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Ohio River Survey (Fa 656), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 656. Kentucky Folklife Program project titled: “Ohio River Survey,” which includes interviews, tape logs, photographs and other documentation of folklife along the Ohio River in Illinois, Indiana and Kentucky. Interviews may include a description of belief, traditional occupation, practice, craft, or tool, informant’s name, age, birth date, and address.

Home Is, Jodie Masterman

LSU Master's Theses

As an exploration of family and personal history, Home is. aims not only to chronicle my own experiences and memories, but to touch upon the innumerable definitions of the word “home”. The objects are rooted in personal reflection, but each one refers to an aspect of play, identity, love, loss, or regret, inherent within any family. Although they do serve as a blueprint of my life, they are meant to stand as moments shared by all.

Dearest, Grace Tessein

LSU Master's Theses

Dearest is the examination of what remains of a person, looking to the objects they cherished most while contemplating the inevitability of their certain absence. The work questions the futility of preservation in the measure of time, the failure of memories held in fragile containers, and the decay of the physical body. The materials that compose Dearest are chosen for their innate longevity and their ability to evoke remembrance.

Ice Cream, Richard Frank Peterson

Graduate Theses and Dissertations

Ice Cream is a series of 2D and 3D depictions of lawn ornaments, Charlie Brown, and novelty ice cream bars, which question how White America is indoctrinated through seemingly innocuous images and objects. The exhibition unveils the white supremacy fostered within the American way of life and articulates an environment where Americans act in racist ways when they believe they are acting morally. The research found within Ice Cream attempts to dismantle the foundation these justifications are built upon. This honesty, coupled with acknowledging that these historic traditions are rooted in racial constructs, will result in a double consciousness and …

In Between, Wansoo Kim

School of Art, Art History, and Design: Theses and Student Creative Work

In my eyes, the world is composed of both revealed things and hidden things. I interpret my surroundings based on this idea, seeking to realize my ignorance and awareness. With this in mind, I create objects in which dichotomous ideas are present, and use their physically revealed and hidden aspects in order to represent the greater human struggle to see and understand what is hidden from us.

The notion of inside and outside is one of my particular subjects. Upon observing an object or a structure, we see only its external reality. I aim to present the unobservable, often presenting …

A Synthesis Of Structures, Patrick Kingshill

School of Art, Art History, and Design: Theses and Student Creative Work

I create compositional structures based on a curated catalog of physical and visual relationships that I have cultivated from my daily life. These compositions are intuitive expressions related to my fascination with the many facets of the built and designed world. My arrangements are curious and intriguing and they unify the expansive diversity of my formal inquiries into a cohesive visual and contemplative experience.

Ceramic and wood are my primary mediums. My interest in woodworking is both aesthetically motivated and nostalgic. I was born in a region of northern California that is historically known for its native giant sequoia and …

Speckled Eggs And Wooden Ashes, Kerri Mueller

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

The four ceramic bowls were wheel-thrown with a stoneware clay body and glazed with Ash Glaze (left) and Old China White (right).

Ceramic Vessel: Blue Binary 1, Brenda Roveda

The Graduate Review

No abstract provided.

Ceramic Vessel: Connected Ii, Brenda Roveda

The Graduate Review

No abstract provided.

On The Cover: Artist’S Statement For B-Phone, Brenda Roveda

The Graduate Review

No abstract provided.

Ceramic Vessel: All Blue Binary, Brenda Roveda

The Graduate Review

No abstract provided.

Ceramic Vessel: Color Binary, Brenda Roveda

The Graduate Review

No abstract provided.

Strange Rarities, Cori Crumrine

Graduate Student Theses, Dissertations, & Professional Papers

‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its references. ‘Strange’ defines something unfamiliar or extraordinary; ‘Rarity’ describes something that is uncommon, or the quality of being rare. Paired together, a ‘strange rarity’ refers to an object, a feeling, or a something, which discourages familiarity and excites wonder and awe.

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …

Impulsion, Nicholas Meyer

Electronic Theses and Dissertations

The nut, bolt, and thread are symbols of order in my work. They represent a memory trace of my time growing up in Iowa and my connection to working on the family farm. These objects have the potential to exhibit elements of both simplicity and complexity, expressed through patterns and harmony, and the repetition of form, line, color, space, presentation, and ultimately, their relation to you the viewer. With this body of work, I intend to create metaphors relating to connections people have to one another, as individuals, society and ultimately as a reflection of self. The act of grouping, …

Misfits, Hanna Newman

All Graduate Theses, Dissertations, and Other Capstone Projects

My figurative ceramic sculptures are comprised of deconstructed, fragmented and simplified renderings of the human form. Within these sculptures I integrate materials such as human hair, fabric, wood and plaster cast body parts to mimic limbs and body mass, creating diversity in the tactile surface quality. The pastel tones, bright colors and additions of hair further obscures the realistic appearance of these beings. Clay's malleability fuels my intuitive creative process and allows me to replicate the human form in ranges from anatomical accuracy to biomorphic abstraction.

I am inspired by the relationship between interiority and exteriority, between the mind and …

Fruitcake, Joshua Schutz

All Graduate Theses, Dissertations, and Other Capstone Projects

I explore figurative ceramics in relationship to gesture and sexual identity. The surfaces reference art history, decorative arts, and popular culture. The quasi-functional components of the work are inspired by my personal relationship with domestic objects and space. But also from the results of capitalism, which has created a materialistic, consumer-based society with heteronormative ideals. I respond to this heteronormativity by utilizing humor as a strategy to discuss subversive topics while simultaneously drawing in the viewer. I intend for the viewer to reflect on the purpose and narrative behind such flamboyant objects.