Art Practice Commons^™

Indominable, Kathleen A. Fox

CGU MFA Theses

INDOMINABLE, Kathleen A Fox

The reformation of the feminine portrait from that of idealistic sexual beauty into a portrait of strength, community, longevity, transformation, and inane human foundational essence of societal value. This collection of portraits illustrates the uniqueness that is often overlooked for the fast, idealistic and instantly read images of women hailed as beautiful. These women contain a space they have earned with their strength of character, spirit, and unwillingness to be moved from their places of significance. Created with an expressive abstractive edge to traditional portraiture, these female portraits refuse to be easily glossed over, for their …

Quiet Moments, Deitra Charles

CGU MFA Theses

I am a figurative artist who focuses on ordinary people and everyday objects. I paint moments. A moment of peace, a moment of tranquility, a moment of contemplation. It is my hope that my paintings will incite a feeling of warmth, presenting the possibility of thoughts that take you away from the stresses of day-to-day life – that they give you the opportunity to experience life differently, stirring within you some sense of peace.

It is my hope that my paintings will incite a feeling of warmth, presenting the possibility of thoughts that take you away from the stresses of …

Carbon 碳, Mengyuan Li

CGU MFA Theses

Death is the one certainty in life. This fascinates me and I cannot stop thinking about it. When it comes to life and death, the cemetery is a more realistic place than heaven and hell, and it is also a place to feel life and death more directly. A simple gravestone separates life from death. Cemeteries let people come face to face with life, death, and even love.

In a cemetery, there is a tranquility that is different from the city or nature. In a cemetery, people take off their masks and face their emotions. I believe that when we …

Para Ti, Ashley Lothyan

CGU MFA Theses

This group of work draws from family photos that are over 15 years old, chosen from when I was born to the age of ten. Torn, wrinkled, and discolored, these photographs influence how I paint immediate family members, locations I grew up in, and myself.

Threaded, Madeline Arnault

CGU MFA Theses

This group of works is taken from my drawing practice. I have always been fascinated by the variety of line and color you can play with on fabric. For that reason each piece in this exhibition is image and line centric. I love the way a fabric can blend from color to color in the weave and yet contrast so sharply with a line placed on top. These works are a testament to that love.