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Full-Text Articles in Art Practice
Amassing Subsistence: Creating An Environment Through Objects And Time, Matilda J. Alexander
Amassing Subsistence: Creating An Environment Through Objects And Time, Matilda J. Alexander
Senior Independent Study Theses
No abstract provided.
So Much Apparent Nothing, Emily Mcbride
So Much Apparent Nothing, Emily Mcbride
Theses and Dissertations
This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.
The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall
The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall
Theses and Dissertations
My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.
The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …
Cold Lapse, Tressa Jones
Cold Lapse, Tressa Jones
Graduate Student Theses, Dissertations, & Professional Papers
cold lapse addresses the abstract notions of time and loss while conveying the value of observing the present. The postmodern view of time, the grid’s vernacular, and the aesthetics of postminimalism are my foundation for communicating time’s passage and its consequential sensations of absence. The duration of a slow drip, the cycle of breath and the sequential motion of a hand folding paper each mark passing moments. By observing these signs the phenomenon of time may be appreciated. Care and ephemerality in the work require the viewer’s sensitivity when encountering and witnessing it, much like the demands of observing the …