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Full-Text Articles in Art and Design
Cempasuchitl, Jennifer Lopez
In Arcadia, Madeline Rupard
Silver Lining, Abigail Remington
Painting With Horses Towards Interspecies Response-Ability: Non-Human Charisma As Material Affect, Madeleine Boyd
Painting With Horses Towards Interspecies Response-Ability: Non-Human Charisma As Material Affect, Madeleine Boyd
Animal Studies Journal
Leading up to the 2014 Melbourne Cup three communication modes were employed by unrelated horse welfare activists to raise awareness of cruelty in the racing industry. The intention to increase empathy with horses ties together these efforts, which are characterised as written, visual and immersive. This paper uses the lens of Jamie Lorimer’s three types of non-human charisma to consider the potential for each communication mode to achieve the goal of change towards interspecies response-ability. Charisma is considered in this paper to be a form of material-affect within new materialism that offers a more complex tool for analysis than the …
Mimicry And Mimesis: Matrix Insect, Madeleine Kelly
Mimicry And Mimesis: Matrix Insect, Madeleine Kelly
Animal Studies Journal
Paintings and insects might seem like odd companions. In this paper I describe how a series of paintings I made depicting insects creates associations between mimesis and mimicry in order to flag a sort of protective self-referentiality – one where painting resists its proverbial ‘end’ and insects are presented as vital new orders. Drawing upon art historical references, such as Surrealism and the modernist grid, I argue that playing on these references and the compositional effects of camouflage enlivens our regard for the sensuous worlds of both insects and painting. I conclude by exploring how paintings of insects are powerful …
Mana & Ea, Dan Taulapapa Mcmullin
Mana & Ea, Dan Taulapapa Mcmullin
The STEAM Journal
This work, Mana and Ea, expresses Polynesian indigenous sovereignty struggles with colonialism and globalism in the Pacific Islands.
« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi
« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi
Présence Francophone: Revue internationale de langue et de littérature
This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …