Art and Design Commons^™

Conscious Consumerism: A Design Process For Stylish Sustainable Apparel, Luz Becerra

Honors Theses

The main objective of this paper is to explore current consumer behavior and perspective on sustainable apparel as well as future trends in the market place such as willingness to buy. I investigated the market for organic apparel brands, and identified potential areas of growth. My findings concluded that young consumers lack interest in sustainable apparel because they are not sufficiently educated in the topic and are not willing to sacrifice their style identity, consequently purchasing trendy fast-fashion items. The fashion industry is famously claimed to be the second most polluting industry in the world, so I designed a line …

Then Again, Maybe I Won't, Claire Bartleman

Electronic Thesis and Dissertation Repository

This dossier and accompanying exhibition at MKG (Toronto, Ontario) both titled Then again, maybe I won’t, constitutes my Master of Fine Arts Degree at the University of Western Ontario. Within this dossier are a comprehensive artist statement, an interview with artist Jennifer Rubell and documentation of my art production over the course of my degree. These components contextualize my practice within the contemporary art world and outline the motivations and theoretical research that drives my work. Specifically, I look at affect theory, femmage, the burden of ownership and art theorist Jennifer Gonzalez’s notion of autotopography and how they are …

Toxins In The Collection: Museum Awareness And Protection, Nellie Slocum

Museum Studies Theses

The purpose of this thesis is to discuss museum policies regarding toxic materials used in the creation of an object or added to it as a preservation or pesticide technique. After surveying different museums, it has been found that many museums are unaware of what parts of their collections contain toxic materials. Because of this unfamiliarity with the danger these materials might pose, many museums to not have policies in place regarding them. Toxins in collection items may pose a threat to museum staff who are working with them on a day to day basis. Toxic materials are prevalent in …

Moments Of Metanoia, Mariah Anne Pickett

LSU Master's Theses

The term ‘metanoia’ embodies a climactic moment on the precipice—an instance where one is confronted by the tremendous threshold between youth and maturation. Moments of Metanoia explores these experiences that create an overwhelming division between the way things were and the way things will be. They are the crystallizing moments of metamorphosis or the shattering moments of undoing. As evidenced by their thematic appearances in ancient mythology, these dramatic episodes of transformation have existed as a part of the human condition for millennia. By using Greek mythology to explore metanoia, the universality of the human experience is emphasized. Each piece …

Cosmic Whatever, Cement Gardens, Luminous Shade, Winifred Vaughan

Masters Theses

My work is an assemblage of disciplines, reductive processes, and accumulated materials interpreted with a painterly quality. Slipping away faster than we can grasp, the unrelenting forces of time propel us forward. Memory fragments our chronologies, transforming our existence into a collaged fabric. Layered transparencies allow the three chapters of this thesis, Cosmic Whatever, Cement Gardens and Luminous Shade, to bleed into each other turning them into composed cycles. These unlikely combinations permit freedom to experience a narrative that is both vast and intimate.

The Evolution Of Ornament, Charlotte Ngaio Fairless

Masters Theses

The Evolution of Ornament is a visual exploration of Darwin’s theory of sexual selection, abstracted into three textile panels representing the allure of textural ornamentation. The fragmented shapes depicted are gathered together into asymmetrical layouts that reference dissection and bird plumage. The parallel themes of glamour in the natural world, and the pulsing vivacity of flora and fauna, emerge as a vehicle for the contemplation of the innate irrationality of desire. The viewer is seduced through neon color palettes, tactile materiality, and considered placement of specifically amorphous shapes. They are intended to simulate in the viewer the reaction of a …

Capes Make The Man, Khalid Mezaina

Masters Theses

‘Capes Make The Man’ is a project that provided me with the opportunity to grow as a designer and an artist. Over the last two years at RISD, I’ve frequently asked myself questions about my place and role as a man in the United Arab Emirates, and what awaits when I move back after graduating. Using personal narratives and cultural symbols from home, I bring to life the archetypes I carry as a mature masculine – my king, warrior, magician, lover and dancer. The end result is a series of bold, wearable capes, resembling stage costumes worn by pop stars …

Summer Peaches And Salt-Tinged Fog, Carolina Jiménez

Masters Theses

The pieces that I create are monuments of the mundane; they are both garments and--through their installation--a place as well. They are portraits of loved people, embodied through hand labor and industrial processes. In this project I destabilize the idea of a memory palace--an imagined rational space which holds memory--and replace it with an ever-expanding memory atmosphere. From a palace of marble and bronze to a fog of salt tinged color, a sky turning, like a cut plum, from orange to purple, music carried on the breeze.

