Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Contemporary art (2)
- Installation (2)
- Landscape (2)
- Memory (2)
- Painting (2)
-
- Self (2)
- Abstraction (1)
- Agency (1)
- Alchemy (1)
- Archive (1)
- Art (1)
- Art Painting theory Krauss Kubler Isaac Aden Nietzsche Rodeo Lakota (1)
- Asian American (1)
- Capitalism (1)
- Ceramic (1)
- Cindy Daignault (1)
- Dansaekhwa (1)
- Desire (1)
- Dick Pic (1)
- Diedrich Knickerbocker (1)
- Document (1)
- Drawing (1)
- Eri King (1)
- Exoticism (1)
- Family (1)
- Feminism (1)
- Film (1)
- Foley (1)
- Found objects (1)
- Fragmentation (1)
Articles 1 - 12 of 12
Full-Text Articles in Art Practice
Ordinary Disorder, Jonathan S. Tracy
Ordinary Disorder, Jonathan S. Tracy
Theses and Dissertations
The pictorial spaces in my paintings are found through many drawings, based on memories. In these drawings I use the architectural technique of paraline drawing, in pointed contrast to one or two point perspective. With a fixed point of view unavailable, the viewer or reader becomes the writer too. This is what I intend. The paraline method also engages specific corners of art history to which I relate, including woodblock prints of Japanese interiors, Chinese brush painting landscapes with houses, and the shifting, rotating perspectives found in Baroque painting. My intensely personal memories/drawings are transfused into highly material finished paintings. …
A Chair In The Woods, Victoria Dolloff
A Chair In The Woods, Victoria Dolloff
Theses and Dissertations
Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.
Invisible Invisibility, Eugina Song
Invisible Invisibility, Eugina Song
Theses and Dissertations
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.
Healthy People Are Bad For Capitalism, Eri King
Healthy People Are Bad For Capitalism, Eri King
Theses and Dissertations
Healthy People are Bad For Capitalism is a four part installation that creates an alternative space for the chemicals, Red 40 and Monosodium Glutamate. Presented as a holistic center that offers healing services and remedies, Center for the Red 40 and MSG Healing explores the homeopathic doctrine of Like Cures Like (what make a human ill also cures them) through the relationship between Traditional Japanese Healing Practices, and Western Capitalism.
Healthy People are Bad For Capitalism presents Red 40 MSG Apothecary, Red 40 Zen MSG Healing Rock Garden, Theta Wave Eternal Flame Meditation and Red 40 MSG …
Tipping Point, Pang Z. Vang
Tipping Point, Pang Z. Vang
Theses and Dissertations
What happens to a woman at the tipping point under oppression in a patriarchal society? How does she behave? Pulling from the vagina dentata mythologies, and personal and collective experiences of rape culture, I formed a body of work which problematize the stereotypical narrative of victim/perpetrator. As a visual and conceptual exploration, my work explores the themes of desire, agency/non-agency, and violence [as it manifests within and outside of the body]. Utilizing visual and conceptual quotations from film, pornography and sex toys, these works subvert the exoticized stereotype of the Asian woman as sexual plaything.
Tuff Breeches, Arkadiy Ryabin
Tuff Breeches, Arkadiy Ryabin
Theses and Dissertations
In consideration of language and it’s relationship to information and knowledge, the author explores personal set of events in relationship to that of the public, via forms of orality. 19th century American literature is posited as a hangover influencing contemporary events.
Invisible Forces, Sarah E. Mullin
Invisible Forces, Sarah E. Mullin
Theses and Dissertations
I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrating light, deep space, and vast scale in an imagined image. These paintings combine an inner abstract dimension with landscape imagery to communicate to the viewer that we are a part of what we sense in nature.
Summer Light, Sara Dolatabadi
Summer Light, Sara Dolatabadi
Theses and Dissertations
"Summer Light" is a film about family dynamics. Using light as a defining factor, it looks at the relationship between the director’s parents and her daughter. It is the her response to a desire to record and safeguard intimate moments of an ordinary day before they disappear.
Absence Is Presence With Distance, James Bayard
Absence Is Presence With Distance, James Bayard
Theses and Dissertations
Prompting obvious considerations for freedom and nationalism, language and race, time, and decay, the work asks not only what it means to be an American today, but also, more broadly, what it means to be human—to breathe and act, to live and die.
I Like America: Painting In The Expanded Field, Isaac Aden
I Like America: Painting In The Expanded Field, Isaac Aden
Theses and Dissertations
Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.
Sub For More, Chelsea Lee
Sub For More, Chelsea Lee
Theses and Dissertations
This written thesis unpacks the thoughts and motivations behind the decisions I have made in my artistic practice that have ultimately culminated in my M.F.A. Thesis Exhibition: Sub for More. By merging images of my own work as well as internet sourced images of the culture that drives my work, I have created a platform to begin to understand my experience during graduate school. This text examines and explores my belief in the inherent power in pop culture, my obsession with fame, celebrity, and my self-identity as a participant in current pop-culture.
Restoration, Shannon M. Slaight-Brown
Restoration, Shannon M. Slaight-Brown
Theses and Dissertations
The marks I make in clay have different characteristics, and the physical mark of one’s fingertips or visual record of the hand is personal and intimate. This visible activity is the evidence of my constant presence and control within each object. Its repetitive meditation produces a private relief from my persistent anxieties. This exploration for me is not only visual, but also physical. This is the start of my infatuation with the idea of pattern. It has its own discrete visual language and modes of communication; and through my research I am developing a method of intercommunication.