Art and Design Commons^™

About Time: Visualizing Time At Burning Man, Gordon D. Hoople, Austin Choi-Fitzpatrick, Nathaniel Parde, Diane Hoffoss, Max Mellette, Rachel Nishimura, Virginia Gutman

The STEAM Journal

About Time was a 30 foot long, 3000 pound wooden sundial that went up in flames at Burning Man 2019. The piece reflected on the role time plays in our lives. We organize our lives around time—are enslaved to time—and yet we know so little about it. Physicists and philosophers continue to grapple with deep puzzles of time—Is time a fundamental quantity, independent of human actions or observations or is it an emergent property of our perception? This installation projected time using two sundials: a horizontal dial which swept time out across the desert floor and an …

The Hound Of Heaven - Homage To Francis Thompson, Jake Van Wyk

Pro Rege

No abstract provided.

Promoting Healing With Therapeutic Use Of Clay, Jennifer Fortuna

The Open Journal of Occupational Therapy

Alice McCall Smith, occupational therapist and artist based in North Carolina, provided the cover art for the Summer 2019 issue of The Open Journal of Occupational Therapy (OJOT). The piece, titled “Mother and Child,” is an 8-1/4” tall sculpture made from clay. Alice grew up on a hill sheep farm in the Scottish Highlands. She has used many of the skills learned on the farm in everyday life and in occupational therapy practice. After being diagnosed and treated for depression, Alice turned to sculpting to cope with challenging emotions. The therapeutic use of clay was a meaningful part of her …

Phantasmatic: Interrogating The (Im)Materiality Of Bodies Through Wool And Clay, Alexandria J. Arceneaux

LSU Master's Theses

Phantasmaticis an exploration of materials and materiality which relies on the concept of the phantasmatic body elucidated in Gayle Salamon’s work Assuming a Body: Transgender and Rhetorics of Materiality. This thesis is an exploration of these ideas. In my work, I use wool and clay to represent the material (known) and phantasmatic (sensed) bodies in an effort to explore an expanded understanding of the body at large. My work is also an effort to expand my own understanding of my phantasmatic body and its relationship to (my) materiality.

Bridging Dimensions: A Robotic Art Project, Samantha Miller

Honors Theses

Spanning the divide between the humanities and STEM has been a pursuit of my undergraduate experience. In my senior project I seek to relate these disciplines through the creation of “automated canvases.” Resulting is a series of robotic art pieces that automate the opening and closing motion of Turkish map folds. These map folds then present a series of paintings displaying a tone of the uncanny and references to parallel universes. Utilizing robotics in my project allows the paintings to push further into a third dimension than normally possible. Providing literal motion to my traditionally two dimensional work requires consideration …

Among : A Series Of Enactments, Joel F. Kern

Masters Theses

AMONG captures the practice of a constructionist designer, one who oscillates between the characteristics of typography, multi-materiality, and spatiality yet does not attach solely to the physical or digital. The fundamental principles of this practice include open platforms that foster generative collaboration through modular systems. AMONG straddles the borders of graphic design, environmental design and social sculpture. At its core, this practice encourages new ways of connecting communities.

Multiple Bodies As One, Valerie Skakun

Theses and Dissertations

Influenced by traumatic bodily injuries, physical therapy, muscle growth, breathing patterns, mental health, ways of supporting a disabled body, navigating the health care system, and exhaustion, the work described in this paper is a double meaning of the word "organ" and investigates the body as machine. The vital parts of a pump organ, the bellows and pipes, are extracted and re-configured into structures built for the performer's entire body to physically engage with in order to produce wind-driven sounds. Two of the sound sculptures require that two performers engage in play together, allowing them to audibly communicate through moving their …

Darwin Or Frankenstein?, Sylvia S. Santamaria

University of New Orleans Theses and Dissertations

Through sculpture and drawing, I create my own versions of natural specimens primarily based upon the visual unity of disparate organisms. Invented specimens are composed using a variety of processes employing a mixture of atypical materials following the (20^th, 21^st century) Postmodern shift away from formalist and traditional uses of any singular medium. As well as a variety of art materials, the specimens are hybrids of organic and biomorphic elements, blurring boundaries between botanical, animal, fungal, metal, and mineral. Is my approach perhaps like Charles Darwin, observant and studious naturalist, or am I more like Dr. Frankenstein, …

Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg

Theses and Dissertations

Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.

