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Articles 1 - 10 of 10
Full-Text Articles in Art Practice
Demonstrated Sensitivity, Kate Crankshaw
Demonstrated Sensitivity, Kate Crankshaw
Theses and Dissertations
Flameworking is a tedious process that demands all of your attention and focus. Making multiples of a shape in this process allows my body and mind to fall into a rhythm. During these times, it allows my anxious mind to be quieted and helps me dive into processing past memories, trauma, and grief. It is commonly suggested in Dialectical Behavioral Therapy practices to find an activity to do that is both physical and repetitive to work through grief. This stimulates the physical and mental parts of the body, both areas where the effects of grief and trauma are held. Relaxing …
Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby
Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby
Theses and Dissertations
Laying out a Space: Spectral Geographies, Fictions of the Soul, arises out of my artistic practice, and thoughts behind my current project and MFA exhibition, Spectral Geographies.
Linking the problem of the world ‘out there’ or external space, to inner experience through painting as both medium and practice, my work expresses what I call inner geographies, spaces where intimate immensities, folding inside and outside, find expression. I think of my paintings as beginning with this gesture of laying out a between-space where the intimacies of waking dreams and visions are opened by, and grow into, actual places, …
It Takes A Muscle: Wholes, Holes, And Other Voids, Saar Shemesh
It Takes A Muscle: Wholes, Holes, And Other Voids, Saar Shemesh
Theses and Dissertations
IT TAKES A MUSCLE1
In the BELLY of the BEAST, the HUMAN
in the deep end of a SWIMMING POOL
in a GRAVE, looking up/out from within
at the base of a CRATER, ABYSS, PIT
the room as a CRADLE, INCUBATOR
architecture as MOTHER MOULD.2
____________________________
1 Title is borrowed and abbreviated: Spectral Display, “It Takes A Muscle To Fall In Love,” 1982.
2 For what American-English delineates as ‘mold,’ British-English uses ‘mould’ and is more specific in its technicality. The former doesn’t distinguish in spelling between mold (fungus) and mold (mould). I’m not particularly a fan of …
Difficult Paintings, Hao (Damien) Ding
Difficult Paintings, Hao (Damien) Ding
Theses and Dissertations
The sublime as a concept has a fraught and racist history. However, it remains the single most helpful idea in describing the deeply felt state of being when one comes across something ineffably powerful. From an art-making perspective, this thesis, and the accompanying exhibition of installations and paintings, proposes an alternative construction of the concept of the sublime. Using Lacanian psychoanalysis as a conceptual point of departure, a painter can manipulate the relationship of the viewer and paintings to create paradoxical moments of simultaneous intimacy and distance, which interact to create an alternative path towards the sublime. Through descriptions of …
The Program, Aaron Douglas Estrada
The Program, Aaron Douglas Estrada
Theses and Dissertations
In my work, I explore the engineering of identity and socioeconomics that are programed into Black and Brown communities. I refer to this as “The Program”. The Program validates, breaks, codes, and critiques the system that divided us. The Program is identifying with the struggle of growing up in a system that is programmed to see you fail. So if you get caught up in that system it’s a natural death within the program. But you can break and make your own program. If you stick to the program.
The paper's use of language is coded. Text has been written …
Work/Death, Of Each In Their Own, Micah H. Weber
Work/Death, Of Each In Their Own, Micah H. Weber
Theses and Dissertations
Writings in support of my visual thesis, including some background, and bibliographic information: Oregon/Death/Animation/Vocation and the artist as an agent of potential.
Restoration, Shannon M. Slaight-Brown
Restoration, Shannon M. Slaight-Brown
Theses and Dissertations
The marks I make in clay have different characteristics, and the physical mark of one’s fingertips or visual record of the hand is personal and intimate. This visible activity is the evidence of my constant presence and control within each object. Its repetitive meditation produces a private relief from my persistent anxieties. This exploration for me is not only visual, but also physical. This is the start of my infatuation with the idea of pattern. It has its own discrete visual language and modes of communication; and through my research I am developing a method of intercommunication.
Everywhere And Nowhere: Public Art Interventions In Qatar, Barbara Charrue
Everywhere And Nowhere: Public Art Interventions In Qatar, Barbara Charrue
Theses and Dissertations
Qatar is rapidly becoming an internationally renowned art hub not only through the construction of numerous museums and galleries, but also through the development of public art projects.
I strongly believe that Qatar can be more than a place to work; it can be a space where art is part of public spaces. But how can we fully and effectively integrate art into public space in Qatar? How can Qatar be more than a place where we work, eat, sleep, and go to the mall from time to time? How can public art involve / benefit the community and local …
Expanding Eco-Visualization: Sculpting Corn Production, Jennifer E. Figg
Expanding Eco-Visualization: Sculpting Corn Production, Jennifer E. Figg
Theses and Dissertations
This dissertation expands upon the definition of eco-visualization artwork. EV was originally defined in 2006 by Tiffany Holmes as a way to display the real time consumption statistics of key environmental resources for the goal of promoting ecological literacy. I assert that the final forms of EV artworks are not necessarily dependent on technology, and can differ in terms of media used, in that they can be sculptural, video-based, or static two-dimensional forms that communicate interpreted environmental information. There are two main categories of EV: one that is predominantly screen-based and another that employs a variety of modes of representation …
Food Landscapes: A Case Study Of A Cooking And Art- Focused Program For Teens Living In A Food Desert, Jessica R. Norris
Food Landscapes: A Case Study Of A Cooking And Art- Focused Program For Teens Living In A Food Desert, Jessica R. Norris
Theses and Dissertations
This study constructs themes and propositions about the experiences of youth participants in the fall 2013 Food Landscapes program at the Neighborhood Resource Center in Richmond, Virginia. During the program, youth participated in cooking-based volunteerism with adults with disabilities and created short videos about their experiences. In this study, I analyzed pre- and post-program participant interviews, twice-weekly program observations, and facilitator reflections to understand how Food Landscapes affected youths’ conception of community engagement and communication strategies. This case study offers insight into how youth experience after-school programming of this design. Based on my findings, youth develop and rely upon a …