Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 4 of 4
Full-Text Articles in Art Practice
Summoning The Body That Acts, Brendan M. Mccauley
Summoning The Body That Acts, Brendan M. Mccauley
Masters Theses
Seven series of artworks; painted, drawn and performed. These works are presented as affective incorporation exercises, that test modes of aesthetic communication in response to varying political contingencies. The constitutive processes used to develop the work also function as a methodology for my own political radicalization. As an artist I am wagering how to talk, as an activist I am preparing to act. The artworks discussed occur at the crossroads of these desires as enactions of futurity within the subjunctive mood.
Departing From Photography. Place, Space, Non-Place, And The Quotidian: Painting From Pictures Of The Everyday, Mathew A. Tucker
Departing From Photography. Place, Space, Non-Place, And The Quotidian: Painting From Pictures Of The Everyday, Mathew A. Tucker
Theses and Dissertations
This paper investigates the relationship between photography and painting. It explores the way in which Mathew Tucker's paintings have been informed by his photographs of everyday places and the ways that they depart from those images and express new and different meanings.
Kimono, Elizabeth D. Hoffman
Kimono, Elizabeth D. Hoffman
CGU MFA Theses
Globalization opens up opportunities for the international community to push for freedom of expression. It is precisely because the history of kimonos is a multi-cultural one, invented by the Chinese, then adapted and adopted by the Japanese, then altered by Western colonialists and changed as it permutated from the aristocracy to the middle class and to laborers, that I felt that it was relevant to today and the cross-cultural influences of globalization. This summer, I purchased two authentic Japanese kimonos, (one an everyday cotton one to use as a model for my drawings, and the second, an elaborate silk one …
Perspectives, Beatrice Modisett
Perspectives, Beatrice Modisett
Theses and Dissertations
My paintings are linked to a thirst for exploring new landscapes and perspectives, my interest in the extremes and subtleties of geological phenomenon and a desire to create, chase after, and teeter on a brink. Here I will discuss these topics and work to unpack my interest in avoiding comfort, my relationship to control and the creation and function of my paintings. To extract myself from my tactile and visual world of process and paint and enter the world of written language presents very different challenges than the ones fostered in the studio. The goal in both is to reveal …