Zitrone, Chase Roy Young

Graduate Theses and Dissertations

The purpose of this thesis paper is to describe the elements and narrative associated with the exhibition, Zitrone, as well as the conceptual and theoretical ideas influencing the work. The exhibition is centered around an invented singular historical object in the form of a vehicle, and a museum display of artifacts, documents, and recreations intended to validate the existence of the central subject. Drawing on the work of artists Marcel Broodthaers, Damien Hirst, and David Wilson in conjunction with theoretical writings of Dave Hickey and Lewis Hyde, the exhibition seeks to address the perception and presentation of history as absolute …

Seeing Through Feeling, Christopher Mitchell Rodgers

Graduate Theses and Dissertations

The purpose of this paper is to describe both the inherent formal qualities and conceptual framework that are addressed within the exhibition, Seeing Through Feeling. The exhibition is centered around the methodology of making, collection, and display all through the one singular positioning, the object. The objects within the exhibition are either handmade or collected fragments that weave together around the singular position of craft and history under the pretense of how our understanding of time may not always be true. The thesis breaks down key components through specific themes into the categories of the hand, eye, symbol, object, value, …

Living Stone, Jason P. Millward

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

My sculptural work has a direct relationship to the rich tradition which utilizes human form as its primary means of communication and visual exploration. This tradition employs body language and gesture to convey emotion and ideas. Even my abstract work begins as an idea from a figurative gesture. Rather than executing a naturalistic body, I simplify and stylize the figures, focusing on the concept and aesthetics of the piece.

To do so, I emphasize certain formal elements in the design: concave and convex planes juxtapose to intensify light and shadow.Shapes are made by a continuity of line to create a …

Between And Beyond, Noah F. Heil

Art and Art History Honors Projects

Between and Beyond is a series of handbuilt and wheel-thrown ceramic objects which explore intimate queer relationships through the human figure. I assemble slabs of clay to create openings and negative spaces within the sculptures, implying the ways in which the human form also acts as a vessel. The sculptures as well as the figures themselves remain open and vulnerable, literally and metaphorically. The body is depicted through fragmented sections, alluding to the ways in which society and culture break up gender and sexuality into limiting binaries. These intimate, private moments are meant to conjure an imagined future free of …

How To Build A Worldview, Abigail C. Wisser

Cedarville Review

No abstract provided.

Cedarville Review Artist Spotlight: Savannah Hart, Savannah L. Hart, Abigail C. Wisser

Cedarville Review

No abstract provided.

Hart, Joel Tanner, 1810-1877 - Relating To (Sc 3402), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 3402. Biographical sketch, date and author unknown, of sculptor Joel Tanner Hart, a native of Clark County, Kentucky.

This Is Just To Say, Iren Tete

School of Art, Art History, and Design: Theses and Student Creative Work

My memories are marked by the desire to evade logic. At a young age I became a proficient player of the “What If” game.

What if I could hold light in my hands?

What if shadows had form that could be touched?

What if I could see through structures?

These mental exercises affected my relationship with reason and validity. Aware of the threat of the ordinary, I embraced the inherent magic in the notion of possibility. I understand possibility as the limitless potential of object, thought, or scenario. This potential extends beyond the apparent and prompts more questions than it …

Entangled, Katherine Cox

School of Art, Art History, and Design: Theses and Student Creative Work

I create objects to incite wonder through their exuberance, inviting one to explore the beauty found in the strange and offering the viewer a way to interact with the discomfort of the unknown. Mysculptures are an assembly of engaging surfaces and forms revealing varying texturesandvibrant colors referencing natural and fabricated worlds. Each sculpture is entangled within its own environment or narrative and each is adorned for its own role, finding a balance between discord and harmony, captivation and repulsion.

Each is an individual exploration of the distinct qualities inherent within each object. They are precious in scale and stimulate …

Mutual Muses: James Seawright And Mimi Garrard, T. Michael Martin

Faculty & Staff Research and Creative Activity

Mutual Muses: James Seawright and Mimi Garrard

Catalogue published on the occasion of the 2018 - 2019 exhibition, Mutual Muses: James Seawright and Mimi Garrard, organized by the Clara M. Eagle Gallery, Murray State University, Murray, KY. This exhibition project and catalogue were supported by a generous grant from the Creative Motif Fund.

