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Articles 1 - 25 of 25
Full-Text Articles in Art and Design
[W]Hole: Journey To Fullness, Joni P. Gordon
[W]Hole: Journey To Fullness, Joni P. Gordon
MFA in Visual Art
My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.
My practice began after experiencing racial discrimination for the first time on a US work …
Portraits: A Study In Objects, Family Relations, And Race, Julie Quintero
Portraits: A Study In Objects, Family Relations, And Race, Julie Quintero
Theses
My final project is a body of mixed-media portraits which were exhibited at SculptureWorks Ferguson in December, 2021. Each of the twenty works are visual representations of events, identities, or relationships, experienced in both the past and the present. The materials used to help push each narrative include fabric, yarn, coffee filters, embroidery, wood, stain, plaster, metal, concrete, inks, conte, paints, and/or found objects. Each piece demonstrates a unique combination of image, media, and technique in the field of contemporary art. Some of the works include objects made by the people being portrayed. Others include materials that were acquired via …
The 2020 Awakening: A Study On Exhibiting Topics Of Race And Identity In Mid-Sized Art Museums, Samantha Becker
The 2020 Awakening: A Study On Exhibiting Topics Of Race And Identity In Mid-Sized Art Museums, Samantha Becker
Seton Hall University Dissertations and Theses (ETDs)
After the many racial injustices that occurred in 2020, cultural institutions have been motivated to educate the public on historical and contemporary topics of race and identity. This project sought to analyze exemplary cases of exhibition production with topics of race and identity in mid-sized art museums. The goal was to provide a set of recommendations for exhibiting these topics to bolster community trust. Two museums were studied–the Montclair Art Museum and Newark Museum of Art–which revealed that the exhibitions at both institutions were relevant to contemporary issues, engaging to their respective communities, and educational for a wide range of …
To The Studio, In The Studio, Home, Miquel R. Veldkamp
To The Studio, In The Studio, Home, Miquel R. Veldkamp
Theses and Dissertations
A curated series of poems and mini essays that reflect on personal life, politics, art history, folklore, science, identity and race. It addresses the questions that inform my work, and echoes its ethos of play, exploration, curiosity, vulnerability.
Own Your Politics: The Entanglement Of Resistance And The Luxury Fashion Industry, Brent A. Van Horne
Own Your Politics: The Entanglement Of Resistance And The Luxury Fashion Industry, Brent A. Van Horne
Dissertations, Theses, and Capstone Projects
This thesis takes as its subject the increasing instrumentalization of social and political content by the fashion industry in recent years. Such content raises questions about the relationship between notions of political resistance and market capitalism. Marxist theorists such as Frederic Jameson and David Harvey would perhaps view this phenomenon as a confirmation of the ways in which late capitalism incapacitates forms of political descent by absorbing it within its machinations. Within this line of thinking, the way in which various designers use the fashion runway as a forum for protest would suggest late capitalism’s seemingly boundless ability to absorb …
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton
CMC Senior Theses
An exploration grounded in the works of visionary artists within the contemporary Post-Black era. Artists such as Kara Walker, Kerry James Marshall, and Glenn Ligon whose works resonate with the fears, anxieties, and intentions that I wrestled with. I engaged with the iconography and historical background of the contemporary Post-Black era. A dive into the historical, philosophical and artistic implications behind making art about race and racism as a Black artist. Ultimately, through the aid of artists from the Post-Black era, I created a three-part response to the initial question: “Why don’t you make art about race?”
In/Visible, Raymond Thompson Jr
In/Visible, Raymond Thompson Jr
Graduate Theses, Dissertations, and Problem Reports
My MFA thesis and supporting exhibition focus on challenging the United States’ photographic archive that often left out African-American people. The work, through the use of appropriation and alternative photographic processes, disrupts America’s historical visual archive and notions that surround the white gaze. Through the unsettling of this visual space, new speculative narratives can be created to help imagine new futures. This work is the beginning of a process of mourning histories I have never known and reclaiming a place for myself and my family in the American landscape that is free of racial trauma.
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton
Scripps Senior Theses
I constantly experience external pressure to make identity-related artwork in response to the ongoing racial-reckoning occurring in the United States.
