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Full-Text Articles in Art Practice

Communicative Methodologies And Mechanisms In Public Art, Jeremy P. Jeresky Dec 2013

Communicative Methodologies And Mechanisms In Public Art, Jeremy P. Jeresky

Electronic Thesis and Dissertation Repository

Communicative Methodologies and Mechanisms in Public Art articulates my community based public art practice and MFA research based in London, Ontario. This dossier of research includes: a comprehensive artist statement, a case study and a documentation of artistic practice and development; in Chapters 1, 2, and 3 respectively. This written and photographic documentation is intended to represent my thesis exhibition. In the body of the thesis I look to my artist statement as a method and means to establish a framework in order to understand, analyze and evaluate public art. I feel that developing a framework that is in concert …


Indefinability2013c.E., Clayton T. Ehman Dec 2013

Indefinability2013c.E., Clayton T. Ehman

CGU MFA Theses

I am a multidisciplinary artist; because I am committed to art that engages a broad array of subjects and ideas. This is reflected in my works which consist of diverse mediums and processes including graphic design, digital imagery, printmaking, painting, sculpting, poetry, song composition, clothing, website design, drawing, video, lighting, installation art, abstract art, Op art, conceptual art, political art, black light art, maximalist art, and various combinations of these.


Ordinary Effort, John Mcmahon Oct 2013

Ordinary Effort, John Mcmahon

Boise State University Theses and Dissertations

The thesis is primarily concerned with how the search for knowledge is driven by a quest for certainty, resulting in a compulsion to fix knowledge in explicit rules and procedures. Rather than producing a satisfactory sense of stability, this produces comedy and tragedy as human endeavors play out against a backdrop of arbitrary structure.

Three videos explore this problem through the lens of professional sport, where the quest for certainty is evaluated against the application of rules, against rules governing the action of the body, and against the attempt to circumvent the rules. Theoretical background is provided by examining the …


Following The Turn: Mapping As Material Art Practice, Kyla Christine Brown Aug 2013

Following The Turn: Mapping As Material Art Practice, Kyla Christine Brown

Electronic Thesis and Dissertation Repository

Following the Turn: Mapping As Material Art Practice investigates my artistic practice and MFA research based in London, Ontario. This dossier of research elements includes: an extended artist’s statement, a documentation of artistic practice and development, and a selection of in-process and published exhibition reviews of contemporary artists’ work; in Chapters 1, 2, and 3 respectively. This written document is in part intended to work as a specific accompaniment to my thesis exhibition. In the body of the thesis I propose that a project-based and embodied material art practice can perform mapping of negotiated experiences of the city. Dealing with …


"A Painter's Brush That Also Makes Poems": Contemporary Painting After Northern Song Calligraphy, Andy J. Patton Jun 2013

"A Painter's Brush That Also Makes Poems": Contemporary Painting After Northern Song Calligraphy, Andy J. Patton

Electronic Thesis and Dissertation Repository

There is no Western equivalent to the practice of calligraphy in pre-modern China, an aesthetic form which does not resolve itself into a literary object or a visual one. Calligraphy was sustained by a rich and complex body of thought that can fully rival art criticism and theory in the West. To undertake this project, I immersed myself in the study of both key works of calligraphy and the aesthetic that sustained it during the Northern Song dynasty (960-1127) in China—not in order to practice calligraphy but to transform my own understanding of art and make contemporary Western paintings out …


Forming A New Art In The Pacific Northwest: Studio Glass In The Puget Sound Region, 1970-2003, Marianne Ryder Jun 2013

Forming A New Art In The Pacific Northwest: Studio Glass In The Puget Sound Region, 1970-2003, Marianne Ryder

Dissertations and Theses

The studio glass movement first arose in the United States in the early 1950s, and was characterized by practitioners who wanted to divorce glass from its industrial associations and promote it as a fine arts medium. This movement began in a few cities in the eastern part of the country, and in Los Angeles, but gradually emerged as an art form strongly associated with the city of Seattle and the Puget Sound region. This research studies the emergence and growth of the studio glass movement in the Puget Sound region from 1970 to 2003. It examines how glass artists and …


Falling Apart While Awake, Crystal Erlendson May 2013

Falling Apart While Awake, Crystal Erlendson

CGU MFA Theses

Crystal Erlendson conceals surfaces with irreverent, ornamental gestures to reveal a daft logic in space.

