Art Practice Commons^™

New Australian Plants And Animals. An Exhibition - And - Physiology, Phenomenology And Photography: Picturing The Indeterminate Within An Australian Art Practice. An Exegesis, Michael Gray

Theses: Doctorates and Masters

This practice-led research project investigates indeterminate aspects of perception related to human vision and postcolonial conditioning. Through an inventive range of lens-based artworks, the research draws parallels between preconscious visual phenomena and the subjective experience of non-indigenous Australians of multiple generations.

The resulting body of creative work, New Australian Plants and Animals, can be seen to approach preconscious visual phenomena derived from the physiology of the human eye through the use of primitive photographic lens technology. This process is applied to the subject matter: introduced plants and partially naturalised migrants. This synthesis of subject and materials creates new insights …

Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices, Alun John Price

Theses: Doctorates and Masters

Contemporary designers and photographers face many challenges as the profession rapidly develops. This is especially the case in in the Western Australian context. A review into the recent history of the Western Australian design profession is evidence that designers and photographers are consistently shifting between commercial and self-expressive practice. However, the urge to keep up with technological advancement has masked conscious development of this shift, which is a key to self-realisation and improvement for a designer and photographer. This lack of conscious questioning limits holistic development in design practice. This research reflects on myself as a designer developing a response …

Street Photography: An Approach To Strangers: Casual, Close And Personal Encounters, Flavia M. Schuster

Theses : Honours

Street photographers can either camouflage or reveal their identities to the strangers they photograph. By choosing to remain anonymous, photographers often create images in which only their subjects are exposed. By unveiling their identities however, they often create images in which their interaction becomes evident in the resulting images. Casual Encounters looks at the mechanisms employed by photographers that choose to remain anonymous in contrast to the myth of the flâneur. Close Encounters looks at the mechanisms employed between strangers to deal with their daily interactions in urban environments. Personal Encounters serves to explain my own approach to the strangers …