Art Practice Commons^™

Infinitely Incredible Configurations, Jenni Oughton

Masters Theses

As a designer, I am intent on charting out a radically different perspective on the future. To instigate movement beyond current design thinking centered on problem solving, I propose a shift toward design fiction—a deliberate and direct inquiry into the realm where design meets science fiction, and how that merges with reality. My practice uses science, speculative fiction, and technology as positive models to both generate prompts and spur design outcomes. I borrow from the author Isaac Asimov's three categories of science fiction narratives to instigate a way of structuring this design endeavor: What if ..., If only ..., If …

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …

Otherworldly Gestures, Sadia Quddus

Masters Theses

OtherWorldly Gestures seeks to give form to the intangible. I work primarily with light as material substance to shape a speculative emotive space in which I make metaphysical phenomena experiential. I collaborate with ecological and technological elements to express a spiritual understanding of Self and World. Most recently, the work translates material objects and architectural elements from my cultural heritage, and gives visual and haptic form to the sacred relationship between body, soul, and natural world.

Through these explorations, I begin to propose a speculative OtherWorld. I delve into the precolonial, ancestral teachings of a mystical spiritual path, referencing Sufi …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …