Art and Design Commons^™

Women's Work: The Sublime Is Now, Michelle Blackstone

MFA in Visual Arts Theses

What influences the lens through which we view art and the value we ascribe to it? This paper investigates the ways in which the historically gendered philosophy of “The Sublime,” a lack of institutional access, and traditionally gendered materials have acted as impediments for women in the arts. Discussion is given to the ways that masculine rhetoric in terms of “The Sublime” prevented women from attaining what was once considered the highest level of artistic achievement. Further attention is given to obstructions female artists face(d) in terms of gaining intuitional access within the art world. Finally, I examine the ways …

You Are Cordially (Un)Invited: My Korean Femme Strategy And Aspiration For Survival And Queer Futures, Nahyun Kim

Masters Theses

You are cordially (un)invited: My Korean Femme Strategy and Aspiration for Survival and Queer Futures documents a series of ceremonies dedicated to the years I have survived. This book has branched from a project of the same name that consists of a durational installation, performance, and series of events. The project and book are an aspirational gesture to send off the part of myself–that had to compromise, comply, and negotiate with institutions–for a rebirth to live a life beyond survival.

As a book and project, You are cordially (un)invited is a culmination of my experiences as a Korean femme, using …

Perils Of The Heroine: The Historic Role Of Woman In Comics, Britain Bray

MFA in Illustration & Visual Culture

Now more than ever the comics industry is welcoming diversity in its creators and stories, but with its historically misogynistic past, what legacy are creators inheriting? This essay seeks to explore that history, delving into the various eras of American Comics and how sexism shaped them. From the earliest heroines of the 40s, the ground-breaking feminist indie comics of the 70s, and the rampant female sexualization of the 90s, examples of brilliance and drudgery will be investigated in order to gain a better understanding of how comics became what they are today.

Mothering As Feminism, Meera Patel

MFA in Illustration & Visual Culture

This critical essay proposes the concept of mothering-as-feminism, with the intention of interrogating American ideals of mothering and caregiving. Reforming the way we view mothering, as it relates to feminism, requires a re-evaluation of the American role of women and mothers—and how they are portrayed (and therefore seen and understood), valued, and supported. Focusing on the evolution of feminist theory throughout the past 70 years, as well as personal and secondary experiences, I demonstrate how political and social change occurs generationally and is dependent on the education of our children. Ultimately, I show the important role children’s literature plays …

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

The Voice Of One Crying In The Wilderness, Megan Kenyon

MFA in Visual Art

I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on …

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

Magic Mirrors, Jamie Ho

School of Art, Art History, and Design: Theses and Student Creative Work

When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasty (206 BC -24 AD), that embodies how Euro-America views China: both technically advanced and shrouded in mystery. The magic mirror also points to the history of photography, as this term was often used in the Victorian era to describe a camera. The image created by a camera is a mimic of reality, both all too familiar and unfamiliar.^[1] Like magic mirrors, the GIFs I create …

Ricucire Il Tessuto Della Società: L’Intersezione Di Moda Femminile E Femminismo, Caroline Grace Bisese

Honors Theses

La moda è tutt'altro che una conseguenza frivola e accidentale dell'abbigliamento disponibile e del luogo in cui si va a fare shopping. L’abbigliamento è una forma di retorica corporea che evoca un ampio dialogo non verbale. Una narrazione che va ben oltre il materiale e lo stile, sebbene entrambi questi dettagli sono fondamentali, la moda al livello più elementare è essenziale per capire chi sono le persone, perché sono come sono e in cosa credono. Queste sono alcune dei capisaldi per capire una persona in relazione alla cultura e una cultura in conseguenza delle persone che la compongono. È una …

Rooms That Awaken Us: A Poetic Inquiry Of Multiple Selves, Rawda Harb

Artizein: Arts and Teaching Journal

Using poetry as a research method, the author wrote for self-expression, self-discovery and self-healing during the pandemic. As she wrote, she realized that she is a different person in different settings with differ- ent people. Without intending to ever share this work, she then examines her multiple selves’ learning-teach- ing dance with life using literature by Aoki, Leggo, Dewey, Tajfel and others. She even discusses the notion of multiple selves in life with her young children and is fascinated by their artistic response.

Megan Brandow-Faller. The Female Secession: Art And The Decorative At The Viennese Women’S Academy. Penn State Up, 2020., Christa Spreizer

Studies in 20th & 21st Century Literature

Review of Megan Brandow-Faller. The Female Secession: Art and the Decorative at the Viennese Women’s Academy. Penn State UP, 2020. 304 pp.

Seam/Seem; Exploring Material, Craft And Embodiment Through Textile Sculpture, Heather Baumbach

MFA in Visual Arts Theses

I will argue that transforming textile materials from their origin as planate fiber, and manipulating shape and form through the employment of traditional craft techniques creates soft sculptures imbued with references to the human body. By highlighting the connections between the poetics of textiles and those of skin and the body, I examine themes of feminism, domesticity and labor encouraging speculation about intimacy, fragility, and embodiment.

The Project Of Hope: Middle Eastern Feminism In Controversy, Alla Myzelev

Art History

No abstract provided.

On The Line Mfa Thesis Exhibition Cassi Rebman, Cassandra Rebman

Master's Theses

My work asks, “What are we capable of and what might be holding us back?” I survey of themes of mortality and human frailty, psychological susceptibility, dependence and codependence, established ideas of being and an increased mediation of our experience through the screen.

I make strange and confounding objects that seek to entice as much as they repel. Though I gain method, means and motivation from the Dadaists and Neo-Dadaists, my work fits within the pluralism of the postmodern. By making material and stylistic choices to fit the narrative of each piece, I utilize the familiar and the uncanny with …