Art Practice Commons^™

Umbrales (Thresholds), Maureen Scally

Masters Theses

Umbrales is Spanish for Thresholds.

Thresholds are by nature ambivalent spaces, inviting two distinct realities into play. As an artist, I materialize my experiences as a migrant into an architectural form. A series of textile walls shape a space that is simultaneously interior and exterior so that the audience circulates in the negative space in between. It is in the construction of this threshold condition — a simultaneous placement, neither here nor there — that a complex narrative of place unfolds.

Cuando Lloro, Melissa Medina

Masters Theses

There are moments where I am suddenly hit with a deep sentimental longing for a time that no longer exists, one that has transformed into a deep nostalgia, one that becomes more and more conflicted as time passes. Often thought of as a yearning for a recent past, or homesickness, nostalgia can be difficult to define. Although the concept and emotion associated with nostalgia may seem familiar, the word is in fact complex. Nostalgia, for the immigrant, is an escape from their marginalization; an opportunity to embrace the complexities. Painting then becomes an embrace, a direct connection between the present …

From John Street To Union, Andrew Shea

Masters Theses

I have been making paintings constructed loosely from my experience of walking about one mile each morning from my apartment in Fox Point to my studio in downtown Providence, and of walking back each night. My goal is to rediscover the feeling of these outdoor places—their lights, atmospheres, colors, and topographies—through the process of painting inside the studio. As such, the visual representations of these paintings are not straight-forward and objective, but oblique and affective.

I hope that these works draw one’s attention to the idiosyncrasies of natural life and to the particularities of weather. I want the paintings to …