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Full-Text Articles in Art Practice

A Covid Calendar, In Twelve Animals, Dana Medoro Jan 2021

A Covid Calendar, In Twelve Animals, Dana Medoro

Animal Studies Journal

This poem reflects upon the year 2020, the death of an animal-activist in Canada, and the murderous effects of COVID-19 on non-human animals


Marlon Unas Esugerra Interview, Gis George May 2011

Marlon Unas Esugerra Interview, Gis George

Asian American Art Oral History Project

Bio: Marlon Unas Esguerra is a second generation Filipino American, born and raised in Chicago. Marlon currently resides in Woodside, Queens, and is a Special Ed teacher at Queens Vocational & Technical High School.

In 1998, he co-founded the panAsian spoken word ensemble, I Was Born with Two Tongues/, which has since performed in over 300 colleges and venues across the country. The Tongues' pioneering performance work and critically-acclaimed debut CD, "Broken Speak" (AsianImprov Records), sparked a new generation of APIA voices. He is also the co-founder of the Asian American Artists Collective-Chicago, YAWP! Young Asians …


Tina Ramirez Interview, Karina Lopez Feb 2010

Tina Ramirez Interview, Karina Lopez

Asian American Art Oral History Project

2010 interview with poet Tina Ramirez


Rominna Villasenor Interview, Jamelle Apolinar Feb 2010

Rominna Villasenor Interview, Jamelle Apolinar

Asian American Art Oral History Project

2010 interview with writer, performer, visual artist Rominna Villasenor by Jamelle Apolinar


Art Work - “Loving: Elena Rubin” And “Loving: Shoshanna Weinberger”, Laura Kina Dec 2009

Art Work - “Loving: Elena Rubin” And “Loving: Shoshanna Weinberger”, Laura Kina

Laura Kina

OTHER TONGUES: MIXED-RACE WOMEN SPEAK OUT is an anthology of poetry, spoken word, fiction, creative non-fiction, spoken word texts, as well as black and white artwork and photography, explores the question of how mixed-race women in North America identify in the twenty-first century. Contributions engage, document, and/or explore the experiences of being mixed-race, by placing interraciality as the center, rather than periphery, of analysis.