Image Development Through Process, Jean Handwerk Lee Jan 1983

Image Development Through Process, Jean Handwerk Lee

Dissertations and Theses

A Thesis Report Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Painting.


Toward Improvisation, Sandra Janeen Howe Jan 1981

Toward Improvisation, Sandra Janeen Howe

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Painting.