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Articles 1 - 6 of 6
Full-Text Articles in Art Practice
Interface: Fringe Landscapes And Identity, Elizabeth T. Lewin
Interface: Fringe Landscapes And Identity, Elizabeth T. Lewin
Theses and Dissertations
An MFA thesis that weaves together: virtual landscapes, escapism, Theresa Hak Kyung Cha, utopia, family, and identity.
Fear And Nostalgia In Immigration, Daniel A. Matthews
Fear And Nostalgia In Immigration, Daniel A. Matthews
Theses and Dissertations
Fear and Nostalgia in Immigration is a project that uses re-occuring memory and experiential memory to help us understand our common histories. The projects asks individuals to first share a re-occuring memory by writing it on a chalkboard. The next step is to then write an experiential memory about immigration, this can be a story you might have heard or it could be something from your own family history. These two tasks are done on a communal table where several individuals are engage in the same task at the same time. This aim of this exercise is to have something …
Private Conversation, Gahee Park
Private Conversation, Gahee Park
Theses and Dissertations
My thesis paper "Private Conversation" discusses the themes, contexts, and influences relevant to paintings and drawings I made during my MFA studies.
Viewer-, Author-, And Ownership In The Work Of Andrea Zittel, Amanda M. York
Viewer-, Author-, And Ownership In The Work Of Andrea Zittel, Amanda M. York
Theses and Dissertations
Andrea Zittel invites others to collapse the distinctions between artist, viewer, and collaborator by interacting with her usable works. This thesis explores the process of interacting with Zittel's works, and how it affects viewer-, author- and ownership.
The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall
The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall
Theses and Dissertations
My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.
The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …
So Much Apparent Nothing, Emily Mcbride
So Much Apparent Nothing, Emily Mcbride
Theses and Dissertations
This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.