Art Practice Commons^™

Where Are The Women? A Feminist Field Guide To The Museum, Taylor Weaver

Theses

Linda Nochlin’s seminal 1971 essay, “Why Have There Been No Great Women Artists?” was at the fore of the great battle cries of many feminist scholars that drew attention to the limitation’s that female artist’s face in the art world. Women have systematically been left out of the art historical narrative while their male counterparts remain at the forefront.

There are many women that are very prominently represented in museums. They are largely nude and have been represented by male artists. While I do not argue that nudity in paintings should not exist, I do insist that museum goers become …

Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit

Masters Theses

As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. …

Memories As Old As Outer Space, Nicholas Benfey

Theses and Dissertations

My paintings draw from personal memory, as well as the nostalgic longing and nightmarish foreboding of the irrational psyche. Cosmic ruptures, cliffs, cemeteries, and parking lots appear alongside snowglobes and canopy beds. I aim to suggest things to be wary of, while giving space for optimistic fantasy and reflective wonder.

Time. Moves. Things. Change., Jennifer Wester

Art Theses and Dissertations

In this paper I discuss my art making principles and their physical representation in some examples of my most recent work.

Having started my artistic practice during a particularly transformative period of my life, this paper reflects on my artistic evolution, it’s influences, and the principles I’ve acquired along the way. In it, I explain and analyze the function of failure and mmy relation to manipulation. I show, through image and descriptions, the ways in which a spectrum of pieces converge to substantiate my claims of intent to outcome. And I illuminate synergies between my practice and historical artists such …

From Here And Now: Monuments Of Today And Everyday, Adam Shaw

Theses and Dissertations

The arc of my educational narrative was drawing to a close. I was a month out from my thesis exhibition, the culmination of a three-year experience. The studio was full of an energy I had been longing to feel. I was just beginning. Then came the Pause.

Unlocking The Energy Within; A Journey Through Healing And Evolution, Juliana Favela

Scripps Senior Theses

Through a series of acrylic paintings and watercolors, I set out to document emotions, feelings, and experiences that I’ve had through my personal process of healing. By engaging in meditations for each piece, I was able to decide on a set of motifs, symbols, colors, and messages that I wanted to portray. This paper discusses in more detail how I went about this process and what the significance of each piece is, in addition to my inspiration, my identity and its impacts on the work, as well as what I learned from this process. I argue that as we unravel …

Straight Through My Heart, Raul A. Aguilar Canela

Theses and Dissertations

Straight through my heart is an exhibition that explores the concept of heartbreak as a socio-political phenomenon. Through the affect of sadness the thesis analyses the way in which subjects are formed under cognitive capitalism. Paying particular interest to the collateral effects of neoliberal culture —hyper-stimulation, self-exploitation, competition, and obsession with productivity—and the pathologies they create —depression, anxiety, body aches, fatigue— this work shifts the burden of sadness from the individual to the community. By doing so it proposes heartbreak as a public feeling.

Unlocking The Energy Within; A Journey Through Healing And Evolution, Juliana Favela

CMC Senior Theses

Through a series of acrylic paintings and watercolors, I set out to document emotions, feelings, and experiences that I’ve had through my personal process of healing. By engaging in meditations for each piece, I was able to decide on a set of motifs, symbols, colors, and messages that I wanted to portray. This paper discusses in more detail how I went about this process and what the significance of each piece is, in addition to my inspiration, my identity and its impacts on the work, as well as what I learned from this process. I argue that as we unravel …