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Strange-Making: A Study Of Curation, Mirel Crumb

Honors Theses

The curatorial project “Strange-Making,” a three-person exhibition held at Apothecary Gallery in March 2018, is the culmination of creative research on the application of the term “ostranenie” to contemporary painting in the region surrounding Chattanooga, Tennessee. The technique of “ostranenie” or “enstrangement” is defined in Viktor Shklovsky’s Art, As Device, 1917, as the technique of describing something familiar in a way that makes it appear unknown. “Ostranenie” was originally discussed in terms of imagery in literature. This exhibition and the curatorial statement reveals the direct connection between the role description plays in representational painting as a physical construction of an …