Mutual Muses is a two-person exhibition showcasing works by James Seawright and Mimi Garrard, who have been working together as well as individually since the 1960s. Their lives and practice have inspired each other throughout their careers. This exhibition is an interwoven love story featuring individual works …

Behind Closet Doors: Horror And Dislocation In The Queer Closet, Corey C. Allen

Theses and Dissertations

“Behind Closet Doors: Horror and Dislocation in the Queer Closet,” is composed of a collection of sculptures, videos, and sound works that are directly associated with themes of horror and anxiety derived from the precarious space of the queer closet as detailed in this thesis of the same name.

Warped Gates, Christopher Roberson

Theses and Dissertations

I am interested in the ambient conditions that are filtered through our bodies and our relationships with the built structures positioning us. I am combining experimental material approaches with a sensitivity to the spaces around an artwork to create sculptural situations that are dissonant and precarious.

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.

North American Data, Joseph A. Burwell

Theses and Dissertations

North American Data fractures and reconfigures pre-existing narratives into new, unauthorized forms of storytelling. Core samples extracted from various narrative sources are reassigned new roles according to their proximity to each other. This paper functions as an introduction to the essential actors and their dramatic inclinations within fluctuating scenarios.

Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli

Theses and Dissertations

The content of this essay is a reflection on my practice as an artist. A summary of text includes an analysis of my attraction to certain materials such as drywall, cabbage juice and coconut oil, all materials are the extensions of my memory, intention and pleasure. From warm memories of bathhouses and the flesh of others to managing illness at home, my artwork distills a lived experience into material reality. These materials take the shape of sculptural networks that serve as biographical biomes. The architectural and organic components of the work are sourced from my own experience and the surreal …

Dress Up, Ye'ela B. Wilschanski

Theses and Dissertations

Dress Up (Performance, 40 minutes) is a dress that functions as a floor, blanket, tablecloth, book and walls. It tells a visual story about domestic care giving rituals, referencing different times and places.

The Realness Or, Liquid Smoke Or, This Is What The F••K Boutta Happen, Octavia M. Burgel

Honors Papers

This research uses personal and theoretical frameworks to unpack paradoxical notions of Blackness in both it’s political and chromatic understandings as related to my studio practice. Jared Sexton posits the color Black as simultaneously all-consuming and incomprehensible; a necessarily contradictory state. I utilize this concept in addition to material histories that span from Pompeii to modern day New York City and art historical references as foundational explanations of my work. Written in both formal and intimate voices, this text is an extension of my studio practice, situated at the nexus of the realization and subversion of binary states of existence.

A Thesis Is Not A Diary And Other Myths, Erin Irene Wolf

Honors Papers

How do you write about a feeling you do not understand? How do you organize what is purposefully messy? How can you name a ghost of something that you push into the world with your hands? In this thesis, I will explain my practice, form, and material as a way to illuminate my art, along with various readings and philosophies that I use to guide the work.

The Bridge, Volume 16, 2019, Bridgewater State University

the bridge

Editor-in-Chief: Mialise Carney and Alex Everette

Design:
John Davey, Cover Artist
Seth Jefferson
Lindsey MacMurdo, Photography Editor
Hailey Mulvey

Editors:
Sydney Cabral
John Cahill
Jake Camara
Kellie Delaney
Erica Devonish
Gabriel Hazeldine
Katie McPherson
Ian Mello
Erin Ryan
Becca Todd
Hannah White
John Wilson

Faculty Advisor: Evan Dardano

Graduate Assistant: Jill Boger

Consultant: Cady Parker, Design

The Alchemical Vessel, River Soma

MFA Statements

My work comes from a place of deep feeling on a bodily level. Amidst the decorative play, there is a sense of the primitive and primordial, and also a certain humanity and clumsiness through struggle. Through the hermetic tradition I relate the alchemical vessel and its symbolic process of interior development to my artistic practice. Focusing in mixed media sculpture, I discovered a concentrated accumulation of symbolism specific to my practice, but also the full recognition of my practice as a ritualized psychological undertaking.

Emerson Bartch, Senior Art Exhibition Portfolio, Emerson Bartch

Senior Art Portfolios

This work included painting, printmaking, and sculpture exhibited at St. Norbert College from April 8, 2019 to May 3, 2019.