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Full-Text Articles in Art and Design

An Egyptian Royal Portrait Head In The Collection Of The Michael C. Carlos Museum At Emory University, Karen Margaret Bryson Jul 2008

An Egyptian Royal Portrait Head In The Collection Of The Michael C. Carlos Museum At Emory University, Karen Margaret Bryson

Art and Design Theses

This thesis discusses a small, red granite, Egyptian royal portrait head in the collection of the Michael C. Carlos Museum in Atlanta, Georgia. The head is determined to be a fragment from a group depicting the king in front of the monumental figure of a divine animal, probably a ram or baboon. Scholars have attributed the head to the reigns of various New Kingdom pharaohs, including Horemheb and Seti I, but on more careful examination its style demonstrates that it dates to the reign of Ramesses II (1304-1237 B.C.).


2008 Forces, Scott Yarbrough May 2008

2008 Forces, Scott Yarbrough

Forces

No abstract provided.


Styrofoam: From Industrial Invention To Artistic Transformation, Judith Tannenbaum, Amy Pickworth, Editor Apr 2008

Styrofoam: From Industrial Invention To Artistic Transformation, Judith Tannenbaum, Amy Pickworth, Editor

Journals

Exhibition Notes, Number 29, Spring 2008. Ubiquitous in our culture, styrofoam is used to insulate buildings, package computers and other consumer products, and produce picnic coolers and containers for fast food and take-out. For decades, artists have employed styrofoam in the making of models and molds for casting. Today, however, more and more artists are exploring it as a primary material or a subject in its own right, using it in new and ingenious ways to create sculpture, paintings, and installations.


Pitiful Creatures, Shaun Wightman Jan 2008

Pitiful Creatures, Shaun Wightman

Electronic Theses and Dissertations

By focusing on character, humor, and loose narrative, I create a world full of quirky, pitiful creatures that blur the lines between illustration and "Fine Art". Inspired by golden age cartoons, Pop-Surrealism, and late 50's commercial art, I make work that speaks of the awkwardness of human emotion while keeping a "tongue in cheek" attitude about everyday life. This work is expressed through illustration, animation, sculpture, and a lot of sarcasm.


The Bridge, Volume 5, 2008, Bridgewater State College Jan 2008

The Bridge, Volume 5, 2008, Bridgewater State College

the bridge

Volume 5 Staff

Maria Alonso, Editor-in-Chief
Whitney White, Editor-in-Chief
Theressa Barnes
David Bevans, Jr.
Laura Bowen
Jason R. Gregory
Victoria Large
Mandy Lyons
Kurt M. Schleehauf
Tara M. Sullivan
Cheryl Tullis
Shaylin Walsh

Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant


Funnel Vision, David Grainger Jan 2008

Funnel Vision, David Grainger

Theses and Dissertations

This paper will talk about the videos and sculptural installation in my thesis exhibition. Shooting videos outside of the studio developed into a project overarching any individual video or its particular signs. Thus, this paper will focus on the video project with examples that follow a timeline of development, rather than the actual 6 videos on display in the exhibit. The two-part sculpture "Deer in the Headlights" is created in the context of these videos, and coexists with them in a specific architectural space. This space, as well as the clichéd meaning of the deer's gaze, have a relation to …


Spark Gap, Lillian Cox-Richard Jan 2008

Spark Gap, Lillian Cox-Richard

Theses and Dissertations

"Spark Gap" is an invisible electrical force made visible in spaces between things. This usually describes the space of air between two conductors; a non-conductive gap in an otherwise complete electric circuit, across which a quick luminous disruptive electrical discharge occurs. This interstitial space is the distance between two ideas, arced with a running leap. The arc can also be the difference between two things, a gap that becomes apparent only when the two are held in close proximity. In my thesis exhibition, "Spark Gap," a sea urchin shaped orb sits atop a tower of ladders. The orb is broken …


On Zeitgeist, James Sham Jan 2008

On Zeitgeist, James Sham

Theses and Dissertations

This thesis is an exploration into the possibilities and repercussions of articulating zeitgeist, that is, the spirit of our current age. The parameters and ramifications of such a project are, in this writing, analyzed in reference to the notion of historicity, and the narrative gaze that it perpetuates. The mechanism of canonization, and a discourse's capacity to be viral are examined.


One Hundred And Fifty Percent Elasticity, Eli Mikael Kessler Jan 2008

One Hundred And Fifty Percent Elasticity, Eli Mikael Kessler

Theses and Dissertations

The sculptural environments I create immerse the viewer in a decrepit vaudevillian past. The sculptures allude to narratives within Community Theater as well as the Drag Show. Making becomes an act; manipulating materials such as synthetic hair and paint are associated with the guise of the makeup artist. Frantic rehearsal logic prevails as a dress is repurposed into a male giant's costume and window blinds are used to construct a boat's deck. This collusion asks the viewer to transgress the boundary of the stage, becoming a voyeur privileged to the world of exiled props and role reversal.


Bounded Surface, Emilie Sayward Brown Jan 2008

Bounded Surface, Emilie Sayward Brown

Theses and Dissertations

The relationship between surface, perception, and structure has occupied my graduate studies. Locating, transforming, and transcending the surface requires play with perceptive abilities not only of vision, but of touch, hearing, and the other senses as well. How do the interactions of sense with the qualities of a surface determine our perception of the world? What role does the extension of the senses play in one's ability to perceive surface and structure? Using sense information gleaned from surfaces, the tectonics of our world are made visible. Might this relationship be played backwards as well? Composed structures produce surfaces upon which …