Initially, I was concerned with the pitfalls of creating identity-art. One of which being pigeon-held as a Black artist— whose sole function is to share my vulnerable experiences —and be commodified and diluted for superficial consumption. A Black artist whose work would only be valuable when institutions needed to satisfy a diversity quota, a Black History Month initiative or to conduct damage control after being “canceled.”
All of which may very well still happen. I’ve utilized this project to work …
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton, Blake Morton
Painting While Black: Exploring Racial Identity Through Iconography, Blake Morton, Blake Morton
CMC Senior Theses
I constantly experience external pressure to make identity-related art work in response to the ongoing racial-reckoning occurring in the United States.
Initially, I was concerned with the pitfalls of creating identity-art. One of which being pigeon-held as a Black artist— whose sole function is to share my vulnerable experiences —and be commodified and diluted for superficial consumption. A Black artist whose work would only be valuable when institutions needed to satisfy a diversity quota, a Black History Month initiative or to conduct damage control after being “canceled.”
All of which may very well still happen. I’ve utilized this project to …
This Month, Jennifer N. Figueroa
This Month, Jennifer N. Figueroa
Theses
This Month is a series of collages that depict police violence at civil rights and Black Lives Matter protests. By pairing events from 1964 to contemporary protests that occurred in the same month, the collection draws a connection between the past and present.
I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche
I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche
Theses and Dissertations
I Hope My Black Skin Don't Dirt This White Tuxedo is a series of works--sculpture, installations, and performances--that explore themes of shame, failure, commodity, ephemerality, ritual, resilience, erasure, race, and death. The research and interest in these themes stem from a page of the Trinidad and Tobago Slave Registry. I use the research that surrounds this document to highlight different moments in history, in my personal life, and to imagine near futures.
Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti
Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti
Electronic Thesis and Dissertation Repository
This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. By focussing on artist-led and institutional initiatives, I emphasize the importance of art in both community and narrative-building.
This research has taken the form of a written dissertation and two adapted projects, and positions …
Defining Moments / A Life Portrait, Timothy Haerens
Defining Moments / A Life Portrait, Timothy Haerens
Electronic Theses, Projects, and Dissertations
Defining Moments / A Life Portrait
In his MFA Thesis Exhibition, Defining Moments / A Life Portrait, Timothy Haerens explores and celebrates our connectedness to one another as members of the human race. “We are here to awaken from the illusion of our separateness.” Haerens chose this quote from the Vietnamese Buddhist monk and peace activist, Thich Nhat Hanh, as the inspiration for his show because it affirms his belief that we are linked to one another by virtue of our humanness.
Through his abstract paintings on canvas and plexiglass, as well as through his prints and collagraphs, Haerens …
Mud Bog: Reconsidering Rural America, Michael Vincent Bodnar
Mud Bog: Reconsidering Rural America, Michael Vincent Bodnar
Senior Projects Spring 2019
Mud Bog is an examination of the social and economic realities that present-day Americans living in rural communities endure, and how circumstances beyond their control have prodded them toward narcissistic displays – which can often be troubling expressions of darkness and intolerance.
I hasten to add that my artistic goal is not to wag a finger of disapproval at those depicted, or to punch down at them. I strive to treat this material with sensitivity and empathy. My intent is to shed a light on the conditions that have contributed to the current rancorous state of political and cultural division …
The Realness Or, Liquid Smoke Or, This Is What The F••K Boutta Happen, Octavia M. Burgel
The Realness Or, Liquid Smoke Or, This Is What The F••K Boutta Happen, Octavia M. Burgel
Honors Papers
This research uses personal and theoretical frameworks to unpack paradoxical notions of Blackness in both it’s political and chromatic understandings as related to my studio practice. Jared Sexton posits the color Black as simultaneously all-consuming and incomprehensible; a necessarily contradictory state. I utilize this concept in addition to material histories that span from Pompeii to modern day New York City and art historical references as foundational explanations of my work. Written in both formal and intimate voices, this text is an extension of my studio practice, situated at the nexus of the realization and subversion of binary states of existence.
