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Articles 1 - 30 of 202
Full-Text Articles in Art Practice
We Came From The Sea, L. Alexis St. John
We Came From The Sea, L. Alexis St. John
CGU MFA Theses
This paper contains a summary of the thesis exhibition, including an artist statement, exhibition flyer, images of the artwork with descriptions, and images of the gallery. The descriptions of the images are excerpted from the exhibition program, and include artwork titles in a constructed language called Ponder.
Aaron D. Baldon Mfa Thesis Artist Statement, Aaron Baldon
Aaron D. Baldon Mfa Thesis Artist Statement, Aaron Baldon
CGU MFA Theses
What I create comes from without and from within. It can be intellectual and/or experiential. It is informed by research and interpretation, yet it is raw and unaltered. In most cases, the experience flows through my natural synesthesia, wherein I literally see the unseen sensations such as auditory and physical stimuli. I don’t try to create palatable images, because the world is a dark and brutal place, and I have been there. Working with ink or high-flow acrylic on raw canvas is similar to a tattoo artist working with needle and ink on human skin - no mistakes can be …
Primordial, Fel Nikoli Mccoy
Primordial, Fel Nikoli Mccoy
CGU MFA Theses
The culmination of my desire to reconcile with my existence through art is to create myths. Mythology, however fantastical it may be, was once how people conveyed their deepest experiences to one another. I became a mythmaker because I needed to communicate my experience: my efforts to reclaim my indigenous Mexican heritage, my anxieties about surveillance and judgment, and my belief in preserving the lands I live on. The myths I create are mashups of the cultural influences in my life with the intent of understanding my identity and positionality in contemporary society. PRIMORDIAL is a collection of my work …
As I Wander, Michelle Lum
As I Wander, Michelle Lum
CGU MFA Theses
My work highlights moments of wonder from my everyday life to give a more holistic view of reality. To me, experiences of wonder are spaces where a person feels God’s presence, where the spiritual reality of our world becomes visible. Sacraments in the Christian tradition are visible signs of a divine reality. I think of my work as sacramental: heightening moments where the visible gives way to the invisible—not by denying their physical characteristics but through them. The heart of my work is in the intersection between that which is deeply ordinary and that which is deeply extraordinary.
Narratives In Ink: A Journey Through Lineage And Land, Natasha Sethia
Narratives In Ink: A Journey Through Lineage And Land, Natasha Sethia
Scripps Senior Theses
This thesis explores the convergence of personal heritage and artistic expression through a series of pen-and-ink portraits, deeply rooted in the familial stories and cultural tapestry of Rajasthan. The project, initially envisioned as a broader exploration of underrepresented narratives, evolves into a more intimate journey of self-discovery and cultural reclamation, guided by ethical considerations and feedback from peers and professors. Drawing theoretical inspiration from figures like Richard Meyer and Edward Said the work delves into themes of cultural representation, appropriation, and the power dynamics of artistic creation. The shift towards personal narratives allows for a respectful, authentic portrayal of my …
The Favela Blossoms: Voices Of Favelas In São Paulo, Brazil, Vasti Cruz
The Favela Blossoms: Voices Of Favelas In São Paulo, Brazil, Vasti Cruz
Scripps Senior Theses
This project spotlights improvised housing in the peripheral areas of São Paulo, Brazil, better known as favelas. For over a century, the favela has been known as a place of death, violence, crime, and oppression. Paradoxically, the first favelas in Rio de Janeiro were named after a plant that produces flowers. However, today, these communities are rarely compared to their beautiful, symbolic-of-life namesake. Instead, this prejudgement is rampant not only globally, but also within the proper city– which perpetuates social division. When favelas are discussed in the media, they often reference those in Rio de Janeiro; however, favelas are present …
The Heirloom As Evidence: Investigating The Colonial Trace Preserved Within My Family’S Sandalwood Box, Olivia Meehan
The Heirloom As Evidence: Investigating The Colonial Trace Preserved Within My Family’S Sandalwood Box, Olivia Meehan
Pitzer Senior Theses
This paper accompanies my senior art exhibition Picturing the Colonial Trace. Pulling from a wide range of interdisciplinary scholars, I theorize the practice of critical white auto-ethnography through visual interrogations of family heirlooms. The heirloom as evidence holds within its form a colonial trace. I investigate this trace through my creative practice, revealing the environmental, economic, and interpersonal histories of the British colonization of the Indian subcontinent. My art disrupts my family’s narrative of a benevolent British Empire and redirects attention to the silences of my family archive. This thesis proposes a potential model for white scholars of Environmental …
Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson
Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson
Scripps Senior Theses
When Native Hawaiians and haole (foreigners) first met, both participants belonged to fashion systems unknown to the other, composed of different materials, styles, tastes, standards, and construction techniques. As the outside world was introduced to the cultural heritage of Hawaiian hulu manu (featherwork), kūkaulani (chiefly fashion), and European skewed conceptions of Hawaiian indigeneity; the ali‘i (chiefs) and kama‘āina (commoners) received and adapted to incoming materials, technologies, and information. When these encounters transitioned into “prolonged contact” and settlement, dress and adornment proliferated in new ways. Analyzing the case studies of historic pā‘ū, holokū, ‘ahu'ula, and military uniforms shows the significance of …
Making The Invisible Visible: Mapping Chronic Pain Through Art, Caroline Young
Making The Invisible Visible: Mapping Chronic Pain Through Art, Caroline Young
Scripps Senior Theses
This Studio Art thesis explores how I use my art practice as a chronic pain healing process. It draws on the fundamentals of the neuroscience behind pain and the implications of this science for people with chronic pain. People with chronic pain often turn to alternative healing techniques in their search for relief; my own alternative healing approach comes from my art practice of “pain mapping."
The artistic healing process that I have developed takes inspiration from chronically ill artists such as Frida Kahlo and Anna Cowley Ford. The artistic mapping of my pain that I have developed primarily uses …
Concentrated Exploration: Reconstructing The Professional Life Of Lucille Paris, Noor Tamari
Concentrated Exploration: Reconstructing The Professional Life Of Lucille Paris, Noor Tamari
Pomona Senior Theses
This thesis uses archival sources to track the artistic trajectory and professional life of American abstract expressionist artist Lucille Paris.
Transfor, Yumeng He
Transfor, Yumeng He
CGU MFA Theses
The dialogue is not idealistic or theoretical. It's a step-by-step modification. I think of it as a sequence or series of "small episodes." These "small episodes" are of great help to the self-growth of the work. They reveal that my idea at the beginning is different from the finished piece. And, most important, the process can neither be predicted nor copied. This makes the work unique and authentic.
Family Tree, Yumeng Zhang
Family Tree, Yumeng Zhang
CGU MFA Theses
For the past two years I have been making works that attempt to describe the world from a subjective perspective as much as possible, striving to move beyond what I see around me to what I know. I create through my body, my memory and my subconscious, which is the truest expression of my inner self.
Chaos Coordinate System, Shuai Xu
Chaos Coordinate System, Shuai Xu
CGU MFA Theses
我目前的作品聚焦于看不见的世界,我的很多灵感都来自于我的梦想。我对人类与宇宙的关系感兴趣,尤其是当它在地球上发生时,个人与自然之间的关系。我希望在向外扩展的同时更深入地探索我的内部世界,以参与社会和超越。
My current works focus on the invisible world, and much of my inspiration comes from my dreams. I am interested in humanity's relationship to the cosmos, particularly as it plays out here on Earth, in the relationship between individuals and nature. I hope to explore my interior world more deeply while expanding outward, to engage society and beyond.
Itafdaloo, Janan Abdelmuti
Itafdaloo, Janan Abdelmuti
CGU MFA Theses
My works are autobiographical. In them I explore the unconscious and conscious aspects of my life as a heterosexual cis female. My works function as a form of journaling. The repetition of lines, stitches, and patterns stand in for the repetition of different tasks. I try to submerge the onlooker into my emotional experiences through the use of pop culture references and familiar materials and objects. The inadequacy of life and lack of fulfillment has led to the creation of chromatic spaces. Pieces are void and then filled with silent moments. The quiet restlessness of inner turmoils combined with the …
Dreamwalk, Julie Loffer
Dreamwalk, Julie Loffer
CGU MFA Theses
The day I learned that dreams can be real had a profound effect on my life. As I began
to form my art practice, I naturally began to contemplate how we determine what is science
fiction and what is real. People seem to divide themselves by who they are or what they
believe. There are times when science fiction has become real. For example, the idea that
giants or Bigfoot could be real sounds silly to most people. Even though artifacts of unusually
large remains are a part of the fossil record, such creatures are considered science fiction.
