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Articles 1 - 3 of 3
Full-Text Articles in Art and Design
Typographic Interventions: Disruptive Letterforms In Public Space, Clark A. Goldsberry
Typographic Interventions: Disruptive Letterforms In Public Space, Clark A. Goldsberry
Journal of Social Theory in Art Education
We are surrounded by typography—on billboards, aluminum cans, pill bottles, and pixelated screens—but artists and art teachers, seeking out the materiality of their lived environments, should be able to look at text in different ways. Many artists utilize letterforms as a medium of juxtaposition and recontextualization (Gude, 2004) by placing text in places we don’t expect to see it, or they subvert the messages we expect to read. Typographic interventions can be seen everywhere, by all types of artists, makers, activists, and dissidents. These interruptions could be framed as forms of socially engaged art (Helguera, 2011; Mueller, 2020) that “suspend …
Draw Down Books, Draw Down Books, Kathleen Sleboda, Christopher Sleboda, Zak Jensen, Nejc Prah, Daniel Eatock, Maziyar Pahlevan, Benoit Bodhuin, Bráulio Amado, Jost Hochuli, Ian Lynam
Draw Down Books, Draw Down Books, Kathleen Sleboda, Christopher Sleboda, Zak Jensen, Nejc Prah, Daniel Eatock, Maziyar Pahlevan, Benoit Bodhuin, Bráulio Amado, Jost Hochuli, Ian Lynam
UNBOUND 2020 Archive
Draw Down Books exhibitors. Draw Down is an independent publisher located in the northeastern corner of the United States. Created in 2012, Draw Down publishes small books about graphic design, typography, illustration, photography, art, and architecture.
“The Researcher’S Challenge: Entertainment Or Epistemology?”, Mary Ann Bolger, Clare Bell
“The Researcher’S Challenge: Entertainment Or Epistemology?”, Mary Ann Bolger, Clare Bell
Mary Ann Bolger
The number of journals dedicated solely to the publishing of research in the fields of typography and visual communication is slowly growing. However, very little of this material finds its way back into the studio at undergraduate level. Further, research published in discipline-focussed peer-reviewed journals does ‘not tend to be highly valued by those engaged in practice.’ As a result of this, as Robin Kinross has written, ‘the academic discussion of typography, and design in general, is too often hermetic and unreal: in unholy partnership with the proud anti-intellectualism of many practicing designers’. This has a variety of consequences. In …