Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Art Practice
Ex-Tensions: Material Entanglement And Intensities, Zohreh Galdizadeh Garmeh
Ex-Tensions: Material Entanglement And Intensities, Zohreh Galdizadeh Garmeh
Electronic Theses and Dissertations
This thesis is an exploration of the intrinsic capacity of matter and material formations and utilization of art as a mode of inquiry. Ex-tensions: Material Entanglement and Intensities investigates the animism and vibrancy of objects and the hidden interplay between materials and intensities that flow through and around within the spaces that confine us. In this body of work, all forms of material configurations are understood as animated and agential and as different representations of the same substance that are only formally diverse.
The A.H. Kotz Unnatural History Exhibit, Marian R. Trainor
The A.H. Kotz Unnatural History Exhibit, Marian R. Trainor
Honors College Theses
An exploration in two parts into the development of a narrative through manufactured evidence designed specifically to encourage the suspense of disbelief. The physical work exists within a faux anthropological museum exhibition focused around a human whose history and existence is entirely fabricated. The structural work is the layers of historical and practical research used to develop the suggestion of reality. The exhibit contains samples of the research, artifacts, and specimens collected by the deceased naturalist August Hermann Kotz, along with his falsified history. The second part consists of an overview of the research process and techniques needed to successfully …
Irrational Aggregates, Courtney N. Ryan
Irrational Aggregates, Courtney N. Ryan
Electronic Theses and Dissertations
This thesis paper examines the work included in my Master of Fine Arts thesis exhibition entitled Irrational Aggregates. The goal of this work is to facilitate a dialogue between our natural environment and the excessive consumer-based environments in which we live. Combining a variety of ceramic techniques including hand building, wheel throwing, and casting these sculptures appear to be grown from, and even taken over by nature itself.
Often drawing inspiration from my personal narrative, that of consistent upheaval, relocation, and adjustment to new places, my work can appear both grounded and in a state of motion. I believe …