Art Practice Commons^™

Salvaging Print: Letterhead In Post-Industrial Urban America, Nancy Sharon Collins

The Mid-America Print Council Conference

This panel will explore the link between today’s small press movement and the formal aspects of commercial printing during the American 20th century. Panelists include Christine Medley , Philip Gattuso, and Nancy Bernardo.

Using as its primary example letterhead from defunct companies in Detroit, and secondarily, specimens of business and legal letterhead from other urban centers of the industrial United States, this panel will examine and discuss: What did letterhead represent to 20th century printers in local markets such as Detroit? What is the significance of printed letterhead, and stationery, to the art of small press printing in post-industrial cities …

Lean In Or Lean Back: Reproducing Sustainable Livelihoods In The Transnational Indigenous Art Market, Blaire Gagnon

Blaire Gagnon

No abstract provided.

Exp(A/E)Ndable (Fall), Stella Rose(N)Fell (Spring), Re-Envisioning The Fourth Wall: The Production Of A Fluid And Mobile Stage An Investigation Of The Placement Of Experimental Dance In Museums (Paper), Julia E Meyer

Senior Projects Spring 2014

Artist Statement:

I’m interested in the bizarre, the dark, the disturbing, and the messy. I collaborate with my dancers to make movement that falls outside the pedestrian, yet remains human in the most peculiar and sometimes virtuosic ways. Exploring site specificity, with a particular focus on transforming spaces to create distinct experiences for viewers and dancers alike. Finding new ways to understand and engage with dance by re-situating the audience and giving them the opportunity to move with dancers, thereby creating their own frame of view and cultivating a personal experience with the bizarre world that they have entered. Right …

Neuroscience And Hindu Aesthetics: A Critical Analysis Of V.S. Ramachandran’S “Science Of Art”, Logan R. Beitmen

FIU Electronic Theses and Dissertations

Neuroaesthetics is the study of the brain’s response to artistic stimuli. The neuroscientist V.S. Ramachandran contends that art is primarily “caricature” or “exaggeration.” Exaggerated forms hyperactivate neurons in viewers’ brains, which in turn produce specific, “universal” responses. Ramachandran identifies a precursor for his theory in the concept of rasa (literally “juice”) from classical Hindu aesthetics, which he associates with “exaggeration.” The canonical Sanskrit texts of Bharata Muni’s Natya Shastra and Abhinavagupta’s Abhinavabharati, however, do not support Ramachandran’s conclusions. They present audiences as dynamic co-creators, not passive recipients. I believe we could more accurately model the neurology of Hindu aesthetic experiences …

Strategic Deployments Of ‘Sisterhood’ And Questions Of Solidarity At A Women’S Development Project In Janakpur, Nepal, Coralynn V. Davis

Faculty Journal Articles

Linguistic uses of ‘sisterhood’ provide a window into disparate understandings of relationality among virtual and actual interlocutors in women’s development across vectors of caste, class, ethnicity and nationality. In this essay, I examine the trope of ‘sisterhood’ as it was employed at a women’s development project in Janakpur, Nepal, in the 1990s. I demonstrate that the use of this common signifier of kinship with culturally disparate ‘signifieds’ created a confusion of meaning, and differential readings of the politics of relationality. In my view, ‘sister,’ as used at this project, was a multivalent, strategically deployed, and divergently interpreted term. In particular, …