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Full-Text Articles in Art Practice
Not Another Plant-Based Documentary: A Critical Review Of Eating Our Way To Extinction, Melissa Plisic
Not Another Plant-Based Documentary: A Critical Review Of Eating Our Way To Extinction, Melissa Plisic
Animal Studies Journal
Despite mounting evidence that industrial animal agriculture is a formidable force of climate change and mass extinction, many humans remain impervious to this knowledge. Eating Our Way to Extinction is a timely documentary that takes this issue head on. This film review is guided by Alexandra Juhasz’s explanation of media praxis as ‘an enduring, mutual, and building tradition that theorizes and creates the necessary conditions for media to play an integral role in cultural and individual transformation’ (299). Eating Our Way to Extinction attends to some of the most popular strawman arguments against veganism and is widely accessible. That being …
Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams
Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams
Animal Studies Journal
While many writers have advocated the importance of narrative as a means of engaging with the problem of extinction, this paper considers what the qualities of visual aesthetics bring to this field. In addressing this question, the discussion turns to the problem of the ethical limits of art raised by Adorno and takes a theoretical turn away from posthumanism to consider how visual responses can redirect attention back to human agency. The focus of visual analysis is on five paintings by the contemporary Iranian artist Naeemeh Naeemaei. Neither exclusively Western nor overtly internationalist in their approach, these artworks refer to …
Remembering The Huia: Extinction And Nostalgia In A Bird World, Cameron Boyle
Remembering The Huia: Extinction And Nostalgia In A Bird World, Cameron Boyle
Animal Studies Journal
This paper examines the role of nostalgia in practices of remembering the Huia, an extinct bird endemic to Aotearoa New Zealand. It suggests that nostalgia for the Huia specifically, and New Zealand's indigenous birds more generally, has occurred as both restorative nostalgia and reflective nostalgia. It argues that the former problematically looks to recreate a past world in which birds flourished. In contrast, the paintings of Bill Hammond and the sound art of Sally Ann McIntyre are drawn on to explore the potential of reflective nostalgia for remembering the Huia, and New Zealand's extinct indigenous birds more generally, in a …
Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen
Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen
Electronic Thesis and Dissertation Repository
Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …