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Photography

Western University

Theses/Dissertations

Photography

Publication Year

Articles 1 - 5 of 5

Full-Text Articles in Art Practice

The Other Neighbour Of El Otro Lado, Anahi Gonzalez Teran Aug 2021

The Other Neighbour Of El Otro Lado, Anahi Gonzalez Teran

Electronic Thesis and Dissertation Repository

This written thesis is in support of a Master’s of Fine Arts degree at Western University. The thesis dossier explores themes of Mexican migration in Canada engaging with ideas of human labour and various indexes of Mexican culture, trade, and economic exchange. The thesis also consists of documentation of public exhibitions and other various creative production components including videos, photography and multi-media installations. This thesis is separated into three major sections. The first is an extended artist statement which outlines my artistic research and my creative process as an artist. The second is a portfolio of photographic documentation of artworks …


Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti Aug 2019

Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti

Electronic Thesis and Dissertation Repository

This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. By focussing on artist-led and institutional initiatives, I emphasize the importance of art in both community and narrative-building.

This research has taken the form of a written dissertation and two adapted projects, and positions …


Hand-Eye, Michael S. Pszczonak Aug 2015

Hand-Eye, Michael S. Pszczonak

Electronic Thesis and Dissertation Repository

This integrated article thesis has two distinct chapters: The first chapter is a case study on a selection of works by German artist Sigmar Polke using Hal Fosters writing on the historical and neo-avant-gardes. The study traces the way Polke revisits the first avant-garde project and comprehends its attempted traumatic rift from dominant ideologies for the first time. The second chapter is a comprehensive artist statement which simultaneously outlines the theoretical underpinnings of my work as well as the process leading to the body of work on display at McIntosh Gallery. The research sets out to answer the following question: …


Turning To See Otherwise, Jennifer L. Martin Aug 2014

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …


A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner Aug 2014

A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner

Electronic Thesis and Dissertation Repository

What are the current boundaries of the photographic and how can an ontology of photography take form as a material and conceptual program of research? Responding to the difficulty inherent in any definitive attempt to grasp photography, this dissertation places emphasis on the less determined act of evoking as a model of dialogue, and engagement, with the photographic. This dissertation is composed of two parts that engage both the question “What is photography?” and the ontological anxiety that shadows it. These lines of questioning are pursued in two ways: directly through considering the qualities of the photographic as elucidated by …