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Articles 1 - 12 of 12

Full-Text Articles in Art and Design

Boundless Spirit: A Steady Flame, David Versluis Dec 2014

Boundless Spirit: A Steady Flame, David Versluis

Pro Rege

Welded steel and sculpture rendering


Materialize: Sculpture Using Digital Fabrication, Robert And Elaine Stein Galleries Oct 2014

Materialize: Sculpture Using Digital Fabrication, Robert And Elaine Stein Galleries

Exhibition and Program Catalogs

This guide was created for the Materialize exhibition, curated by John Dickinson and Tess Cortes, with juror Tom Lauerman. Materialize highlighted 58 works by 27 artists that used digital processes in their design or production. This exhibition also traveled to Purdue University Galleries.


Performance Sculpture--An Exploratory Collaboration Between Sculpture And Dance, Cesia G. Kearns Aug 2014

Performance Sculpture--An Exploratory Collaboration Between Sculpture And Dance, Cesia G. Kearns

Journal of Undergraduate Research at Minnesota State University, Mankato

Kinetic sculpture suggests new visual possibilities when combined with dance. Wishing to explore such avenues of interaction for sculpture, this artist sought to develop pieces that could be incorporated into choreography. An artist and a choreographer wove their concepts and styles together to create a performance art piece that rose from the reciprocal influences of interactive sculpture and dance. The creative process included development of concepts, visual imagery, and movement as the artist and choreographer shared ideas. The choreography of the original dance influenced the form, structure, and conceptual elements of the sculpture, which was developed in reaction to the …


Ergonomically Designing Art Objects, Ambika Subramaniam May 2014

Ergonomically Designing Art Objects, Ambika Subramaniam

Undergraduate Theses—Unrestricted

The following thesis examines the work of Ambika Subramaniam, in particular her thesis installation Ergonomically Designing Art Objects, for the Bachelor of Fine Arts in Sculpture at Washington University in St. Louis. Based within a discussion of semiotics, the thesis researches furniture signification and tracks its evolution through traditional form, ergonomic function, and consumed product. Major points include the ways in which objects are capable of collapsing and retaining the semiotic divide between a sign and referent, and how that signification relates to contemporary design-oriented products. Using the chair as the exemplifying object, the thesis installation questions how objects have …


Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow May 2014

Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow

Masters Theses, 2010-2019

I use a small wedge of wood as a tool to pick out food scraps that find themselves lodged between my teeth. I also use a small wedge of wood as a tool to keep a straight door from swinging freely on a crooked house. The small wedge of wood I stuff in between the floor and door as a tool is a controlling apparatus, much like landowners who use fencing to keep people from walking repeatedly through their land and inadvertently creating a path where they shouldn’t. A wooden door stopper will come to adorn a perpendicular-patterned patina across …


2014 Forces, Scott Yarbrough May 2014

2014 Forces, Scott Yarbrough

Forces

No abstract provided.


Bringing Design To Life: Three-Dimensional Graphic Design, Cydnee E. Jones Apr 2014

Bringing Design To Life: Three-Dimensional Graphic Design, Cydnee E. Jones

Honors College Theses

For most people, graphic design is seen as a two-dimensional medium. I have challenged this preconception by creating a design that incorporates both two-dimensional and three-dimensional elements. The secondary purpose of this work is to highlight the importance of environmental sustainability, by both the use of sustainably sourced materials and by the choice of recycling as the topic of the design. The design was created with scavenged cardboard and utilizes photography and digital design techniques.


Closely Distant, Crisha Yantis Apr 2014

Closely Distant, Crisha Yantis

School of Art, Art History, and Design: Theses and Student Creative Work

Drawing upon my own experiences and observations of the world around me I use the figure to explore what it means to be human. This body of work addresses the universal experience of anxiety through the dynamics of both personal and interpersonal relationships, specifically focusing on fear of the unknown or what subconsciously lies just out of our comfort or understanding.

Often what is unknown is also what brings about questions of our own power and what we can or cannot control. In my work, I address ideas of power and powerlessness formally through what the figures lack. Their control …


Techno File: Pyrometric Cones, Tina M. Gebhart Apr 2014

Techno File: Pyrometric Cones, Tina M. Gebhart

Art and Art History Faculty Publications

A pyrometer measures temperature, but pyrometric cones measure heatwork. What is a cone, how does it work, and what does any of this have to do with synchronized swimmers? [excerpt]


Visualizing The Emotional Impact Of Type 1 Diabetes Through Art, Anna Dupre Mar 2014

Visualizing The Emotional Impact Of Type 1 Diabetes Through Art, Anna Dupre

Antonian Scholars Honors Program

No abstract provided.


Concrete Painting, Stephanie Cafcules Jan 2014

Concrete Painting, Stephanie Cafcules

Electronic Theses and Dissertations

This thesis explores the evolution of my artwork with synthetic materials through influences of the Minimalist and Process Artists of the 1960's and 1970's, inspiration from natural forms, and my exploration of concrete painting. Each work reveals discoveries of different processes and materials, accelerating the creation of new works. It is my hope this thesis will inform viewers about the process and concepts that my work embodies.


Projected Surfaces, Jason Flynn Jan 2014

Projected Surfaces, Jason Flynn

Electronic Theses and Dissertations

In this paper I will address the philosophies of Susan Sontag, Roland Barthes and Thomas Ruff by considering the object, materials and processes of photography as my primary motivator to create art. I will examine the contrast between photographic imagery, as an illusion of the past, and sculpture, as a physical manifestation of the present, when creating works that ask, "What else can photography be?"