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"The Tide Of The Unconscious" Jung, Bosch And The Archetypes Of The Garden Of Earthly Delights, Andrea R. Peck

Institute for the Humanities Theses

Many scholars have discussed the meaning of Hieronymous Bosch's The Garden of Earthly Delights concluding that Bosch's works were of a conscious nature relating to the real world. By contrast, this study, using the theories of Carl Jung, fragments Bosch's work and sees the milieu of his art through the eyes of the collective unconscious. Accordingly, a number of explanations of Jungian ideas are presented with the view to better understanding Bosch: Jung's theory of the archetypes, his view of Christianity, his analysis of medieval alchemy, as well as matrix archetypes and symbolic forms relating to The Garden. Through this …

Cordray Simmons (1888-1970) And Lue Osborne (1889-1968): Two American Artists: Inventors Of A True Synthetic Resin Paint, Pamela E. Mayo

Theses & Honors Papers

With the 1908 exhibition of "The Eight" (Robert Henri, A. B. Davies, Maurice Prendergast , George Luks, John Sloan, Everett Shinn, Ernest Lawson, and George Bellows) at William MacBeth's New York gallery, American art received new inspiration . Ac ademicism was repressed and originality and artistic freedom were encouraged . Under Robert Henri's leadership, a new American outlook had developed. Paintings began to report individual views of life in America and describe the realities of life in the new century. Life in modern America became the new subject of art, as artists became commentators on human interest scenes.

Lue Osborne …

School Days, Bill Granstaff

Morehead State University Art Collection

A 1981 print of miscellaneous items by artist Bill Granstaff.

Walter Hollis Stevens (Exhibition Catalogue), Frederick Moffatt, Sam Yates

Ewing Gallery of Art & Architecture

Exhibition catalogue published to accompany Walter Hollis Stevens: A Retrospective, the inaugural exhibition of the Ewing Gallery of Art + Architecture at the University of Tennessee.

Walter Hollis Stevens served on the UT School of Art faculty from 1957 until the time of his death in 1980.

Winter 1981 Department Newsletter, Donald Kurka

Historical Material

Newsletter details the death of painting professor Walter "Holly" Stevens.

New faculty hires are: Dorothy M. Habel, Leonard Koscianski, Theodore C. Saupe, Sam Yates, and Shiro Otani on a one-year United States / Japan Exchange Fellowship Grant for Creative Artists,

1981 Annual Christmas Sale, Department Of Art

Historical Material

Poster designed to advertise the 1981 Annual Christmas Sale with proceeds to benefit the University of Tennessee Department of Art scholarship fund.

Don Kurka, Tom Rechenbach, And Wray Stevens, Department Of Art

Historical Material

From left to right: Department of Art head Don Kurka, Tom Rechenbach, and Wray Stevens are pictured at the opening reception of the Walter Hollis Stevens retrospective in 1981. This exhibition was the inaugural exhibition in the Art + Architecture Building.

Walter Hollis Stevens served on the UT School of Art faculty from 1957 until the time of his death in 1980. Wray Stevens is his widow.

Toward Improvisation, Sandra Janeen Howe

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Painting.

Brochure: The Osprey By Frederick William Wetzel, University Of North Florida Foundation, Inc.

UNF Foundation Art

Painting of an Osprey by Frederick William Wetzel for University of North Florida fundraising

The Photograph And Photo-Realism In Painting, Nancy G. Odom

Masters Theses

This thesis is an attempt to substantiate the legitimacy of the photograph as a source and aid to painters.

Chapter 1. reviews various artists and major art movements of the Nineteenth and Twentieth centuries influenced by the photograph. Since the invention of photography in 1839, artists such as Manet, Delacroix, Corot, Degas, Picasso, and Dali have used photographs as a source of inspiration and help in achieving the qualities they desired in their paintings. Most major art movements since the middle 1800's were influenced in some way by the various developments of the camera and photography.

Photo-Realism, a style of …

Painting From Photographs, Judith A. Poynter

Masters Theses

Based on the premise that all paintings should be derived from what can be visually observed at length, this paper explores the use of photographs as a painting aid to the artist. The paper has three main sections. The first section contains historical data, the second contains advantages in using photographic assists, and the third contains personal experiments by the author.

The paper incorporates a brief survey of twenty-five major artists who have worked from photographs with the benefits they obtained from this approach. The artists surveyed were from the seventeenth through the twentieth century.

The second section of the …

The Influence Of Structural Painters On My Work, Susan Crotchett

Masters Theses

The purpose of this thesis is to analyze influence exerted on my painting by Charles Sheeler and Edward Hopper, and to pursue the development of my work.

In the first two sections of the thesis brief overviews of the work of Sheeler and Hopper are presented. Sheeler, classified as a Precisionist, was drawn to paint in a precise, sharp-edged, hard surfaced style that was itself machine-like in character. Edward Hopper, painting at the same time as Sheeler, was not classified as a Precisionist, but his art contains many of the same elements. Though he did not paint in a sharp-edged, …