Science asks …
Arabesque, Zafirah Ahmed
Arabesque, Zafirah Ahmed
CGU MFA Theses
This paper talks about my MFA Thesis Exhibition : Arabesque. It discusses my usage of pattern and how I am exploring pattern in its historical context, against the repetition of societal patterns in various spaces. Through the use of created symbols in paintings, and installation work.
Unlocking The Energy Within; A Journey Through Healing And Evolution, Juliana Favela
Unlocking The Energy Within; A Journey Through Healing And Evolution, Juliana Favela
CMC Senior Theses
Through a series of acrylic paintings and watercolors, I set out to document emotions, feelings, and experiences that I’ve had through my personal process of healing. By engaging in meditations for each piece, I was able to decide on a set of motifs, symbols, colors, and messages that I wanted to portray. This paper discusses in more detail how I went about this process and what the significance of each piece is, in addition to my inspiration, my identity and its impacts on the work, as well as what I learned from this process. I argue that as we unravel …
Lost & Found Memories: An Examination And Critique Of My Past Through Art, Alice Chi
Lost & Found Memories: An Examination And Critique Of My Past Through Art, Alice Chi
Scripps Senior Theses
Ever since I was young I depended on triggers to retrieve my deeper memories. It is because of this quality that I think I have developed a tendency to collect and assign sentimental value to various items that I associate with certain people and moments. Over the course of my life, I have kept many objects, trinkets, and documents because of this. To catalog these memories and confront my lost relationships, I have collected these found sentimental items around my home and compiled them into a documented history of the lingering relationships throughout my life. The resulting product is a …
Unlocking The Energy Within; A Journey Through Healing And Evolution, Juliana Favela
Unlocking The Energy Within; A Journey Through Healing And Evolution, Juliana Favela
Scripps Senior Theses
Through a series of acrylic paintings and watercolors, I set out to document emotions, feelings, and experiences that I’ve had through my personal process of healing. By engaging in meditations for each piece, I was able to decide on a set of motifs, symbols, colors, and messages that I wanted to portray. This paper discusses in more detail how I went about this process and what the significance of each piece is, in addition to my inspiration, my identity and its impacts on the work, as well as what I learned from this process. I argue that as we unravel …
Intimate, Jason Brewer
Intimate, Jason Brewer
CGU MFA Theses
I’ve used the paint as a substitute for myself to engage viewers to identify their interpretations and similar experience with emotional and mental states. Using texture and movement with the strokes of paint that mimics gestures of, and colors associate with, the mental states in order to present a visual sensory of emotions and psychological states; like the gravity of being in a depressed state, the itchiness and blood red feelings of frustration, the emptiness of being alone, the encroaching pressure of stress, and the weightless haze of confusion. The paintings become an intimate bridge between individuals and a sense …
Tenacity, Order & Disorder, Lucy Manalo
Tenacity, Order & Disorder, Lucy Manalo
CGU MFA Theses
My work is about empowerment. The idea of using metal comes from my past experience as a welder/machinist in the Air Force. Metal is a tough medium and I believe it conveys the themes of strength and tenacity through it’s materiality.
Rhythms Of Light, Jessica R. Csanky
Rhythms Of Light, Jessica R. Csanky
CGU MFA Theses
My works are visual expressions of a true love for movement, rhythm, and saturated color. In making art, I present lived experiences that are rendered abstract. These formal representations originate from an energetic space or sensory association and express a connection to places I have been, whether physically or emotionally.
Integral to my practice is the uninhibited exploration of materials and tools. I am committed to deepening my understanding of what paint can do when combined with drawing and installation techniques.