I map individuals, qualities of light, flashes of color and material. Specific moments …

Haptic Wonder : The Sensation Of Exquisite Craft, Anjuli Berstein

Masters Theses

I reinterpret traditional woven techniques to create permeable handcrafted screens, by using archival research of historical passementerie and gauze structures. Conceptually, these textiles are an exploration of how wonder can be reached through exquisite craft, a result of valuable raw materials combined with fine hand manipulation. I attempt to distinguish a kind of wonder that exists as a tactile sensation based on haptic sight of minutia, versus the sublime as an experience of optical sight of distant objects.

Unmaking As Making, Viola Bordon

Bachelor of Fine Arts Senior Papers

Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set …

Craft Production And Sociocultural Context: A Case Study Of Nasa Werregue Coiled Basketry In Colombia, Cindy Cordoba Arroyo

LSU Master's Theses

According to the Alliance of Artisan Enterprise from the Aspen Institute, the existence of the artisan enterprise is valuable for native communities since it creates jobs and preserves ancient techniques (Aspen Institute, 2012). The design and development of the Werregue (Astrocaryum Standleyanum) coiled basket is a source of income for indigenous communities in Colombia. This research uses a case study method which employed semi-structured interviews with fifteen skilled Nasa Werregue coiled basketmakers, to analyze the sociocultural characteristics, design, production, and market in Werregue coiled basketry in the Pacific region of Colombia within two research settings, Cali and the …

Observance | A Passage, Charis Schneider Norell

Graduate School of Art Theses

My art practice consists of drawing with fibers within handcrafted frame looms. I position these drawings as expanded, three-dimensional “drawing spaces,” creating medium-scale installations. I wish to expand drawing’s definition beyond its traditional material limits to simply be the process of leaving marks. Fiber is my medium, and the space within the frame loom’s warp and weft becomes my support. I see the drawing process to be the gestural residue of thought, and call these works my “fiber drawings.” While I use traditional weaving methods and materials as I work, I do not call myself a weaver. I see myself, …

An Analysis Of Trade-Offs: The Artisan Fair Trade Sector, Stephanie Leiderman

International Development, Community and Environment (IDCE)

This paper examines the history, frames, critiques and current applications of Fair Trade in the artisan sector, with an eye to raising up the specific trade-offs being made, and their implications for an evolving artisan market in the global north and south. It includes a discussion of the history of the Fair Trade idea, including that sector’s increasing focus on certification, agricultural commodities, and corporate involvement. It investigates the potential lessons the artisan sector can learn from the agricultural one, as well as the lessons learned from current actors in the artisan Fair Trade field. Using a continuum of trade-offs …

Unspooling Of Experience Into Space: Diary Projects, Jinhee Kim

Graduate School of Art Theses

Through meditation and layering of yarns, I visually present the process of embracing myself, specifically my personal traumas, and cultural duality. The tension between concealing and revealing of constant shifts in emotion is a crucial facet of my artwork. Evolving from an art therapy technique, the Winnicott Squiggle Game, I am drawn to the connections one can make with one another from a simple cluster of lines and create images as a result. These images are a result of intention and accident, a combination that mimics inevitable life choices.

My method of creating each canvas is a very intricate process …

Experience Bobo Experience, Sara Smith

Capstone Projects and Master's Theses

Experience Bobo Experience -by Sara Marie Smith (Artist Statements and Images of work)

Spring 2018-CSUMB Undergraduate Capstone Project/ Visual Public Arts Department

My Senior Capstone is about using inspirational wisdom from acknowledged sources to address the quandaries of our human experiences. I have chosen a cognitive clown, named Bobo, to investigate Henry David Thoreau, Jack Kerouac, and Allen Watts. Bobo, my character, goes on a journey of learning. Bobo is a line drawing, rendered in marker, with a circular head, two dot eyes, three puffs of hair with a clown smile and clown clothing. Experience Bobo Experience speaks to …

The Significance Of Cloth In The Narrative Of The Life Of Christ As Represented In Dieric Bouts' "Life Of Christ Altarpiece", Mary-Margaret Mcleod Pilling

