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A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner
A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner
Electronic Thesis and Dissertation Repository
What are the current boundaries of the photographic and how can an ontology of photography take form as a material and conceptual program of research? Responding to the difficulty inherent in any definitive attempt to grasp photography, this dissertation places emphasis on the less determined act of evoking as a model of dialogue, and engagement, with the photographic. This dissertation is composed of two parts that engage both the question “What is photography?” and the ontological anxiety that shadows it. These lines of questioning are pursued in two ways: directly through considering the qualities of the photographic as elucidated by …