My compositions address architecture, landscape, memory, as well as psychological and physical spaces that we move through during our …
Still Spring Was Spring, Qianqian Yang
Still Spring Was Spring, Qianqian Yang
CGU MFA Theses
The works came out of an exploration of looking, time and place. A strange tension always occurred to me every time I returned home. For a month, I resumed my early morning schedule in high school on a daily basis. The route between school and home constructs most of my memories in the city. The practice of repeating the old routine is my way of trying to understand my relationship with this place, to probe into the separation and intimacy that constantly contradict within me. What has kept you away and brought you back, why, I ask myself. Relying on …
Hail Mother, Sydney Walters
Hail Mother, Sydney Walters
CGU MFA Theses
My work disrupts two kinds of power: gender roles in religious practices, and the perceived power of a ritual object. Constructions of gender and power are thrown onto a stage and cast in a sincere parody that ultimately liberates underrepresented people to perform with agency.
My larger-than-life figures examine who holds power in religious institutions. The figures challenge the intelligibility of their identity because she/they are dressed in religious regalia. In Western Catholicism, maleness is the pre-requisite for priesthood. These church leaders are distinguished by wielding specific religious regalia: i.e. the Ring of the Fisherman, Episcopal gloves, and globus crucigur. …
What If Anything Still Meant Something, Andrea Munive
What If Anything Still Meant Something, Andrea Munive
CGU MFA Theses
My drawings are active reflections of my surroundings and their intrinsic relationship to the ideal and banal. My surroundings have encompassed my memories and present, revealing a sense of slow time and peripheral consciousness.
What If Anything Still Meant Something is about this duality of care and disregard- an eternal mental state it seems.
Capacity, Rachel Baydian
Capacity, Rachel Baydian
CGU MFA Theses
This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.
Changing Perceptions Of The Carceral Space Through Photography: The Tehachapi Project By Jr, Alexi Butts
Changing Perceptions Of The Carceral Space Through Photography: The Tehachapi Project By Jr, Alexi Butts
Scripps Senior Theses
“Can art change the world?”
In his global art practice, French artist JR transforms overlooked communities into valued canvases. With an approach rooted in collaboration, JR’s large-scale public photographic installations integrate the built environment into a visual experience of human life.
In October, 2019, JR and his team entered the maximum security prison in Tehachapi, California to embark on a new collaborative project: “Tehachapi.” This paper explores the impact of “Tehachapi” as it extends beyond the physical photograph wheat-pasted on the floor of the prison’s courtyard to touch on issues of humanity, power and accessibility. Created as a collage of …
Language, Memory, Place: Building On Disappearance, Alexi Butts
Language, Memory, Place: Building On Disappearance, Alexi Butts
Scripps Senior Theses
Language, Memory, Place is an investigation into clay’s therapeutic and tactile qualities. When combined, these attributes make clay an effective tool for priming spoken communication, increasing connectivity and serving as a tangible means of accessing and physically grounding abstract memories of home.
Conducted in France throughout the summer of 2019, my research set out to engage French speakers in a reflective dialogue on what it means to transform empty spaces into ones filled with feeling and meaning of home. In addition to verbal conversation, I simultaneously directed individuals of different ages, origins and living in seven different cities through an …
Indominable, Kathleen A. Fox
Indominable, Kathleen A. Fox
CGU MFA Theses
INDOMINABLE, Kathleen A Fox
The reformation of the feminine portrait from that of idealistic sexual beauty into a portrait of strength, community, longevity, transformation, and inane human foundational essence of societal value. This collection of portraits illustrates the uniqueness that is often overlooked for the fast, idealistic and instantly read images of women hailed as beautiful. These women contain a space they have earned with their strength of character, spirit, and unwillingness to be moved from their places of significance. Created with an expressive abstractive edge to traditional portraiture, these female portraits refuse to be easily glossed over, for their …
Hot, Water, Mud: Some Attachments, Dianne Dillingham
Hot, Water, Mud: Some Attachments, Dianne Dillingham
CGU MFA Theses
The works in my thesis show came out of an investigation into what it means to really know something. To have such intimate familiarity with a place or object that the shape, smell, and touch becomes unforgettable; the dirt under your nails, smell easily recalled, the carved outline of a bedpost after years of touch. These things are unremarkable in their everydayness; but they can also hold power over time. They can become attachments – motifs that resurface and repeat - that have agency.