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Full-Text Articles in Art Practice

Dab Shunt Spoor, Jen Grabarczyk Nov 2012

Dab Shunt Spoor, Jen Grabarczyk

CGU MFA Theses

My work functions as an act of bearing witness. In it, I process consciousness, memory, narrative and time through the choreographed integration of cerebral representations and bodily movement. Through forms both strange and elegant, I seek to activate a viewer’s memory and consciousness–psychologically and corporeally.


Being-There, Atilio A. Pernisco May 2012

Being-There, Atilio A. Pernisco

CGU MFA Theses

I blend figures with backgrounds to define pensive areas of focus and delve between figuration and abstraction. These paintings connect the viewer with the strangeness of the ordinary world. This is the moment of unconsciousness. It is then where elements of a narrative emerge. I depict the figure in movements of awkwardness. Images of the familiar environments of children involved in some kind of work-play activity, the inheritors of generational trauma, reoccur in my work--a parade of daydreamers in direction to witness the uncertain.


White Light, Tessie Whitmore May 2012

White Light, Tessie Whitmore

CGU MFA Theses

The work is about nothing and everything. It is about belief systems engaged with everyday, monotonous theories of repetitious acts that will deliver freedom and freewill or acceptance and enlightenment. These acts become systems, which are bought into with ridiculous dedication. What is left is the void, potential death, fleeting mortality.

I use the highway as a place of investigation and motivation building a relationship between its physical and psychological aspects. I focus on moments from the drive: tension, the possible crash, monotony, and the trance state. I use materials from high culture and low culture to form a cultural …


The Darkness Is Passing, Grace Heeeun Park May 2012

The Darkness Is Passing, Grace Heeeun Park

CGU MFA Theses

My work is about the interplay of light, darkness and space. I express illumination of space and penetrating light with abstract painting. I use the white of canvas and thick application of black paint to create frames and to break rules of defined dimensions. Through my paintings, I challenge the perception of space and question the boundaries between two and three dimensions.


Stephen Chang Kim Mfa Thesis Statement, Stephen C. Kim Feb 2012

Stephen Chang Kim Mfa Thesis Statement, Stephen C. Kim

CGU MFA Theses

Stephen Chang Kim Thesis