Racial Peeves: The Exploitation Of Microaggressions, Olivia Gabrielle Ellis
Racial Peeves: The Exploitation Of Microaggressions, Olivia Gabrielle Ellis
Undergraduate Honors Theses
Racial Peeves: The Exploitation of Microaggressions documents my personal experience of dealing with microaggressions throughout my life, as well as the history of these racial issues. This thesis also documents the creation of my Senior BFA Exhibition of the same title inspired by 1970s Blaxploitation posters.
Ice Cream, Richard Frank Peterson
Ice Cream, Richard Frank Peterson
Graduate Theses and Dissertations
Ice Cream is a series of 2D and 3D depictions of lawn ornaments, Charlie Brown, and novelty ice cream bars, which question how White America is indoctrinated through seemingly innocuous images and objects. The exhibition unveils the white supremacy fostered within the American way of life and articulates an environment where Americans act in racist ways when they believe they are acting morally. The research found within Ice Cream attempts to dismantle the foundation these justifications are built upon. This honesty, coupled with acknowledging that these historic traditions are rooted in racial constructs, will result in a double consciousness and …
I Love You Three-Fifths, Brittany B. Tucker
I Love You Three-Fifths, Brittany B. Tucker
Senior Projects Spring 2018
Disparities in representation are gaps that can be filled. They’re also abundances that can be destroyed or dispersed. Misrepresentation is another useful tactic. In “I Love You Three-Fifths” I’m choosing to misrepresent the white body by caricaturing and simplifying it in order to address the relationship between American blackness and whiteness through portraiture. This “dis-representation” allows me to paint intimacy and interaction without committing to the Western ritual of rendering white bodies. Instantly, by rendering myself realistically, I become the primary subject. I am real while the white man is the joke of the painting. It’s a reversal of the …
I Promise I'M Not Racist, Yashar Hashemi
I Promise I'M Not Racist, Yashar Hashemi
Senior Projects Spring 2018
An attempt to complexify race relations in the United States by an Iranian American boy.
Community-Based Initiatives For Neighborhood And Community Rehabilitation: A Case Study Of The Mission District, San Francisco, California, Francesca Monique Gallardo
Community-Based Initiatives For Neighborhood And Community Rehabilitation: A Case Study Of The Mission District, San Francisco, California, Francesca Monique Gallardo
Cal Poly Humboldt theses and projects
Through the case study of San Francisco, CA’s Mission District, this research project addresses how community-based affordable housing development is operationalized to rehabilitate communities and neighborhoods experiencing effects of gentrification, mass displacement, and cultural dilution. My goals were to identify how the processes of building a sense of community, trust, and cohesion- rehabilitating and critical to affordable housing development efforts in the Mission District? And, how are nonprofit community development organizations engaging with these processes in collaboration with citizen and community partners? The final objective is to provide evidence-based strategies to assist other at-risk minority communities and neighborhoods in the …
Invisible Invisibility, Eugina Song
Invisible Invisibility, Eugina Song
Theses and Dissertations
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.
Creating A Multiracial Lesson Plan, Clayton Davis
Creating A Multiracial Lesson Plan, Clayton Davis
Capstone Projects and Master's Theses
The purpose of this project is to teach students about multiracial identity issues. Multiracial populations in the U.S. continue to grow and it’s important for educators to address the needs of these students. A 5-E multiracial literature lesson plan was created for second grade that incorporates KWL and Text-to-World teaching strategies. A second grade class were read two children’s picture books, each featuring a biracial protagonist, and were asked to discuss and evaluate the content and commonalities of these stories. Students recorded what they learned in this lesson in their KWL’s. The results reveal that some students understood the problems …
Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard
Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard
Graduate Student Theses, Dissertations, & Professional Papers
This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.
The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …
Home Starts From Within, Joliza G. Terry
Home Starts From Within, Joliza G. Terry
Masters Theses, 2010-2019
Moving to Harrisonburg proved to be a culture shock for me because in the past, I had lived in areas where the levels of diversity were different and allowed me to feel more at ease. I faced the issue of feeling uncomfortable in a new-found environment and felt compelled to start a dialogue about my experience through my artwork. It was imperative for me to find a way to create a community for myself, and by doing so in my artwork, I have thrived from my experience of feeling out of place. I began making work about self-image, family and …
Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek
Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek
Theses and Dissertations
This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.