Find additional websites of the artist's work here and here.


Ritual Process, Kevin A. Baer May 2013

Ritual Process, Kevin A. Baer

University of New Orleans Theses and Dissertations

My art is a means for investigating the passage of time, the decay of physical things, and the truth of mortality. I explore these concepts through process-oriented sculptures that emphasize ritual and material. The process is communicated with the creation of relics, often existing as drawings or the remains of degenerated sculptures. These relics bear witness to the process. I focus on themes of temporal change and death because they remain central to our metaphysical and physical existence. I see a diminished reverence for the power of death in our culture, and through my work I aim to pay homage …


Imagining The Unknown, Angelina Kidd May 2013

Imagining The Unknown, Angelina Kidd

MFA in Photography and Integrated Media Theses

It is true that there is no scientific proof of life after life or of the human soul. However, I believe there is a soul and that it is energy manifested as light. Our lifetime is a mere pulse when measured against the evolution of earth. We are connected to the cosmos through the very calcium in our bones and the iron in our blood, which originated from stars that died billions of years ago. My belief is that the earthly body is separate from the soul and that our light energy returns to the cosmos. Energy will not cease …


Bearing Likeness, Christine M. Salama Apr 2013

Bearing Likeness, Christine M. Salama

CGU MFA Theses

The world is saturated with images and things. I have chosen to put more images and things into the world. In doing so, I complicate and further saturate these connections, but I also find clarity and answers through the mark, the gesture, the image, and material. I make marks with materials that are closely related to the meanings of the things I depict. The images and objects I make are ones that I know and understand because they are close to me, but the process of making leaves room for inquiry and unfamiliarity with these same objects.

I am guided …


Fabricated Perceptions, Monique E. Perry Apr 2013

Fabricated Perceptions, Monique E. Perry

All Student Theses

This thesis is a personal exploration through playful and childlike imagery. I draw on historical and contemporary artistic influences to the creation of my concepts. Themes of visual metaphor, trompe l’oeil, diorama, and contrasting spatial relationships of objects are explored. Each piece carries its own interpretation that is kept open ended for the viewer. My goal for this art series is to amuse, provoke imagination, and encourage individual interpretation.


Bringing Back Color, Bringing Back Emotion: Exploring Phenomenological Empathy In The Reclamation Of The Female Nude In Painting, Sophia R. Forman Apr 2013

Bringing Back Color, Bringing Back Emotion: Exploring Phenomenological Empathy In The Reclamation Of The Female Nude In Painting, Sophia R. Forman

Scripps Senior Theses

At the nexus of the seemingly disparate art-theoretical topics of color and the female nude is a critical consideration of phenomenology in both one of its most basic senses—as the first-person experience of perceived phenomena—and as a larger philosophical position which, through its abstraction of perception to subject-object relationships, implicates the painted figure. Specifically, this paper conflates the phenomenology of color with the transcendental phenomenology of Edmund Husserl and Maurice Merleau-Ponty in investigating empathy. Structured as a dialectic, it establishes the most prominent views of both color and the female nude—the nude as a symbolic figure, color as perceptual experience—before …


Earthbound: Celebrating The Natural World Enjoying Good Food And Company, Virginia Russell Jan 2013

Earthbound: Celebrating The Natural World Enjoying Good Food And Company, Virginia Russell

Electronic Theses and Dissertations

Earthbound is a body of utilitarian work created as a tribute to regional plants and animals, to beloved family members, to revered masters of ceramic art, and to the enjoyment of good food and conversation.

Earthbound explores the role of flora and fauna found throughout Southeast Georgia. These handmade functional objects celebrate aspects of nature I encounter on a daily basis. Each place setting is crafted to enhance the pleasure of eating and drinking while fostering a connection to the natural world.

I have long held an interest in the human connection to nature, which was fostered by both my …