Undergraduate Honors Theses

This thesis explores the materialistic importance of cloth in the life of Jesus Christ and relates it to the disassembled Life of Christ Altarpiece painted by the Renaissance artist Dieric Bouts. References to cloth in the scriptural accounts of Christ’s life support the claim that there is deep theological significance to fabric. The medium of each of the paintings that comprised the altarpiece is a flax linen canvas, which, combined with the references to cloth throughout the compositions, parallels these references to cloth in the scriptures. The entire artwork serves as a metaphor for the Eucharist resting on linen on …

Creating A Textile Museum Exhibit: Conservation And Accessibility, Kelly M. Lorenz

Honors Theses

This twofold study engages a collection of early-to-mid-20th century Levantine textiles held by the Institute of Archaeology and Siegfried H. Horn Museum. The first part of the study involves identifying the risks of physical deterioration posed to the collection and then providing a proposal for the storage and display of these artifacts. Keeping the museum's means in mind, the storage plan emphasizes preventive conservation, focusing on minimizing risks wherever possible to keep damage from happening in the first place. The second part provides written interpretive material for the display that informs visitors of the textiles' geographic, physical, and cultural origins.

Pick Up A Habit, Emily Frazier

Honors Projects

Pick Up a Habit is a physically interactive experience that demonstrates the relationship between the strength of habits, their perceived priority levels, and the availability of mental space through a series of tote bags differing in weight, available space, and appearance. Through examining the bags and comparing them to others, a better understanding is gained of the effects that habitual actions have on their thought processes, and a person can more effectively evaluate and adjust their own habits.

Habits are behaviors or actions that have become automated due to repetition. People often desire to form habits to make parts of …

Alternative Futures: The Creative Reconsideration Of Fashion Objects, Kathryn Roberts

Dissertations, Theses, and Capstone Projects

This project is the beginning of what I intend to be a larger, evolving work that seeks to marry the theoretical with the practical when considering fashion objects that have “served their purpose”. The object at the project’s focal point: a worn out pair of blue jeans. My particular focus on jeans is based on the fact that they, alongside the t-shirt, are one of the most ubiquitous and commonly owned pieces of clothing for people all over the world. This wardrobe staple transcends age, race, and class, as it occupies an iconic status that has made them invulnerable to …

Reimagining The Narrative: A Contemporary Creative Collection Of Interracial Perspective, Holly Jefferies

Master of Liberal Studies Theses

This essay offers a critical analysis of my creative thesis, Reimagining the Narrative: A Contemporary Creative Collection of Interracial Perspective, which consists of five fabric art scrolls, illustrating contemporary narrative views about interracial relations. I present such information to demonstrate the need to retell history from a visual interracial perspective, so that it might be seen through a new lens. In this critical essay, I argue that while historical context and documentation records history and provides insight into historical narratives, contemporary views within writing and art persist in their capacity to not only offer new points of view, but also …

129 Home Ave., Ella Whittemore Hill

Senior Projects Spring 2018

Walking through my childhood home late at night, half asleep with my eyes barely open, I was always able to navigate myself around every corner, down every hallway, and past every creak in the floor. The muscle memory of this house, which I left behind long ago, continues to live within my body. Memory becomes faint over time; it changes and evolves, but it never disappears. Rather, it matures from the physical specificity of being in a house to being the stories of that house. When my mother moved out a few years ago (a move which I was unable …

Will You Accept This Rose?, Sasha Baskin

Theses and Dissertations

Using figures from the popular culture program The Bachelor in a large-scale tapestry-style weaving, I address the drive to create idealized simulations in order to better understand one’s own reality and identity. Natural dye and traditional weaving processes in combination with digital weaving technology allow me to literally integrate the juxtaposition of analog and digital elements which defines a woven image.

Dye work and pattern allow for large gestural drawing marks while individual threads overlap to create literal pixelized imagery. I examine the act of weaving as the creation of screens through which one can see, hide, or obscure. I …

She Has Good Jeans: A History Of Denim As Womenswear, Marisa S. Bach

Senior Projects Spring 2018

Senior Project submitted to The Division of Arts of Bard College.

Of The Crickets, Kathryn Lien

Theses and Dissertations

Of the Crickets imagines the overlapping worlds of ethical ecological solutions to climate changed sustenance and the potential for collective excellence in female exclusive environments. Using garments, furniture, site-specific installation and directed performance, the project harnesses social and material sensitivity to mine solutions for idealized living.