Art Practice Commons^™

Watched, Collin Asmus

Bridgewater Review

No abstract provided.

Water Being Water, Ronald R. Geibert, Wright State University Art Galleries

Exhibition and Program Catalogs

IQ. DNA. MRI. FYI. In an ever-changing world, we find ourselves conversing with abbreviated acronyms and phrases. They drive today's economy, political agenda, and water cooler chitchat. They define our use of resources and the attention given to matters. Who we are, or think we are, are wrapped around their brevity. In our hurried attempt to sort through the complexities of life we use them to only answer the obvious-How? Unfortunately, an equally important question, Why? is often ignored. The solving of the how of things has generally been left to the scientists and the reasons as to the why …

A Place Apart: Myth And Sacred Space, Diana Hazel

Renée Crown University Honors Thesis Projects - All

“When old myths are lost, new ones are needed. Myths flourish and fade and die, but new myths are born, old ones are resurrected, and hybrid forms combining new and old emerge when times change or cultures mingle” (Graves: 1959, 9).

The original concept of this project was to create a CD-ROM database of mythology from various cultures and time periods throughout history. The first few months of my work were carried out with this end in mind. Since then, the project has taken a more personal turn. Instead of presenting the mythologies of other people, I have created my …

On Earth, Laura Mariposa Williams

Renée Crown University Honors Thesis Projects - All

When Junior year arrived, along with the opportunity to start a thesis project, Kristina Foley and I agreed that this was right opportunity for us to create a body of collaborative art works. From there we decided to present our final works at Spark Gallery. Our show, On Earth, is a collection of works in varying media. Overall, we have three videos, two narrative, photographic series, two mural photographs, a driftwood sculpture, felted pelts and photographic frames, a book of poetry and drawings held in knitted pouches, and a shadow cloth mural.

What does it mean to be working …

Taking In: Aib Photography 2005, Aib Students

Taking In

This book is the third edition in the Taking In: series. As was the case in Taking In: I and II, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. During this first year as a class, Taking In: worked through twice as many submissions than the previous years in half the amount of time. The stable class structure allowed a dependable process to support creativity and enabled the students, as artists, …

Springback Ledger Bindings (English Style), Peter D. Verheyen

Peter D Verheyen

During his introduction, Richard Baker described how, while Deputy Head of the Conservation Bindery of the Johns Hopkins University Library'he was introduced to the springback binding. The historical development of the springback, originally patented in Great Britain in 1799 by John and Joseph Williams, is described in Bernard Middleton's History of English Craft Bookbinding, but Middleton does not detail the steps required to complete a binding. The springbackalso has a long history in the German binding tradition, where it continues to see regular use, especially for guestbooks.

As a style, the springback is firmly rooted in the "trade" binding tradition. …

Millimeter Binding / Edelpappband, Peter D. Verheyen

Libraries' and Librarians' Publications

What we call the “millimeter” binding in North America is a “nobler” version of the German “pappband,” or paper binding, hence the name “edelpappband.” The technique is based on the German case (Bradel) binding which is covered in paper. What distinguishes the technique is that cloth, leather, or vellum trim is added to the head and tail, foredges, and/or corners for greater durability, making the book more elegant at the same time. This article describes how to complete a binding using this technique.

Springback Ledger Bindings, Peter D. Verheyen

Libraries' and Librarians' Publications

During his introduction, Richard Baker described how, while Deputy Head of the Conservation Bindery of the Johns Hopkins University Library'he was introduced to the springback binding. The historical development of the springback, originally patented in Great Britain in 1799 by John and Joseph Williams, is described in Bernard Middleton's History of English Craft Bookbinding, but Middleton does not detail the steps required to complete a binding. The springbackalso has a long history in the German binding tradition, where it continues to see regular use, especially for guestbooks. As a style, the springback is firmly rooted in the "trade" binding tradition. …

David Johnson: Prints, Drawings, Books, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit featuring the works of David Johnson. His prints and works were held at the Wright State University Art Gallery from November 6th, 2005 through January 8th, 2006. His works include an arrangement of drawings and prints. Johnson is known for the specific qualities that invoke the feelings of strength, drama, intensity while featured around environments captured in his style.

Symmetry And Symmetry-Breaking: An Approach To Understanding Beauty, Carol Bier

Textile Research Works

Considering the relationship of symmetry and beauty, the author examines three textiles from the collection of Doris Duke at Shangri La in Honolulu. Referring to abstract expressionism of the 20th century as antithetical to symmetry, and the Arts & Crafts Movement of the 19th century as countering the insistency of industrial mass production, Bier explores the relative roles of symmetry and symmetry-breaking in the construction of three embroideries (called suzani, after the Persian and Tajik word for “needlework”), using as her point of departure a recent research initiative, the Shangri La Suzani Project. The study of colors, motifs, stitches, designs …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 26 (2005), Kathlyn Sullivan, Susan Price Miller, Mary Ann J. Montgomery, A. Charlene Orr, Colleen Hall-Patton, Claire Somersille Nolan, Heather Cadogan, Melanie Mckay, Maaja Stewart, Anita B. Loscalzo

Uncoverings Journal

Preface by Kathlyn Sullivan

The Threads of a Friendship: Lillian Walker, Maxine Teele and Lucile Taylor by Susan Price Miller

Quilted Gems by the Jewels of the Lawrence Family by Marian Ann J. Montgomery and A. Charlene Orr

Jean Ray Laury in the 1960s: Foremother of a Quilt Revival by Colleen Hall-Patton

The Star of Bethlehem Variation Quilt at 1he Metropolitan Museum of Art by Claire Somersille Nolan

Artistic Creation: Amish Quilts and Abstract Art by Heather Cadogan

"The Tradition of Old People's Ways": Gee's Bend Quilts and Slave Quilts of the Deep South by Melanie McKay and Maaja Stewart …