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Full-Text Articles in Fashion Design

Through The Looking Glass: Marie Antoinette, The Mafia And The Buddha, Craig G. Foisy May 2019

Through The Looking Glass: Marie Antoinette, The Mafia And The Buddha, Craig G. Foisy

Theses and Dissertations

Through the Looking Glass: Marie Antoinette, the Mafia & the Buddhais a short documentary film that recounts six chapters from the autobiography of Marie Antoinette. No, not that last Queen of France who got her head chopped off. This Marie Antoinette lives in Woodstock, NY (“but I do like cake!” says Marie from inside her shop). And yes, Marie Antoinette is her real name. She is 78 years old and she sells what she calls “wearable art” out of a ramshackle and overstuffed boutique in town. Marie is facing the possible closure of her shop: her 100-year-old …


Constraint And Control, Patricia Ayres Feb 2019

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.


Dress Up, Ye'ela B. Wilschanski Jan 2019

Dress Up, Ye'ela B. Wilschanski

Theses and Dissertations

Dress Up (Performance, 40 minutes) is a dress that functions as a floor, blanket, tablecloth, book and walls. It tells a visual story about domestic care giving rituals, referencing different times and places.


"Hippie Acid Freak Drag Queens:" Situating The Cockettes Within An Art Historical Context, Scott Dow May 2017

"Hippie Acid Freak Drag Queens:" Situating The Cockettes Within An Art Historical Context, Scott Dow

Theses and Dissertations

This thesis situates the Cockettes – a performance group rarely referenced in art historical discourse - within Bay Area performance art, second-wave feminist art, and the Gay Liberation Movement. Contextualizing the Cockettes within their contemporary art movements provides a new understanding of the group and emphasizes their significance to art history.