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Articles 1 - 3 of 3
Full-Text Articles in Art Practice
Reframed : A Collection Of Photographs, And, Capturing The Real : Reframing Visual Pleasure In The Photographed Female Nude, An Exegesis, Larry Defelippi
Reframed : A Collection Of Photographs, And, Capturing The Real : Reframing Visual Pleasure In The Photographed Female Nude, An Exegesis, Larry Defelippi
Theses : Honours
This creative Honours project is a practice-led inquiry into the photographed female nude. The images of the female nude photographed during the course of this project were taken in Australia and Colombia, providing a progression in aesthetics as the project unfolded. Informing the practice, and hence the images, is Roland Barthes’ concept of the punctum as read through Jacques Lacan’s psychoanalytical concept of the real. The project endeavours to develop an aesthetic of visual pleasure to liberate the female nude from a predominant psychosexual reading, and advocate a revisualisation of the nude as a less sexually objectified form.!In addition, while …
The River In A Landscape Of Creative Practice: Creative River Journeys., Kylie J Stevenson
The River In A Landscape Of Creative Practice: Creative River Journeys., Kylie J Stevenson
Landscapes: the Journal of the International Centre for Landscape and Language
In my current PhD study, Creative River Journeys, I use the metaphor of the river as a data capture tool when interviewing artist-researchers about their experiences of conducting creative practice within a university context. My use of the river functions as a metaphor for the creative process. I have adapted the River Journey tool from its previous use as a map of teacher identity and professional development, and in a project about children’s musical experience. This PhD project follows a long tradition of using the river as a metaphor. For example, the river has been used in a narrative therapy …
Clutch, Claire Canham
Clutch, Claire Canham
Theses : Honours
The research encompasses an analysis of Paradigms of practice, material as content, historical precedents, social and political conditions relative to the project themes and corresponding theoretical discourse. It reflects issues of domesticity and familial relationships, memory, narrative and the use of specific materials and methods sympathetic to these concerns. Aspects of the practices of Eva Hesse and Marcel Duchamp have been considered to contextualise and differentiate the creative work. The research also attempts to define and position the artworks through relative critical evaluation of contemporary art practices.